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La muerte llega a Pemberley

Título original: Death Comes to Pemberley
  • Miniserie de TV
  • 2013
  • TV-14
  • 1h
CALIFICACIÓN DE IMDb
7.1/10
9 k
TU CALIFICACIÓN
POPULARIDAD
3,155
128
La muerte llega a Pemberley (2013)
Death Comes To Pemberley
Reproducir trailer1:00
1 video
51 fotos
Costume DramaDramaMysteryRomance

Elizabeth y Darcy, casados desde hace seis años, se preparan para su baile anual cuando las festividades se interrumpen abruptamente. Una adaptación del homenaje de PD James a Orgullo y prej... Leer todoElizabeth y Darcy, casados desde hace seis años, se preparan para su baile anual cuando las festividades se interrumpen abruptamente. Una adaptación del homenaje de PD James a Orgullo y prejuicio.Elizabeth y Darcy, casados desde hace seis años, se preparan para su baile anual cuando las festividades se interrumpen abruptamente. Una adaptación del homenaje de PD James a Orgullo y prejuicio.

  • Elenco
    • Matthew Rhys
    • Anna Maxwell Martin
    • Matthew Goode
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    9 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,155
    128
    • Elenco
      • Matthew Rhys
      • Anna Maxwell Martin
      • Matthew Goode
    • 59Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Episodios3

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    DestacadoLos mejor calificados1 temporada2013

    Videos1

    Death Comes To Pemberley
    Trailer 1:00
    Death Comes To Pemberley

    Fotos51

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    Elenco principal63

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    Matthew Rhys
    Matthew Rhys
    • Fitzwilliam Darcy
    • 2013
    Anna Maxwell Martin
    Anna Maxwell Martin
    • Elizabeth Darcy
    • 2013
    Matthew Goode
    Matthew Goode
    • George Wickham
    • 2013
    Trevor Eve
    Trevor Eve
    • Sir Selwyn Hardcastle
    • 2013
    Jenna Coleman
    Jenna Coleman
    • Lydia Wickham
    • 2013
    Tom Ward
    Tom Ward
    • Colonel Fitzwilliam
    • 2013
    Eleanor Tomlinson
    Eleanor Tomlinson
    • Georgiana Darcy
    • 2013
    James Norton
    James Norton
    • Henry Alveston
    • 2013
    Nichola Burley
    Nichola Burley
    • Louisa Bidwell
    • 2013
    Philip Martin Brown
    Philip Martin Brown
    • Mr. Bidwell
    • 2013
    Joanna Scanlan
    Joanna Scanlan
    • Mrs. Reynolds
    • 2013
    Jennifer Hennessy
    Jennifer Hennessy
    • Mrs. Bidwell
    • 2013
    Lewis Rainer
    Lewis Rainer
    • Will Bidwell
    • 2013
    Tom Canton
    Tom Canton
    • Captain Denny
    • 2013
    Mariah Gale
    Mariah Gale
    • Mrs. Younge
    • 2013
    Louisa-May Parker
    • Mrs. Donovan
    • 2013
    Alexander Bradshaw
    • Young Darcy
    • 2013
    Royston Mayoh
    Royston Mayoh
    • Stoughton
    • 2013
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios59

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    Opiniones destacadas

    6souplahoopla

    Whodunnit? Not Jane Austin

    Okay I know this is a piece of fan fiction, and I did enjoy it. It does keep you guessing til the end and it's worth watching. But....

    When you use well known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off. She's supposed to be beautiful, witty and fun loving, whilst perceptive. In this she comes across as a plain, almost miserable woman. I did not like this portrayal at all and it did ruin it for me a bit.
    4mrbell-1

    Horribly Mis-Cast

    Had this pvr'd so didn't get to watch it until recently. The main characters were mis-cast. Rhys as Darcy just didn't work, but he would have made a great Wickham. Matthew Goode should have been cast as Darcy, and not as Wickham. And seriously, who would have thought to cast AMM as Lizzie? Her presence was paper-thin, and had difficulty carrying the role and the dialogue to make Lizzie spring to life and be the object of Darcy's adoration. And by the end of even the first episode, I was seriously tired of seeing her in the same, ugly blue dress. I was beginning to think it was the only one she owned until they came up with the same dress in episode two, but this time in green. And that little bolero jacket, and the pickle-barrel bonnet was just too much for me. For a woman of means, after 6 years of being married to a wealthy man and representing the estate, you would think she had more than two daytime dresses, that she wore everywhere. Did she get them at the church jumble sale or the bottom of the missionary barrel? And Rebecca Font as Mrs. Bennett? Really??? That was just too painful to watch.
    7tklamb-00591

    Not Pride and Prejudice but Okay Mystery

    Being a fan of PD James and Jane Austin I was looking forward to watching this show. It took a while to get past Elizabeth being totally out of character...at least from the stand point of Pride and Prejudice 1995 version. They dressed her down and made her look kind of dowdy and act miserable through most of the show. They didn't change the character of Darcy much--as my mother said, it looks like he has a toothache through most of the show. The colonel was also changed to be a rather secretive fellow, unlike his easy going character in P&P. The other characters seemed to mesh well with their original characters. If you have never seen Pride and Prejudice (1995 version) then you won't be disappointed. It is a good little English mystery.
    7l_rawjalaurence

