Dos hermanas de vacaciones en México se encuentran atrapadas en una jaula en el fondo del mar rodeadas de tiburones.Dos hermanas de vacaciones en México se encuentran atrapadas en una jaula en el fondo del mar rodeadas de tiburones.Dos hermanas de vacaciones en México se encuentran atrapadas en una jaula en el fondo del mar rodeadas de tiburones.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Chris Johnson
- Javier
- (as Chris J. Johnson)
Mayra Juarez
- Sammie
- (sin créditos)
Axel Mansilla
- Band Leader
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
For a scary shark flick I found it totally worked. Of course the intro, party scene & boys are what you'd expect for this genre, and had me wondering if I'd make it to the end due to all the cliché.
But it did take off from there nicely, had some genuine holy f*ck moments, a good pacing and had me wondering all the way if the girls would make it to the end...
The camera work was great and the sharks well done (a bit too aggressive for total realism, but hey). The ending was also original, for once!
Compared to The Shallows, I'd say it's equally solid in terms of entertainment value and getting the viewer hooked until the end.
Overall a solid 7 in my book.
But it did take off from there nicely, had some genuine holy f*ck moments, a good pacing and had me wondering all the way if the girls would make it to the end...
The camera work was great and the sharks well done (a bit too aggressive for total realism, but hey). The ending was also original, for once!
Compared to The Shallows, I'd say it's equally solid in terms of entertainment value and getting the viewer hooked until the end.
Overall a solid 7 in my book.
I actually caught this in the theater and again a year later at home. Reviews are mixed with this film, but I actually enjoyed this movie. Mandy Moore's acting is always a breath of fresh air and Claire Holt didn't have trouble carrying the film along. Yes it's a shark movie, but what makes this flick a stand out, is the fact the sharks aren't the only threat to the girls survival. It got a few jumps and a sudden episode of claustrophobia from me. Which I guess is a good thing. Moore's freaky smile in the end makes one lasting impression but one burning question though for me is... WHERE THE HELL DID THE SHARKS DISAPPEAR TO IN THE FINAL RESCUE SCENE ?!?
It's summer again; it's a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed..... (Go on, how deep? Have a guess. Go on, go on, go on ...)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was "The Shallows", which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
"47 Metres Down" differs from that film in three major respects: B- movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the 'sharp end' (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in "The Shallows" it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don't need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive ("We ARE going to get out of here Kate!") that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine ("Memphis Belle") who's repeated medical descriptions of "the bends" becomes mildly comical - I literally got a fit of the giggles at one point.
I'm not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that's heavily signposted. And instead of reaching constantly for the classic "Ben's head in the boat" jump scare, the film occasionally teases the audience with set- ups that ultimately just feature murky water and nothing more.
My recommendation: if you've not yet seen "The Shallows", check that out on DVD and give this one a miss.
(For the graphical version of this review please visit bob-the-movie- man.com. Thanks).
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was "The Shallows", which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
"47 Metres Down" differs from that film in three major respects: B- movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the 'sharp end' (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in "The Shallows" it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don't need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive ("We ARE going to get out of here Kate!") that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine ("Memphis Belle") who's repeated medical descriptions of "the bends" becomes mildly comical - I literally got a fit of the giggles at one point.
I'm not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that's heavily signposted. And instead of reaching constantly for the classic "Ben's head in the boat" jump scare, the film occasionally teases the audience with set- ups that ultimately just feature murky water and nothing more.
My recommendation: if you've not yet seen "The Shallows", check that out on DVD and give this one a miss.
(For the graphical version of this review please visit bob-the-movie- man.com. Thanks).
47 Meters Down is a highly claustrophobic shark movie starring Mandy Moore and Matthew Modine but it's flaws are quite unique.
Telling the story of two girls who go into a shark cage in Mexico to see the great whites but fall into peril when the chain snaps and they're plunged into darkness.
Let me say that visually the movie is incredible and is one of the most claustrophobic heart pounding films I've seen in years. You feel for these ladies, the movie gets across the panic, severity and time restrictions very well and it taps into something which makes me personally feel very uncomfortable.
But, and it's a big but the movie's logistics are dumbfoundingly stupid and defy logic. What I mean by that is that nobody involved bothered doing any research into oxygen at these depths, what is done here not only isn't possible but is to moronic science fiction levels. It quite frankly insults the intelligence of the viewer.
If you can get past that (And I couldn't) it's quite a memorable little film that looks great, has passable performances (I've always liked Moore) and is fairly unique.
If they'd done some research and applied it to the film then this would have been a lot better. However if they had then this would have had to be a different film altogether to be even remotely realistic.
