Terror a 47 metros

I actually caught this in the theater and again a year later at home. Reviews are mixed with this film, but I actually enjoyed this movie. Mandy Moore's acting is always a breath of fresh air and Claire Holt didn't have trouble carrying the film along. Yes it's a shark movie, but what makes this flick a stand out, is the fact the sharks aren't the only threat to the girls survival. It got a few jumps and a sudden episode of claustrophobia from me. Which I guess is a good thing. Moore's freaky smile in the end makes one lasting impression but one burning question though for me is... WHERE THE HELL DID THE SHARKS DISAPPEAR TO IN THE FINAL RESCUE SCENE ?!?

I had a great time with this one! It really succeeded where few monster movies manage to. It provided tension, scary moments and it did made me hold my breath!

Beside this year's The Shallows, we got In The Deep, which is a beautifully shot movie, good acting, nice reactions, pretty much the whole nine yards here. It was a great little movie, I'm just sad it didn't get the attention it should have. People need to know that this is not another low budget shark movie, but a damn good one!

Watch it and you will not regret. It provides a great, great atmosphere and surely enough, most of you will enjoy it.

Cheers!

How often do you watch a film from this genre and are made to watch 90 minutes of bad acting, unrealistic sharks, poor camerawork etc, my expectations weren't too high, and I for one was pleasantly surprised. This film is actually really well made, it's very solid, it's well acted, and it manages to generate both terror and claustrophobia, in a way I wasn't expecting. That ending also, talk about out of the Blue ;-) Beautifully filmed, superb location work, sharks that although maybe a little out of character to say the least certainly looked good, and of course added to the terror.

Pleasantly surprised. 7/10

For a scary shark flick I found it totally worked. Of course the intro, party scene & boys are what you'd expect for this genre, and had me wondering if I'd make it to the end due to all the cliché.

But it did take off from there nicely, had some genuine holy f*ck moments, a good pacing and had me wondering all the way if the girls would make it to the end...

The camera work was great and the sharks well done (a bit too aggressive for total realism, but hey). The ending was also original, for once!

Compared to The Shallows, I'd say it's equally solid in terms of entertainment value and getting the viewer hooked until the end.

Overall a solid 7 in my book.

It's summer again;  it's a shark movie.  Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun.  Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago.  After a mechanical failure the cage plummets down to the sea bed..... (Go on, how deep? Have a guess.  Go on, go on, go on ...)

With sharks circling and air running low, will the girls survive their ordeal?  

Last year, one of the surprise movies of the year for me was "The Shallows", which I really enjoyed.  A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending). 

"47 Metres Down" differs from that film in three major respects:  B- movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.  

The film really takes its time to get to the 'sharp end' (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater:  the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.

These films always need an escalator for the tension:  in "The Shallows" it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don't need me to tell you that claustrophobics need to avoid this film!). 

Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive ("We ARE going to get out of here Kate!") that it would make a good drinking game.  The worst dialogue award though goes to Matthew Modine ("Memphis Belle") who's repeated medical descriptions of "the bends" becomes mildly comical - I literally got a fit of the giggles at one point.

I'm not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that's heavily signposted.  And instead of reaching constantly for the classic "Ben's head in the boat" jump scare, the film occasionally teases the audience with set- ups that ultimately just feature murky water and nothing more. 

My recommendation:  if you've not yet seen "The Shallows", check that out on DVD and give this one a miss.

(For the graphical version of this review please visit bob-the-movie- man.com. Thanks).