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Ever since his big screen debut in Joel Schumacher's 'Tigerland,' Shea Whigham has been a compelling force. Consistently reliable, he has delivered nuanced performances in everything, from Goran Dukic's 'Wristcutters: A Love Story' to the TV shows 'Boardwalk Empire' and 'Gaslit'. Ever versatile and understated, Whigham brings a captivating authenticity to his roles, always seeming perfectly cast.

That proves to be the case once more in Jeffrey Reiner's 'Lake George.' A comic crime drama, it follows Don, an ex-con. In debt to a gangster, he is hired to kill Phyllis, an ex-employee of the thug. Don reluctantly takes the job, though the savvy Phyllis proves to be more than she seems. She and Don team up, and as they navigate the sun-drenched streets of California, they dodge danger, scheming their way through tricky situations, as they develop an unexpected bond.

Akin to a Coen Brother film or an Elmore Leonard adaptation, it's a fantastic neo-noir, brimming with dark comedy. The narrative unfolds with a blend of wit and grit, with a careful balance of tension and humour. As Don and Phyllis hit the road, one is treated to a taut caper, full of strong dialogue and engaging moments. Reiner's characterisation is deft; every personality is well-rounded. Tense and darkly funny, the film is compelling from start to finish.

Moreover, beneath the surface lies a poignant exploration of redemption and human connection. Don and Phyllis, despite their criminal inclinations, find themselves reflecting on their pasts and questioning their futures in a world that's seemingly set against them. It's this emotional depth, woven seamlessly into the narrative, that elevates the film beyond its premise.

Reiner avoids the usual tropes found in films like this, subverting our expectations. Don is a sensitive soul, who wants nothing more than to get to the eponymous lake and rest. He isn't a stoic gunman, walking with steely determination like Lee Marvin in 'Point Blank.' He's an uncertain chap, struggling with an existential crisis- not exactly your usual main character in a neo-noir. He's a refreshingly atypical protagonist, who is hard not to root for.

In addition, Phyllis isn't just your usual smart-mouthed moll going along for the ride. She's clever, witty and resilient and will do whatever it takes to survive. Her relationship with Don is complex and layered, evolving from mere convenience to a genuine bond forged by their shared struggles. This evolving dynamic adds an emotional resonance, making their journey not just a thrilling romp, but also an exploration of trust and redemption.

One minor drawback is the third act, which feels slightly rote. As the narrative edges toward its conclusion, the film leans on familiar neo-noir beats, such as a predictable final confrontation, that is less inventive and unexpected than previous acts. However, even as it trades some of its earlier unpredictability for convention, the characters' arcs still land with a satisfying resonance, making the climax a powerful moment.

Furthermore, Tod Campbell's vibrant cinematography is striking, enhancing the film's tone and atmosphere. From the busy streets of L. A. to the serene landscapes approaching Lake George, every shot is meticulously crafted. Campbell captures the contrast between the chaos of urban life and the calm, almost dream-like quality of the destination Don yearns for. This visual storytelling not only enriches the narrative but also adds depth.

In addition, Stuart Blatt's production design heightens the film's immersive effect and noiresque qualities. Moreover, Rene G. Boscio's evocative score complements the visual storytelling, underscoring the tension and humour throughout. Brian Beal's editing is also a key factor, establishing a steady pace that never lets up.

Having said that, the film could have easily failed were it not for its two stars, Shea Whigham and Carrie Coon. Whigham delivers a layered performance, showcasing a man torn between his past and his desire for a peaceful future. He makes the fragile Don a compelling character, imbuing him with a sense of vulnerability that is both touching and relatable. Grounded and believable, Whigham is terrific.

Coon is similarly good, blending sharp intelligence with resilience and depth. Her Phyllis is not one to be fooled, and Coon brings a fierce determination to the role that is captivating to watch. She masterfully balances Phyllis's toughness with moments of vulnerability, creating a complex and multi-dimensional character. Her and Whigham's palpable chemistry ensures the film is a smooth ride from start to finish. Meanwhile, all in the supporting cast- particularly Max Castella as one of the gangster's henchmen- deliver strong performances.

With 'Lake George,' Jeffrey Reiner has made a gripping, darkly funny crime flick that is sure to please. Boasting striking cinematography and a stirring score, it works on multiple levels. Reiner reworks the archetypes of noir storytelling- offering a 'hitman and moll' dynamic that defies cliché. His narrative is engaging and the characters within compelling. Stars Shea Whigham and Carrie Coon are both brilliant, while their supporting cast don't let them down. In short, the clever crime caper 'Lake George' makes waves and sails smoothly.

Sometimes a decent indie film comes along and makes a pleasant change from all of the big-budget tripe being shown.

Shea whigham is always great to watch and this time plays a down-on-his-luck bum. He approaches a gangster for money he's owed after being in prison.. the gangster refuses the money unless he does one last job. Carrie Coon plays the gangster's humorous ex who teams up with Shea and end up in a few dilemmas.