    Intertextual Combination of Heritage Drama and Whodunit, Inspired by the 1995 Adaptation of Pride and Prejudice

    Daniel Peacock's adaptation of P. D. James' reworking of PRIDE AND PREJUDICE offers a fascinating combination of styles and stylistics. It unfolds in the leisurely manner of most British television detective thrillers, taking care to sketch in the characters and define their relationship to one another. A murder occurs two-thirds of the way through the first episode, and the remainder of the time is spent outlining the series of hypotheses, assumptions (some mistaken), and clues that lead to the unmaking of the culprit. DEATH COMES TO PEMBERLEY also situates itself squarely in the heritage adaptation genre, with plenty of exterior shots of the Darcys' house (I counted twelve in episode one alone), augmented with moments of period 'realism' as various types of coach and horse arrive and depart from the front entrance. The cast comprises a series of star names calculated to appeal to different generations of television viewers; Jenna Coleman from EMMERDALE and DOCTOR WHO shares the screen with Trevor Eve (WAKING THE DEAD, SHOESTRING) and Penelope Keith (THE GOOD LIFE, TO THE MANOR BORN). The acting is competent without being out of the ordinary, although I do wonder whether the Lydia Bennet of Austen and James would have reacted with quite such ferocity to her husband's arrest. What gives this production is true fascination, however, is the way in which director Peacock deliberately references Simon Langton's PRIDE AND PREJUDICE (1995) throughout the mise-en-scene. This can be seen in the costume- designs (by Marianne Agertoft), as well as in the characterization: Elizabeth Bennet (Anna Maxwell Martin) communicates the same spirit of quiet determination embodied by Jennifer Ehle in the earlier production. She is also shot in much the same way, with the emphasis placed on her reactions to what happens around her. Her mother (Rebecca Front) seems completely oblivious to her offspring's feelings and shrilly complains of having had a fit should anything go wrong, in a performance inspired by Alison Steadman's reading in the earlier revival. Likewise her husband; James Fleet follows Benjamin Whitrow in maintaining a facade of polite loyalty to Mrs. Bennet, while searching for any opportunity to escape. The experience of watching DEATH COMES TO PEMBERLEY is a fascinating one, an exercise in identifying intertexts as well as understanding how adaptations are shaped as much by other adaptations as by their source-texts. Definitely worth watching.
    alfa-16

    Austen meets the Poirot Christmas Special

    Firstly, I hate fanfic. My teeth start grinding after a few paragraphs, even when it's written by PD James.

    Secondly, if you're going to do anything with P&P you have to judge your two main casting decisions with a perfection required almost nowhere else. We all know Elizabeth and Darcy so well. So the producers of two productions which have dared to go off piste, Lost in Austen and this one, must have thought long and hard. Gemma Arterton did extremely well in Lost in Austen, a blend of period drama, summer RomCom and Dr Who, and Anna Maxwell Martin, as you might expect, is simply perfect here, in Austen meets the Poirot Christmas Special.

    Anna gives us the mature Elizabeth, holding court at her more informal Pemberley, with an older Darcy who has recovered all his manly confidence in personal relationships and yet is even more deeply smitten. They have a son and are clearly wonderful parents. Both characters have changed in exactly the way Austen predicted in her last chapter. Elizabeth has risen in status and now wears the authority of Mistress of Pemberley, rationally softened, like its master. They are unusually sparkly together and very reminiscent of the Netherfield scenes. This is principally down to the extremely good performances from two actors and an their understanding of their characters which goes way beyond the script.

    The whole cast is outstanding, the best in a period drama since Emma09 and the mystery is satisfyingly interesting. There's lots of clever 'dialogue' with the original and arch references to earlier productions (it's the 95 Pemberley).

    What's not to like?

    Can't wait for the next instalment, as Pemberley itself is challenged and their relationship is tested. I do hope the Bingleys, Caroline at least, turn up soon.

    Of course, it isn't Austen. If it hurts to think that it is, then imagine it as a 100-year prequel to Downton Abbey, 10 times better acted and 50 times better written.

    Más como esto

    Sentido y sensibilidad
    8.0
    Sentido y sensibilidad
    Lost in Austen
    7.3
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    Emma
    8.1
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    Cranford
    8.3
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    8.2
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    7.0
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    Agatha Christie: Inocencia trágica
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    Orgullo y Prejuicio
    8.8
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    Doctor Thorne
    7.3
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    Argumento

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    • Trivia
      Chatsworth House, the Derbyshire estate where the Pemberley exteriors were filmed for this mini-series, was also filmed for Pemberley's exteriors in the 2005 film version of "Pride and Prejudice," starring Keira Knightley.
    • Conexiones
      Featured in MsMojo: Top 10 Best Jane Austen-Inspired Movies (2022)

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    Preguntas Frecuentes18

    • How many seasons does Death Comes to Pemberley have?Con tecnología de Alexa
    • When will this be released in the US and via what method? TV? Direct to DVD?
    • What is written in the heart and what does it mean?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de diciembre de 2013 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Death Comes to Pemberley
    • Locaciones de filmación
      • Castle Howard, York, North Yorkshire, Inglaterra, Reino Unido(Pemberley - ballroom and other interiors)
    • Productoras
      • BBC Drama Productions
      • Far Moor
      • Origin Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 16:9 HD

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