Happy Christmas

In Happy Christmas Anna Kendrick plays Jenny a young twenty something who comes to stay with her brother for the holidays after a break up. The director Joe Swanberg casts himself as her brother Jeff. His wife Kelly (Melanie Lynskey) is reluctant to have Jenny stay with them and their infant son, knowing her "wild" behavior. Her first night there Jenny goes to a party with her friend Carson (Lena Dunham) and gets hammered drunk. So much to where she needs to be picked up and is unable to babysit like she promised the following day. Stepping in for the babysitting we meet Kevin, (Mark Webber) your friendly neighborhood babysitter, musician and small time pot dealer. Jenny and Kevin soon spark up a romance. Jenny then tries to repair her earlier wrongs with her sister in law, Kelly by helping her get back into writing and shaking off the doldrums of being a stay at home mom. Together with her friend Cason, the three girls try to collaborate on a trashy romance novel.

I liked Drinking Buddies, the director Joe Swanberg's previous film. If anything it was fun to see a little behind the scenes of a craft beer business and see Ron Livingston in an indie film. Happy Christmas is a disappointing follow up. The title is incidental, this is not a Christmas movie. Unless you like to watch unfunny, non-irreverent holiday family dysfunction. The film is very low budget, think early 90's independent films. Grainy film stock and a ton of unfunny, what seems like ad-libbed dialog. The director takes to the old indie film look like a hipster listening to vinyl records. Just to be pretentious. I appreciate independent film as much as the next guy, this just doesn't have anything to be enthusiastic about. Lena Dunham tries to add her own bit of irreverence to this movie. But as each disappointingly unfunny new season of HBO's Girls comes out, I am becoming increasingly aware that it was Judd Apatow's influence in season one that gave it good, not Lena. If you are fan crushing on Anna Kendrick or you are looking for a new Christmas classic, don't bother. Anna Kendrick's usual adorable charming spark is dulled to a faint glimmer like that of a tiny Christmas tree light on the saddest of Charlie Brown trees. Even for the minimal effort this film takes to watch on Netflix it isn't worth the time.

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I only gave it 2 stars instead of NONE because that baby was cute. That is all.

Happy Christmas was made with only three film crew members, not including the director, in case you were curious the level of 'indie-ness' in this film.

Joe Swanberg writes, directs and stars in Happy Christmas, the ensemble indie film that touches on the real life minor predicament that occurs during the holiday.

Recently broken up with her boyfriend, Jenny decides to crash at her brother Jeff's and his wife Kelly's house in Chicago while she considers laying roots in the city for a change of pace. She drinks and smokes away her sadness while she desperately tries to distract herself, coping terribly while hanging out with her old friend Carson and new friend Kevin.

Happy Christmas is a film for fans of the typical indie genre film. It utilizes real life cinematography and puts a microscope to the real life problems within the mundanities of life. This is not some film about profound transformation or extraordinary circumstances. In fact, Happy Christmas is so ordinary in its subject matter that 20-something viewers should see themselves or their friends in this film.

If you, as a typical movie viewer, enjoy to put a mirror to real everyday life then you should give this film a shot. If you typically watch films to escape or put yourself into a film beyond your routine existence, then you should stay away, far away.

Happy Christmas is a grainy film to watch, and was probably not shot in 1080p and then upscaled. this yields a mildly pixelated appearance which is nauseating on anything larger than a computer screen. Most of the film appears to be shot using hand-held or a steadicam operator which is extremely distracting as the film sight line moves along the edges of the frame. My guess is the techniques employed for the cinematography of Happy Christmas were deliberate to truly capture the reality in vision.

Though Joe Swanberg is listed as the screenwriter of the film it seems as though most of the dialogue was improv-ed, and poorly. Mark Webber who plays Kevin and Anna Kendrick who plays the self-destructive Jenny are the most natural and believable of the bunch. Otherwise the scenes are stiff and slow with a lot of awkward pauses from the dull and banal conversation topics. The star of the film is baby Jude, real life son of director Joe Swanberg, who is so comfortable and natural that you can't help but be enamored by his energy, alas if only the whole film was like him.

Happy Christmas is a narrative nonevent of a film that will be contemptibly boring to some and realistically introspective to others.

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There was really no point to this movie. I have definitely seen worse but I wouldn't ever recommend this to someone.

Joe Swanberg who wrote, directed and played one of the leading roles in this his latest film is known for his improvisational independent films. Although I liked, as other reviewers have noted his recent movie "Drinking Buddies", I felt this film's improvisations failed in that the dialogue was too stilted, awkward, and filled with what appeared to be inside jokes that the cast would laugh at, ignoring basically the viewers that were watching. Thus the whole thing just got more and more annoying for me as it progressed.

The plot centers on the loving couple of Kelly (Melanie Lynskey) and Jeff Spelling (Swanberg) and their adorable son Jude welcoming to their home, in Chicago around Christmas time, Jeff's sister Jenny (Anna Kendrick), after she just broke up with her boyfriend. Once Jenny enters the scene, they'll be a lot of scenes involving pot smoking, drinking, sex, and explicit sex talk. They'll be other plot elements involving Jenny's irresponsibility and her attempts along with her friend Carson (Lena Dunham) to convince Kelly to devote more time to her writing and to get help with the raising of her son.

All in all, as mentioned, I just felt the improvisational approach here just didn't work, and the movie ended up having little entertainment value for me.