The Living

'The Living' is about unintended consequences arising from difficult decisions clouted by complicated personalities and troubled minds. It is a nice indie dark movie, with several highlights but some compromising flaws.

Acting is surprisingly good, with actors punching way above their weight. This his the highlight of the movie. The slow scenes with agonizing seconds of silences give them a dark and deep vibe, and the actors nail it, looking natural and very comfortable on screen.

The context of the story plot is very cliché, however, as it revolves about the struggles of a battered woman and her alcoholic husband who loves-her-even-though-he-hit-her.

Strangely, the lack of character development isn't that much detrimental on 'The Living' as it would be in many other movies, as the focus quickly shifts to the mental state and how the characters process the situation they got themselves involved with, instead of just re-telling a worn-out and over-used simple story line.

Finally, editing seems to be hurried up, as it is the case of so many otherwise promising indie productions, unfortunately. As I mentioned, many individual scenes are harrowing, deep and engaging, but the transitions don't work that well, which is frustrating.

I give 'The Living' a 6/10 score, realizing I'm averaging some very good marks with poor ones. Having so much quality disparity is what, in my opinion, makes the difference between some other reviews here that swing from critical 3s to glowing 9s and 10s.

In rural Pennsylvania, Teddy (Fran Kranz) is beating up on his wife Molly (Jocelin Donahue) again. Her weak-kneed brother Gordon (Kenny Wormald) won't do much of anything. Gordon is browbeaten by their mother Angela (Joelle Carter) for his weakness. His work friend suggests hiring Howard (Chris Mulkey), a killer from Mississippi. As Gordon and Howard drive back to Pennsylvania, Howard's violence causes Gordon to reconsider.

There are two ways to consider these characters. They can be seen as complicated and deeply flawed humanity. They can also be seen as wrongly written and pathetically unredeemable. Molly's attachment to Teddy can be very disturbing but it's also not unreasonable. Plenty of abused women defend their abusers. Gordon's pathetic character can be very annoying. At the end of the movie, I wish that this was made by the Coen brothers. They would have injected some comedy and pathos which would make this tragedy somehow humorous and more compelling. I don't know much about this filmmaker. He doesn't have it.

I saw this film at the Tallgrass Film Festival, and it was excellent. Jack Bryan really knows how to write a compelling tale, and the film ends in a way that Hollywood could never deliver. There's a well-established sense of the world that the characters inhabit, and it never feels like a low-budget production. There are several long dialog takes that are thoroughly impressive performances. It's good to see Fran Kranz in a serious role, as he totally sells the character. Hopefully this acts as a showcase for more dramatic projects. I was unfamiliar with Jocelin Donahue, but will definitely keep an eye out for her in other films. Chris Mulkey is a beast, and absolutely kills it. The people involved in making this movie are clearly talented and passionate individuals, and I can't wait to see what they bring to the table next.

I first met writer/director Jack Bryan at the Tallgrass Film Festival during a showing of Yojimbo. I ended up seeing his film "The Living" when it premiered that weekend. I was excited to see it, Jack seemed like a cool guy and I love Fran Kranz, but I had no idea I was in for such a treat. I'm not really sure if treat is the right word to use, this film is a lot of things, but it might be a little too dark to be considered a treat. The performances, writing, direction, and production design are all flawless. The story follows Teddy, an alcoholic that wakes up one morning after blacking out to discover that he had beat his wife. Fran Kranz plays as Teddy and gives the best performance of his career. Cast as the comedic relief in Cabin in the Woods and Dollhouse, it was refreshing to see him playing a serious role. Somehow, he's able to make a character that you're inclined to hate from the start lovable. While his brother in law is on a quest to hire a hit-man to kill him, Teddy is doing everything he can to make things up to his wife. Chris Mulkey plays as the hit-man and does an excellent job at being horrifying. Killing is something that comes casually to him. The rest of the cast put in excellent performances as well. If the movie comes to your area, it's more than worth the price of admission.

Kenny Wormald as Gordon carries this movie from start to finish. He shines in his role as the confused, spirit broken, son of Angella, brother of Molly, and trapped future-less stock clerk at a local grocery store.

Gordon feels defeated by his mother constantly pecking at him and belittling him. Gordon wants to stand up to his abusive brother-in-law but lacks the will and the drive. His mother fails to realize she has destroyed her son. Molly (his sister) and wife to Teddy only stands up for herself when pushed into a corner as shown by how her husband Teddy beat her and then Molly fights back. But she cannot stay away from Teddy at her mother's house because she see's her mother as more abusive psychologically than Teddy's physical abuse.

Fran Kranz as the husband Teddy is very smooth and likable in this role as he charmingly worms his way back into Molly's trust only to have Molly reject him again and again. BUT pay attention to the kitchen scene near the end of the movie! His true character is coming out when he gets Molly to 'get' something for him. And she does! She is now back into his control.

Chris Mulkey as Howard is one spooky dude! A terrible creature and Gordon doesn't realize this until it's too late and he then knows he's in over his head. Howard has complete control of him. The finest scene is in the restaurant conversation between Howard and Gordon .... it is here that Gordon actually gets Howard to philosophically question himself and his life. But he too is in over his head with his past life and he cannot escape it, his ship is sinking and he might as well go down with it. On the other hand Gordon must find a way off this sinking ship.

This film is perfect from start to finish! Bravo's to writer/director Jack Bryan and the entire cast. A must see film!