The Last Wife

I started following Victor Vu's films since "Passport to love" (2009), and I'm quite happy that I was able to take in this latest offering of his. The cinematography is top notch - right from the start, you're pulled into the story by the gorgeous sceneries, the lush vegetation, the breathtaking waterfalls and rural vistas. This is also a period drama, in which the costumes are sumptuous, the peasant dresses authentic looking, and you experience full immersion in 19th century Vietnam, during the Nguyen dynasty. The story is fairly straightforward and its development and denouement somewhat predictable. In scope and breadth, it reminded me of "Raise the red lantern" the Chinese-language 1991 Zhang Yimou romantic comedy starring Gong Li. Here too we witness the bleak fate that befalls young, pretty women when confronted with family poverty and ruthless, cruel landowners or government officials. The acting is very good. Kaity Nguyen, Thuan Nguyen, and all the supporting cast put in solid, very believable performances. It was a good 2+ hours in an pleasant, delightful, at times tear-jerking movie. I hope that Victor Vu will continue to give these little gems, which, IMO, are much better fare than the blockbusters and superhero rehashes we seem to keep getting from the big studios. I fully recommend "The last wife" and give it a solid 8 stars.

I read reviews after watching. First I will say that I will refrain from bashing another countries dramas and or acting style to get my point across. It had potential but it missed the mark in my opinion. With that being said I have only watched K&C dramas so this was a new direction. I was not pleased but I wasn't disappointed but that's probably because I didn't have any expectations when I chose it. It's more of a mixture of a bunch of ideas that had absolutely nothing to make them have a common ground.

Poverty meets wealth. Wealth abuses power. Then, poverty after losing all hope, eventually finds peace.

I really enjoyed the cinematography in this film. The scenery is stunning and it was wonderfully photographed and very pleasing to look at. So much so that I hope to go to visit the area where it was filmed to see the scenery for myself.

I think that the main actors portrayed their characters very well. I found it a very moving story because I felt invested in the characters and lost in their tale. This is quite a long film but it did not feel long because I was very engaged throughout. There are moments of high tension which keep you on the edge of your seat.

I have been told that the actor who played the governor is better known as a theatrical comedian rather than as an actor.

A bittersweet tale of lost love and opportunities, The Third Wife spins Linh and Nhan's story of sacrifice and redemption into something quite special. The pairing of Kaity Nguyen and Thuan Nguyen as the star-crossed lovers, combined with Victor Vu's skillful direction and superb cinematography make for an unforgettable viewing experience. The supporting characters offer a glimpse of what life must have been like during the Nguyen dynasty for this quiet village, drawing sharply divergent portraits between the simple villagers and the ruling class. It does run a bit long by Western filmmaking standards, but that may be the point - this is not "movie-making as usual".

In the first scenes of the movie, I felt like I was watching a pornographic film because there were too many explicit scenes. Although I could see the director's intention to compare the emotions of the polygamous character in different situations, the storytelling made it difficult for me to empathize or sympathize with this character. The story lacks logical consistency, with characters behaving irrationally by shouting and attacking each other recklessly regardless of the circumstances and timing, which doesn't seem plausible. The character named Nhân is impulsive, instinctive, somewhat dim-witted, and always in a lustful state, ready to rush into the third wife's room for sex, even when she is entertaining dozens of guests. The characters lack emotional connection, relying only on personal gain to come together, making the story disjointed and lacking depth.