It's a simpleslow-burn movie but it's definitely an enjoyable film with some nice California scenery thrown in.

I would say it's a comedy/noir/thriller/road movie.

Not bad at all.

Been a while since I've seen Shea Whigham in the movies but then again, it doesn't feel like it's been that long. I know I have seen Carrie Coon somewhere but can't remember which movie I saw her in.

I've seen Whigham in The Wolf of Wall Street (2013). So this movie is basically about a man who gets caught up in the game and gets involved with a mobster who threatens his life.

The mobster orders him to kill a woman (played by Carrie Coon), but he is very reluctant to do so and instead becomes intent on stealing money from the guy who ordered the hit.

Both Whigham and Coon's performances are great on screen and they learn to care for each other as the movie goes on. It's not a Bonnie & Clyde type story, but it's more of a revenge/road film. Definitely recommended.

An english language movie telling the story of a man (Shea Whigham) returning to public life for prison. He visits a well heeled gangster who orders him to perform one more job. This entails killing the gangsters old love interest.

The rest is an obvious play, Carrie Coon plays the love interest of the gangster and her trapped in the car with her would be killer goes through all the steps you can imagine. Her voice for some reason is strident, and just a little annoying. Something lacks on the audio here, it goes to the plot that she would be loud and demanding, but it does travel to the middle of ones brain!

The ending of the movie goes past it's climax and soon we cannot wait for it to be over. The great things about the movie are the pictures and photography are clear and beautiful. So many modern movies take the slow burn to hell and back, but this is very well paced. If you get a chance, do watch this one. Great plot, acting good, direction is good too. Pity about that sound....

The story unfolds at its own pace. Neither lead character is particuarly compelling, but the actors do an excellent job of making the audience care about them. We get just enough back story to be intrigued. This was not meant to be Pulp Fiction or Fight Club. As subdued stories go, this was excellent. There is enough money on the line to make this story interesting. Well-written, well-directed. I would have no idea how much of an audience a film like this can hope for, but I watched a lot of movies, always looking for something different, something to show me a story in a way I haven't seen before and this fit the bill. Well done to the cast and crew. Very glad I saw this movie!

This was a complete surprise and a real nice one.

This movie stands tall in its genre (neo-noir). The movie's greatest strength is the chemistry between the characters and how their relationships develop throughout the movie. In addition to that, this is a love letter to Southern California and is shot beautifully. The plot of the movie did more than enough to keep me interested, and the ending had me thinking for a few days, which is always a sign that the movie stuck with me. A lot of surprises along the way, see it. Both of the main characters had great chemistry, highly recommended. Gangsters and such.

An odd story worth at best 80 minutes dragged on for 2 hours to a dull ending! Having influencers give reviews instead of actual movie critics rating movies! The reviews have been like late night talk show reviews! Just big kiss ass interviews raving how the latest mediocre movie is so wonderful!

I remember Carson saying that was a bit of a stinker when talking to someone about a crap movie. But know that the movie industry owns most of the networks all turds are boffo😱 The same people own most of the media and have turned the news into the same either biased or mediocre trying to be relevant!

This movie is my first time(to my knowledge), I have watched a movie starring either Shea Whigham or Carrie Coon. The movie moves rapidly, wondering what is going to happen next??? Shea does a great job, but Carrie...knocks it 'OUT OF THE PARK'! I was immediately captivated by her screen presence and ability to create a character with so much charisma, wit, cunning and resolve. No matter the obstacle, she has the solution. She was so convincing in that role, just a masterful performance, and a joy to watch! I find it rare, to watch a movie with this degree of quality in the script and acting. All the principals in the movie, gave great performances, Kudos to all; especially, Carrie!

Their sketchy yet irresistible deal keeps you hooked, while the story's shady twists lead to unexpected redemption. It's fun, unpredictable, and has a SoCal local vibe that makes it easy to connect with. Cities like Thousand Oaks, Goleta, and Lake George in Mammoth Lakes, California, give the film a familiar, grounded feel for anyone who loves this area. The characters are quirky yet relatable, and their misadventures are packed with humor and heart. There were genuine outbursts of laughter in the theater during several scenes, showing just how well the comedy lands. I enjoyed it so much that I bought the movie to watch again at home and noticed even more little details the second time around. If you're looking for something entertaining with a mix of chaos, charm, and local love, I highly recommend this film!

Lake George, Jeffrey Reiner's latest work, marks a significant return of the director to independent cinema after decades dedicated to television. This neo-noir brings a nostalgic approach while intelligently subverting genre tropes, resulting in an experience that surprises with emotional depth and dark humor.