The Good:
Looks incredible
Sets the tone perfectly
Mandy Moore
Unique stuff
The Bad:
Offensively unrealistic
Telling the story of two girls who go into a shark cage in Mexico to see the great whites but fall into peril when the chain snaps and they're plunged into darkness.
Let me say that visually the movie is incredible and is one of the most claustrophobic heart pounding films I've seen in years. You feel for these ladies, the movie gets across the panic, severity and time restrictions very well and it taps into something which makes me personally feel very uncomfortable.
But, and it's a big but the movie's logistics are dumbfoundingly stupid and defy logic. What I mean by that is that nobody involved bothered doing any research into oxygen at these depths, what is done here not only isn't possible but is to moronic science fiction levels. It quite frankly insults the intelligence of the viewer.
If you can get past that (And I couldn't) it's quite a memorable little film that looks great, has passable performances (I've always liked Moore) and is fairly unique.
If they'd done some research and applied it to the film then this would have been a lot better. However if they had then this would have had to be a different film altogether to be even remotely realistic.
The Good:
Looks incredible
Sets the tone perfectly
Mandy Moore
Unique stuff
The Bad:
Offensively unrealistic
OK, so this movie was quite nice! I saw it at a sneak preview, had no expectations and was surprised in a positive way. Its no Oscar-winner, the constant moaning of the girls kinda irritated me a few times but overall...scary, but not in an 'average shark movie' way, some nice twist and just fun!
So why this kinda dull review? Well, I read a lot of reviews on IMDb, never feel the urge to write one. But there is something with IMDb reviews which bothers the hell out of me. Allow me:
There is this guy here (he must be so much fun at parties), who wrote a review presenting 14 reasons or so, why the diving in this movie was impossible/not logical/not realistic or whatever. Therefore, the movie received one star. This bothers me. Why? Allow me again:
So, I do not dive, but I teach at University. Not really movie material, but let's say a movie is made about the life of a University teacher (why would you do that you ask? good question). Let's say in this movie, ALL details about the very complex and technical nature of ' University teacher' are impossible/not logical/not realistic. But, the movie is fun and entertaining. Why, oh why in Gods name, would I feel the urge to write a review to correct all these 'mistakes' related to something I happen to be an expert in?
In other words, why do so many reviewers here feel this urge to correct the impossible/not logical/not realistic with regard to something they happen to know a lot of? Just enjoy the movie (or not, if its s*cky), but over-analyzing it from your 'expert view'? To be honest, most of us don't really care about that and just want to enjoy the movie...
So why this kinda dull review? Well, I read a lot of reviews on IMDb, never feel the urge to write one. But there is something with IMDb reviews which bothers the hell out of me. Allow me:
There is this guy here (he must be so much fun at parties), who wrote a review presenting 14 reasons or so, why the diving in this movie was impossible/not logical/not realistic or whatever. Therefore, the movie received one star. This bothers me. Why? Allow me again:
So, I do not dive, but I teach at University. Not really movie material, but let's say a movie is made about the life of a University teacher (why would you do that you ask? good question). Let's say in this movie, ALL details about the very complex and technical nature of ' University teacher' are impossible/not logical/not realistic. But, the movie is fun and entertaining. Why, oh why in Gods name, would I feel the urge to write a review to correct all these 'mistakes' related to something I happen to be an expert in?
In other words, why do so many reviewers here feel this urge to correct the impossible/not logical/not realistic with regard to something they happen to know a lot of? Just enjoy the movie (or not, if its s*cky), but over-analyzing it from your 'expert view'? To be honest, most of us don't really care about that and just want to enjoy the movie...
¿Sabías que…?
- TriviaAt the depth the characters are, experts suggest there would be less than 15 minutes of air for them.
- ErroresThe speed at which the girls fell in the cage would probably have burst their eardrums. This is because they did not appear to equalize once and it would have been very difficult for them to do so effectively wearing a full face mask.
- Créditos curiososOne of the crew members is credited as both a safety diver, and "broccoli wrangler".
- ConexionesFeatured in Chris Stuckmann Movie Reviews: 47 Meters Down (2017)
- Bandas sonorasEL ZOPILOTE MOJADO
Arranged by Ryan Parker
Performed by Los Mejores Mariachis de Mexico
Courtesy of EMG
By arrangement with Gravelpit Music
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- How long is 47 Meters Down?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- 47 Meters Down
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 44,307,191
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,205,561
- 18 jun 2017
- Total a nivel mundial
- USD 62,198,461
- Tiempo de ejecución1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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