De poel

Well, there's a surprise; another Dutch movie that only receives a mediocre rating on IMDb (5.8 on the day this review was posted). It is quite a fact that everything which is Dutch and not directed by Paul Verhoeven has a tough time in the cinemas. 'De Poel' (The Pool) received quite some positive reviews and was hailed as proof that Dutch horror movies can work; however, advertising for the movie was predictably lacking, so this movie probably only saw the inside of a few cinemas for no more than 2 weeks, with only a handful of moviegoers and some copy pirates as its sparse public. But you would at least hope that a good movie, even a commercially failed one, ultimately gets its due credit here, like The Shawshank Redemption. Alas, no such luck.

Did most people who rated this movie take the time to actually watch it? I kind of doubt it. There has to be an audience for this movie, a rare type of Dutch film that takes its matters seriously, and doesn't feel like a low-budget, low-scale imitation of a better American original. It is not that Dutch cinema has a rich tradition of horror movies. 'De Lift' (The Elevator', remade as 'Down') is a rare example from the 80s. Not much worth mentioning was made in the 90s, and in the zeroes, a few attempts were made to revive the genre with 'Doodeind' and 'Slachtnacht'. However, these two, although enjoyable, were obviously made from the archetypical American example, the slasher horror (or 'Dead Teenager Horror' as the great Roger Ebert liked to call it). The Pool, however, seems to take its inspiration from (IMO) one of the best British horror movies of the last decade: The Descent.

The Pool has the same basic premise: a couple of friends venture into a forbidden area, but a succession of adversities slowly turn them against each other. And while the psychological tension rises, a hidden evil that dwells in the surroundings starts to pick its victims, one after another. In this case, experienced camper Lennaert (one of Netherlands' finest character actors, Gijs Scholten van Aschat, who also co-wrote the screenplay) goes on a camping trip with his wife, sons, his good friend and the friend's daughter. He convinces the rest to stray from the beaten path and enter a forbidden area to camp in, next to a giant pond. It doesn't take long before a succession of events, ranging from strange, unnerving to downright disturbing, convince them that there is something terribly wrong with the place. Of course, Lennaert gets the blame for this, which causes his relation with his family and friend to take some turns for the worst, with dire consequences.

The great difference with 'The Descent' is that the outside threat does not come from a few cave-dwelling monsters, it has a more supernatural origin. However, the biggest strength of the movie is that it doesn't lose itself in exposition. No time is wasted on endless explanation; it is almost like the makers rely on the audience's familiarity with supernatural movies like The Grudge, The Ring and The Shining; we only see glimpses and images of what may be visions, hallucinations, memories, feverish dreams, or reality, and the audience has to fill in the blanks for itself. I saw a few deleted scenes on the BluRay disc that explain way too much and kill much of the mystery, so the creators were right to cut them out. It also helps the movie to pick up a pace unusually fast for the genre. Within 30 minutes, we are in the second act, and after one hour, it turns into the highest gear, so the mere 85 minutes of run-time certainly don't feel short.

The absence of monsters doesn't mean a lack of gore. The visual horror scenes come sparingly, but are all the more effective and visceral for it. The special effects look really great, given the low budget of the production. Still, the movie remains evenly balanced between character scenes and gore, right to the end. I would have hoped for a climax that had me gasping for air, but unfortunately, the ending is quite tame compared to the rest of the movie. The actors, with leading man Scholten van Aschat up front, have no problems being convincing without being flashy or going into hysterics, which adds perfectly to the tension. I've heard people say that the dialog is bad, but I think that is because Dutch simply doesn't sound as cool as English (both our words and sentences are longer, which makes it hard to make cool-sounding quotes).

You could say that the movie is assembled from parts snatched out of other (sometimes better) movies, but I feel that you can make a fresh new dish from old ingredients, as long as you don't snatch it from one recipe and flavor it enough. The stew created for The Pool is good for my taste, so I certainly am hungry for more. I wouldn't be surprised if it starts to make money when Hollywood is eager to buy the remake rights.