The plot follows Don (Shea Whigham), a broken ex-convict, both physically and emotionally, who tries to collect a debt from Armen (Glenn Fleshler), a Los Angeles gangster. Don is coerced into killing Armen's ex-girlfriend, Phyllis (Carrie Coon), but instead, he and Phyllis decide to team up to rob the gangster and attempt a fresh start. The premise is recognizably familiar to noir fans, but Reiner transforms the predictable into something deeply human and refreshing. The central relationship between Don and Phyllis avoids traditional tropes. Phyllis, masterfully portrayed by Coon, exhibits selfish and compulsive behavior but doesn't fit the femme fatale archetype. Don, on the other hand, is a fragile and disillusioned man, whose vulnerability and kindness emerge touchingly.

Shea Whigham, known for supporting roles in prestigious works, shines here as the lead. His portrayal of Don is subtle and poignant, conveying the despair of someone who has lost everything yet still seeks a glimmer of redemption. Coon, in turn, infuses Phyllis with an unassuming charm and a layer of humanity that prevents her from being seen solely as manipulative. Together, they form a captivating duo, whose interactions oscillate between humor and melancholy.

Lake George is also notable for its tone. The graphic violence, including a vault scene involving amputated fingers and gold bars, is balanced by moments of understated humor, reminiscent of the Coen brothers' style. These stylistic choices give the film a tragicomic air, where even the most violent characters, such as henchmen Armen and Harout, carry a certain pathos.

Tod Campbell's cinematography deserves special mention, evolving from simple frames to more grandiose landscapes, reflecting the emotional journey of the characters. Rene Boscio's score, with its bluesy and jazzy texture, perfectly complements the film's atmosphere, capturing both its melancholy and lighter moments.

While the narrative doesn't reinvent the genre, what makes it special is its execution. The script avoids sentimentality but reveals a surprising heart. The twists, though subtle, keep the audience intrigued, while the central relationship between Don and Phyllis offers a rare character study in films of this kind. In the end, the movie isn't just about a heist or escaping the mafia; it's about finding something to live for, even when everything seems lost.

Lake George is a modest yet deeply engaging work that recalls noir classics while carving its own path. It's a reminder that even familiar stories can be revitalized when told with authenticity and skill. For those seeking something beyond high-budget thrillers and predictable narratives, this film is a welcome refuge.

This movie stands tall in its genre (neo-noir). The movie's greatest strength is the chemistry between the two main characters and how their relationships develop throughout the movie.

This is a love letter to some of the most beautiful areas in Southern and Central California and is shot beautifully. The cinematography on display seems to ramp up throughout the movie and gradually becomes grander.

The plot of the movie did more than enough to keep me interested. The ending had me thinking for a few days, which is always a sign that the movie stuck with me.

This is one of Shea Whigham's best performances. Carrie Coon is also great. I have not watched Jeffrey Reiner's work in TV, but this guy is a capable movie director and I hope he makes his transition to movie directing permanent.

Loved this movie. So original,clever,funny, and sad at the same time. The acting was so amazing and each one played their part so true to character. The movie was a great pace and I never felt like it was dragging. Shea and Carrie both deserve awards for their acting and hopefully will follow with many many more leading rolls. The writing was spectacular and original. With all the marvel movies and horror movies this feels like real world problems and I felt like I was watching a real old time film. Congratulations to everyone single person who contributed to making this movie and thank you to Jeffrey Reiner for creating this movie and bringing back to the theatre something we hope to see many many more of.

Carrie Coons does an incredible job of making her role completely believable. You are pulled along on her story, never knowing if she is telling the truth or not. Great surprise ending. Ever since the Leftovers I've followed her movies and shows and she never failed to deliver. Wingenhame (?) is also very believable in his role. Never out of character. He was the yacht pilot in the Wolf of Wall Street. A character actor who excelled in this role.

Excellent pace, you never feel that the movie is dragging.

The supporting cast is also very good.

The actors actions are always consistent with the role they are playing.

This movie is far better than its rating.

You won't be disappointed watching it.

A simple black comedy story, lifted up by Whigham and Coon's acting prowess.

We see Don(Whigham) as this guy who's simple, straightforward and expects nothing from life but just peace and calmness and when he's forced into committing a crime, he then meets our star lady Phyllis(Coon) who's exactly what Armen and others describe as and things start to get more interesting after their encounter with each other.

This is kind of like a road trip neo-noir film, which I guess is a very rare combination but worked really well in this film. The heart and soul of this movie lies in the conversations between Don and Phyllis, mostly they're funny and at times sad too but you'll never get tired of listening to them. I was a bit devastated by its ending but I already saw that coming the moment Don met Phyllis but I was just hoping a fairy tale ending cuz I didn't want to feel sad when the movie ends. But whom am I kidding ? It happened exactly the way I have predicted it but still I made peace with its ending because it gives us that completeness feeling.

A really good movie with some awesome chemistry between our 2 main leads, give this a try for sure and you'll not be disappointed, especially if you love small time movies with limited characters. I guess this is my first movie with Whigham as the main lead or is this his first too!? 😂 I have watched his Small Engine Repair and Low Tide too but I don't think he can be considered as one of the main leads, if yes then I guess this will be my third 😅.