Alex of Venice

To me, Indie movies are not really about a deep meaning or some moral lesson that is meant to be learned upon the conclusion of a movie. I mean its nice when it is there, but at the same time, I am perfectly fine if there isnt one.

Indie movies are about feeling melancholic, relaxed and careless. They are about forgetting your own troubles for an hour and a half and just enjoying the spectacle.

With Alex of Venice I got just that. Its a carefree movie with a central plot of a woman trying to piece her life together after her husband leaves her. It has its holes and misses in the plot but it was never meant to compete for academy awards. It was meant to be enjoyed for its simplicity and I did enjoy it.

The movie looks nice with good color patterns and nice soundtracks. Mary Elizabeth is pleasant as the lead and the supporting cast leaves nothing to complain about.

If you want to learn a big moral lesson and then write a thesis statement on how divorce affects young women, then this is not your movie. However, if you want to relax for and hour and a half and just watch a nice movie, then give Alex of Venice a shot.

From thequickflickcritic.blogspot.com/

Mary Elizabeth Winstead has emerged as one of my favorite actress's. Ever. She positively shines as "Alex of Venice" with yet another in a continuing string of organically enchanting performances.

This time she gives us Alex, a young environmental protection attorney whose workaholic overachieving has relegated her own family to virtual peripheral status. Alex's poignant reexamination of her priorities are at once engaging and heartbreaking as exquisitely brought to bear by the wondrous Winstead.

Chris Messina pulls double duty here. As Director, he shows a keen gift for extracting the essential nature from each of the film's fine cast. This includes Messina himself, as he delivers a moving turn in the role of George, a neglected husband who has ignored life's personal callings for far too many years.

Don Johnson is also simply superb and genuinely affecting as Alex's rough around the edges dad, Roger. Johnson's rendering of a washed up TV series actor playing a supporting part in what amounts to a community theater production parallels his character's succumbing to an insidious disease that threatens to rob him of his mental faculties.

Derek Luke makes an impression as a smoothly shrewd real estate developer who comes to reveal a soul more than capable of conveying compassion. And kudos to the great Jennifer Jason Leigh. While her presence is small, her big name is absent from the screen during "Alex"'s opening credits.

How often do we see THAT kind of modesty in Hollywood?

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This should be at least some 20 minutes longer. From beginning I felt whole storytelling as rushed. Husband suddenly announces that he can't do it anymore, and leaves. But we couldn't see almost nothing why, how family was really dysfunctional. And it was so most time. I don't know who to blame more: writers or director. Probably both. It seems that director felt in love with Mary Elizabeth Winstead (MEW in further text), and focused on her all time - there was plenty of scenes with only her on screen. Actually, I can not blame him for that - camera loves her, and she was ideal cast for idealistic, as young dedicated to school, work type young woman. I watched this mostly because of her. Don Johnson was pleasant surprise in atypical role. Unfortunately, there is strong impression that male characters were not just lower time on screen, but presented as lower worthy. Still, it could be pretty good indie movie with better storytelling and more time. Was problem with budget or directors inexperience, I can't tell. Acting from MEW, Don Johnson and Skylar Gaertner was superb. Other did good job too. My rating is 6 - it was watchable, not boring, maybe simply because you can not stop to watch MEW :-)

Directed by actor Chris Messina, Alex of Venice is highly indie on the scope of indie-ness from the mundane plot to the uneventful conclusion.

Alex of Venice is so indie that its plot can be summarized like something out of a fortune cookie "do not resist the progress when your life takes a turn toward a new beginning." Seriously, Archon is not even trying to be cute in that little blurb. Alex of Venice is about a workaholic female attorney with a stay-at-home husband who must adapt when her husband suddenly chooses to leave the marriage. Not only must she acclimate to the added responsibilities of tending to the issues at home, but she must also adapt if she is to survive with her sanity intact.

Alex of Venice is not a comedy nor is it quirky in the way that indies typically are, it is just a straightforward drama.There is drama incorporated through Alex's work and legal pursuits, drama with her child, drama with her family, her love life and marriage. All in all, Alex's life is a real mess and is handling it surprisingly well considering.

The cast is a medley of producers and writers associated with the film and that translates to a general familial comfort between the cast. None of the characters in Alex of Venice are particularly captivating, and that is with our film critic having a girl crush on the lead in the film Mary Elizabeth Winstead. In a way, Alex of Venice is refreshing because the characters are loud enough to be distinctive but realistic enough to be genuine.

Alex of Venice is as much of a good non-event as you can get. It is all very under developed but not necessarily bad and I'm sure those who knew of it will watch it. But it is just not remarkable enough to recommend.

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Alex (Mary Elizabeth Winstead) is an environmental attorney, currently absorbed in what is possibly one of the most important cases in her career. When her stay at home husband (Messina) surprises her with the news that he needs some time for himself, she is left alone to deal with their son Dakota, her father (Don Johnson), the arrival of her free spirited sister and above all herself.

Alex Of Venice is Chris Messina's directorial debut. It was a pleasure to discover that someone who has been on the independent film making scene for some time had decided to step behind the camera. It is probably safe to view Alex of Venice as a starting point for Messina, who shows an unwavering dedication to the titular character as well as a strong focus, which allows him to maintain a consistent tone throughout the feature. There is a potentially powerful theme at the core of Alex of Venice. Dealing with the instability and vulnerability brought along by loss is where the director's attention lies. Yet, while Alex's struggle of having to juggle with much more than work related issues is immediately apparent, there appears to be little space for growth or introspection, making her overall journey unremarkable. Nothing seems to suggest that the 20 something year old protagonist might actually find a way to "reinvent" herself and be able to rise up to the challenge of being on her own for the first time. Alex's relationships feel for the most part underdeveloped to the point where it becomes difficult to view her being a mother, a daughter and a sister as significant elements in her identity. Mary Elizabeth Winstead does the best with what she is given, portraying a young woman who is destabilized in more ways than one by her partner's sudden absence. There might be an idea of a missed opportunity after viewing Alex Of Venice. As previously stated, it could be considered a not entirely convincing, yet hopeful starting point for Chris Messina's love affair with characters dealing with the hardships that result from changes that are as traumatic as they are unexpected.