The Thirteenth Tale

This is really one of my favorites I've seen throughout the year of 2013.

Cinematography 8/10: The cinematography is beautiful. Most of the shots and standpoints in this film were well done.

Characters 7/10: Throughout this film, the characters were well- developed, but not every character was interesting and had no real background.

Plot 9/10: This movie had a very good plot, there wasn't any plot holes from my perspective and it was an intriguing ride.

Cast 8/10: The cast was well-chosen and all had a very good performance. I've always been a fan of Vanessa Redgrave and this performance of hers as Vida Winter was incredibly well done.

Conclusion: This movie is great and I give it an 8.25/10.

Director James Kent has a sensitive touch that deserves recognition and praise in this age of formulaic CGI films where character is more often than not ignored, or simply mass-produced to wooden specifications.

The film's curious title, THE THIRTEEN TALE, refers to a book of just 12 tales. The 13th tale amounts to the narrative that its dying author - superbly portrayed by Vanessa Redgrave - is conveying to a contracted biographer, intelligently played by Janet Amsden. The author's name I could not narrow down to Adeline or Emmeline because of the strange, almost transmutable relation between the twin sisters. However, one can reasonably assume that the 13th and final is the tale written by Amsden, who reveals that she too had a twin sister who died knocked down by a car, a death for which she blames herself. Thus, Redgrave and Amsden in a sense become spiritual twins, too, and that final tale is the result of their collaboration which starts edgily but ends on a tender, friendly note.

This TV film largely shot in a decaying manor house that still reflects past grandeur has the quality of Gothic vision and contained horror interlaced with credible, if deliberately evasive, characterization. Bedridden Redgrave, taking liquid morphine to relieve constant physical pain - to add to the pain of losing her sister(s) - narrates in a rather dettached manner, admitting that she physically beat up her sister but could not tell why.

Thus, she leaves her biographer with some interpretative loose ends that the latter supposedly weaves together into THE THIRTEENTH TALE.

Exquisite cinematography by Jean-Philippe Gossart, fittingly restrained musical score, sharp yet touching screenplay by Diane Setterfield off the novel by Christopher Hampton.

Definite must-see. 8/10.

The film was pushed as a spooky, supernatural story when it is more of a thriller.

Vanessa Redgrave is the dying writer. Olivia Coleman is the biographer called in to write a story of her youth in a large house with a dysfunctional family.

A mother who went mad. A father on the verge of madness plus uncontrollable sisters who are a burden to the housekeepers.

The film takes a while to get going but the book has been adapted for the screen by Oscar winner Christopher Hampton.

As the film develops, secrets are revealed about the twin sisters and their effect of the people around them.

The film is well acted and the story gradually draws you in and surprises you as it does not go the way you think it will.

Of course I have never read the book so no comparison is made with the novel. It's a drama that stands in its own merits.

...not generally a fan of 'ghostly' stories but was curious to see the fine cast of The 13th Tale. It was gripping from the beginning, superb acting, stunningly pretty and horrid little girls, sensational sets and music which really helped keep the concentration - a marvellous production and of course original story. Having been drawn in, I was soon to be flabbergasted when I realised some of it was shot at Duncombe Park where I was at prep. school in the 60's - a first shot of the entrance gates, the drive and steps to the front door I knew at once! - a much loved place by most of us who were lucky enough then to have assembly and put on the Nativity Play in the main Saloon,walk through the doors onto the terrace, build dens around the Yew Walk and around the Temples, play on the same swing and around Father Time, admire the mahogany staircase only for the staff to use, peer down into the Main Hall with its chequerboard floor waiting for parents to arrive, have story time each evening with the Head whilst sitting round her on the floor of her Study, the Library... I was transfixed and quite horrified to see the house as burnt out shell!! How did you do that? overall a magnificent and moving production, just a perfect setting for the story... thank you to Heyman Productions and the BBC

I love Gothic. I have been steadily reading my way through the back-catalogue of greats from Le Fanu through Poe, M R James to Will Self. I like not just to read and enjoy, but to carry a story with me forever. For that to happen the story has to get inside of me; it has to creep in slowly under my skin, and then shake me up from the inside. The Thirteenth tale does just that. From the off, the makers employ all the best Gothic themes in order to summon feeling; the grand but degenerate house,wildly baroque gardens,sense-memory flashbacks, costume, unheimlich twins. It adds to the tension with filmic techniques- the pared down narrative,filters, uncanny usage of colour,slow close-ups and misty long-shots. The result is pure feeling. For me, the feeling begins as mystery and a slow sense of disorientation and unreality, but develops through anxiety, into something unnameable strange and completely absorbing. This film is pure Gothic. I feel alarmed, I feel shaky. This film will live with me for a while yet.