Una familia negra de granjeros canadienses, descendientes de refugiados de la Guerra Civil, defiende su granja y comida de caníbales en un mundo post-apocalíptico.Una familia negra de granjeros canadienses, descendientes de refugiados de la Guerra Civil, defiende su granja y comida de caníbales en un mundo post-apocalíptico.Una familia negra de granjeros canadienses, descendientes de refugiados de la Guerra Civil, defiende su granja y comida de caníbales en un mundo post-apocalíptico.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 6 nominaciones en total
Opiniones destacadas
40 Acres is advanced in how it treats familial, racial, and interpersonal traumas. One could look at this film as an allegorical reflection on the devastation ravaged by North American colonists towards multiple communities (i.e. Indigenous Canadians and enslaved Africans) and, while this is necessary to feel the full weight of these survivors' journeys, the genre bending and fast-paced sequences are so well-tailored that the thrills alone can carry the film.
These are survivors in the truest sense of the word, and it's not killing or laboring in the fields that gives them a hard time, it's learning how to build the trust to let others in.
These are survivors in the truest sense of the word, and it's not killing or laboring in the fields that gives them a hard time, it's learning how to build the trust to let others in.
Bare bones dystopian sci-fi future thriller without AI, robots, cell phones, nuclear fallout or helicopters. Just farm living. And only crops are involved. Not even a smart pig. "40 Acres" works as a minimalist thriller because everything is very simple. A family defends their land from the bad guys. There you go.
A simple premise with plenty of layers to chew on. Technology is useless, except for radios and guns. Seeds are gold because livestock is deadstock, or just disappeared stock. No stock. Farms are the new countries, barb-wire bordered and defended to the death.
The defenders here just happen to be of a mix of Native and Black North Americans, coexisting as a well-oiled military machine, thriving in a survivalist bootcamp scenario. Community, culture, education, loyalty, tradition, family, survival, greed, coming of age, life lessons, it is all here. Albeit a bit formulaic and predictable, the film is lively enough to pull the scenario off.
"40 Acres" is a very good-looking film, brimming with excellent performances, that never strays far from the action. The secret to succeeding in this genre: never slow down so the audience can question the sketchy logic. Go go go!
A simple premise with plenty of layers to chew on. Technology is useless, except for radios and guns. Seeds are gold because livestock is deadstock, or just disappeared stock. No stock. Farms are the new countries, barb-wire bordered and defended to the death.
The defenders here just happen to be of a mix of Native and Black North Americans, coexisting as a well-oiled military machine, thriving in a survivalist bootcamp scenario. Community, culture, education, loyalty, tradition, family, survival, greed, coming of age, life lessons, it is all here. Albeit a bit formulaic and predictable, the film is lively enough to pull the scenario off.
"40 Acres" is a very good-looking film, brimming with excellent performances, that never strays far from the action. The secret to succeeding in this genre: never slow down so the audience can question the sketchy logic. Go go go!
- hipCRANK.
I saw a preview for this movie a couple of months ago and made a point of making sure I saw it when it released. I'm so glad I did because this movie is easily one of the best Canadian productions I've ever seen.
R. T. Thorne really nailed this one, and left me leaving the theatre with a sense of pride that a Canadian filmmaker, and an almost all Canadian cast could make something so entertaining.
The casting was excellent! Everyone brought their own touches to an already excellent script. It was easy to care for every member of the family. Danielle Deadwyler is quickly becoming one of my favorite actresses and she nails it here as the overprotective Mom.
The cinematography was great, the title cards between the different sections of the film was a nice touch. All in all, this movie is worth the price of admission.
Bravo to everyone in the cast. I can't wait to see more from each and every one of them.
R. T. Thorne really nailed this one, and left me leaving the theatre with a sense of pride that a Canadian filmmaker, and an almost all Canadian cast could make something so entertaining.
The casting was excellent! Everyone brought their own touches to an already excellent script. It was easy to care for every member of the family. Danielle Deadwyler is quickly becoming one of my favorite actresses and she nails it here as the overprotective Mom.
The cinematography was great, the title cards between the different sections of the film was a nice touch. All in all, this movie is worth the price of admission.
Bravo to everyone in the cast. I can't wait to see more from each and every one of them.
Doesn't give apocalypse nor scifi. Acting was amateur. The violence was accurate, the deuss ex machina scene was not believable. We didn't care enough for the characters from their poor development. Would not recommend not cause acting was laughable nor for the underwhelming climax of it all, but because loosely connected stories coupled by a deplorably written script gave a childish almost annoying vibe that makes a enjoyable movie going experience feel like torture . Had hopes by the rating of the film, so I had to leave a review to anyone thinking they might want to see this. DON'T. Your wasting your time.
Just saw the movie. First the movie is too long by probably a half hour. There is lots that could be cut to save time and make the movies pace better. I would have also appreciated more world building. There was a small blurb at the beginning but thats pretty much it. The mother is unlikable which I think is the point but it's too much for too little payoff. The step dad and his daughter are a breath of fresh air for the characters. The movie takes forever building up to the action which is at least good. There was a very cool dark action scene that I would have loved to have more of.
Overall it's too long too slow tells too much about stuff that doesn't matter and not enough about what does.
Overall it's too long too slow tells too much about stuff that doesn't matter and not enough about what does.
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- Bandas sonorasNever Get Over You
written by Aaron R Kaplan
courtesy of Extreme Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- 40 aakrit
- Locaciones de filmación
- Sudbury, Ontario, Canadá(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 761,980
- Fin de semana de estreno en EE. UU. y Canadá
- USD 241,296
- 6 jul 2025
- Total a nivel mundial
- USD 765,951
- Tiempo de ejecución1 hora 53 minutos
- Color
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