Parlor

Alright, I have to chime in here, seen this film 3 times and every time I find out something new about the story. Not sure if that's just myself feeling smart or if it was the filmmakers intent. Never the less this was probably my favorite horror film in the last 5 years. This one came out of left field in the sea of slow-burn crap that has been poising the horror waters as of late. The film was super fast, exciting and gory but had substance as the Artist played by Robert Lasardo really delivered. This dude is super creepy but yet endearing, call me messed up but I found myself cheering for him to succeed in his quest! The Artist had this calmness about him that makes you uncomfortable, and I mean that in a good way, I was effected by his performance. No spoilers from me do to IMDb's stupid policy. Anyways big fan of this film, super hot chicks, all of them! I was in awe of Joey Fisher, holy crap she is hot! PLEASE do a sequel and put her in it! It's rare to see such natural busty beauty in the Ent biz today, and to top it off she can act! Anyways to wrap this up, the film was a smart, gory fun ride from begging to end. If you want something fresh, crazy and against the norm, check it out. Highly recommended!

This film had quite a lot going for it. Essentially the same plot as Hostel but with much more believable gore. It also benefits from a quite unnerving main character, excellently portrayed by the actor.

Sadly, the writer and director clearly didn't believe enough in their own movie as they felt it required one fairly graphic sex scene and many scenes set in a strip club that were completely pointless and added nothing to the film.

There are no major plot twists that you can't see coming but it's all put together pretty well. It's just a shame the writer/director didn't have as much conviction in what they were doing as the SFX people, who really did do some top notch work on the gore.

I'm a gore hound, I have and will always love graphic horror films. So I pretty much knew what I was getting when I went into this film. Wasn't expecting a good story, good acting, etc but I was still a little disappointed.

So right off the bat you can tell this is pretty much a lower budget version of hostel, just replace the "Hostel" with a tattoo parlor. It really does copy a lot of aspects of Hostel, even has a group of misfit local kids that don't have much to do with the story just like in Hostel. So I'll try to focus on the things that this does different. One is that we actually have a killer, played by Robert LaSardo, he does a decent job but I just didn't find him creepy or intimating. In fact in the film he comes off as a pretty nice guy and the parts where is suppose to be sinister just seem forced.

So outside of LaSardo there isn't really much to say about the cast, all the actors who played the victims were pretty meh but it didn't really matter since the whole point of the film is to watch them die not watch them talk. I think my biggest complaint when it comes to the cast would have to be the character of Uta, played by Sara Fabel. She is just a really corny and unrealistic character, they take the whole "Tough Chick" thing way too far and it really takes from the grittiness of the film.

OK so now lets focus on the one good aspect of this flick, and that is the gore. Like I said I am a massive gore hound, and this movie did deliver when it came to that. The kill scenes are pretty brutal and they really don't hold back from showing you everything. The only bad thing is that there really isn't a lot of variety in the killing so it gets kind of dull.

Overall this isn't a horrible horror film. It has it's moments but if you are not a fan of gore than this film really won't have much to offer you unless you really want to see some soft-core sex scenes, in which case you would probably be better off watch some skinemax.

Not the worst but still not very good 4/10

I watched this film for one reason only... Robert Lasardo. I usually don't do horror flicks like this, but again Robert drew me in LOL. I thought the story could have been executed better, it could have been a bigger and better backstory. Robert even said in an interview prior to the movie release that he was hoping they would do a part 2 so you can find out more about the artist and the backstory. "The Artist" by the way is the name Robert went by in the movie. I found the history of tattoo art very interesting, it's sad how today so many young and old people are getting tattoos because it's the in thing... as a point Robert made in the movie, there use to be a place and time when to be extensively tattooed meant you lived outside the box and came from a very unique perspective. Nowadays tattoos is so common place, it's disgusting at times. So I really liked where he was going with the whole tattoo knowledge. Yes some of the characters were annoying, some of the characters were working my nerves and they could'nt die quick enough! LOL but it's one like that in every movie !. On another note, it ended with one of the new girls that he tattooed became his Protege, I would have liked to have seen that part executed better, as well as to why he chose her to be his protege. As you see in the movie Amy was her name, he was drawn to her from day one. It would have been nice to learn why. For some reason they just left that out there in the Wind. This is why I gave it a 7.

Grim, amateurish little torture porn bauble set in a Vilnius tattoo parlor, only slightly elevated by a menacing performance from Robert LaSardo as "The Artist." He's the only thing worth watching here, despite the lovely location, which this film wastes. The other performances are so appalling and the dialogue so unimaginative that it's hard to tell how much of it was improvised -- on one hand, I can't imagine anyone writing this garbage out and thinking, "Yeah, that sounds right;" on the other, all the characters (The Artist excepted) sound exactly alike, even with multiple accents, each as aggressively unlikable and inarticulate as the next. A film called "Anarchy Parlor" might reasonably be expected to deliver some inkling of wild imagination, some hint that the filmmakers understand transgression. This predictable, mundane mess fails to deliver.