Two Fathers go on a camping trip and take their families in tow , when they set up camp in a restriced nature reservation at the side of a small pond (poel) things quickly start to unravel. The premise of this movie is simple and the way it is brought is also simple. The Netherlands are not known for their stellar horror movies , where de lift( remade into down) was the most known one. This is the first movie from the This is not a problem tough, the movie assumes the viewer will piece things together that is a nice change from the overly explaining and " See what i discovered" things that plague most horror movies. When the movie was over the people in front of me left after saying "What a vague movie" but i did not find it vague at all, in the end i pieced together what had happened and the only trouble i had with the movie was explained to me later by the creators on their facebook. The food got spoiled or destroyed, and the puddle would not let them leave, something that made me wonder why. but the most clear answer is simple, the puddle did this to get them to go desperate. The story starts as a slow burn but sadly shows the evil of the puddle a little to soon, a little more guessing would have been nice Sure what would happen could be guessed while the movie was playing,but this is a first movie from the house of nether horror, and for a first attempt this is a great movie. And if this movie is the quality of movies that they will keep making all i can say is the future of dutch horror looks promising.

I certainly recommend this movie, but how much i liked it , the movie does not feel like a cinema movie so if you do go to see it see it on DVD, stream or even on demand.

As a genuine horror fan and a Dutch native, I did not have high expectations of this horror movie. Even without the expectations this movie was dissapointing. The story does not come to life, the acting was mediocre and there was no suspense. Things hppening for no reason and a terrible end that makes no sense. After watching the movie there was just a feeling of regret. I could have watched something even remotely interesting. This comes from somebody who has watched so many pulp and B movies.

Directed and co-written by Chris W. Mitchell, this Dutch film introduces us to a group of campers determined to enjoy themselves however much events conspire against them. By events, I mean that Leannart (Gijs Scholten van Aschat, who co-wrote this), his wife Silke (Carine Crutzen) and his two sons discover unpleasant things about each other, as they do about friend Rob (Bart Klever) and his daughter Emilie (Jamie Grant). That's bad enough, even if, for the viewer, the myriad sardonic altercations are so true to life they raise a smile of familiarity (in some cases - not all). As a character drama, this succeeds handsomely. But there's worse to come.

When unpleasant things start happening, the images and moments are captured so fleetingly, that you're in danger of missing them. Suggestions of the supernatural, the possibility of nasty legends about the pool of the title proving to be true, and effective moments of realistic gore. You'd leave, wouldn't you? This bunch take a long time to reach that decision. Is it too late? I'm not giving anything away, although (for some, at least) you might guess the answer with a degree of confidence.

I had great fun with this, although the line between real and hallucinogenic is so blurred, we're occasionally flummoxed as to what is going on; and van Aschat and his fellow writers, isn't falling over himself to explain things. My score is 7 out of 10.

We Dutch have a rich history of making movies with that typical 'Dutch mark'. Something that's hard to identify but somehow always involves nudity, swearing, a bit wooden acting and a sense of humor that is very much Dutch. Lacking budgets of, say Hollywood, Dutch cinema always has fairly low production values. Even compared to British, Scandinavian or French movies, Dutch movies alway fall short of outstanding quality. Which, even for me as a Dutchman, makes them hard to like.

Sometimes you need to give them a chance however. And with 'De Poel' (The Pond) being somewhat of a revival of the 'Nether-Horror' genre I thought I'd put my prejudice aside and give it a try. Dutch media outlets praise the movie, but to me (and I guess my fellow movie goers in the cinema) it failed miserably.

'De Poel' follows two families going on a camping vacation in a forbidden part of a Dutch nature reserve. They set up camp next to a pond, and sure enough: s--- hits the fan. The build up of tension is decent, and the main actors (the younger actors barely have any lines to work with) act quite naturally which is a relief for a Dutch movie. The tension between husband and wife is actually quite enjoyable. Mom blaming dad for being stubborn and relying on technological 'toys' instead of a good old analogue compass is fun and recognizable. There are some nice scenic shots too. That's where the goods end.

'De Poel' fails to be scary. Overly stylized shots from the perspective of 'the threat' distract and only serve to reinforce something is wrong...again, and again, and again. There is some gore, including cutting off a finger. Which is followed by the character almost ignoring his missing finger just an hour later... The story doesn't explain anything, and only barely hints at the cause of the trouble.

The Netherlands has a history of prehistoric human sacrifices in bogs and marshes which this movie hints at, but never fully embraces. There's something about the virginity of 'the sacrifice' which made me fear they would actually go as far as having an awkward forced sex scene to prevent that sacrifice from happening...luckily 'De Poel' doesn't take it there. Instead: 'De Poel' simply becomes a snore fest best to be ignored completely.

During my screening the crowd would laugh at the movie all the time, would critique it all the time and everybody walked out saying "what a terrible movie." The worst thing is 'De Poel' had potential, but in the end feels like something a film school graduate should be proud of. Nothing cinema worthy. And to be quite frank: nothing worth your time and money. So once again: Dutch cinema fails to impress and falls flat on its face.