La French

Great settings, acting, actors, soundtrack and camerawork. Complications of plot at times (who's who?) didn't hide inevitably of ending. Also unfamiliar with French justice and political systems. But well worth the watch - I couldn't leave it before the end - especially for the two lead actors. Best French movie to come along for a while. Also called The Connection. (viewed 8/16)

The must use adjectives are thrilling and mind blowing. Seriously, the motion picture directed and written by Cédric Jimenez was emotionally heavy. The movie was inspired by true events set in the 1970s. It was about a Neapolitan Mafia Boss Tanny Zampa who ran a French extortion gang in Marseille, France. The Kingpin and his mob later exploded into 'The Connection'. It meant heroin purchased from Turkey being flood into New York by the French Mafia. What stood in their way was dedicated detective Pierre Michel who raged bloody war against their money laundering Empire.

In addition, this action packed Noir was set in Marseille, France. I loved how the opening scene exposed a landscape filled with historical buildings, palm trees, straight roads and the sea that reflected blue from the sky. The vibrating and aggressive sound from the motorbike gave the picture a dramatic sound. Expressive music which featured a woman singing her heart out gave a lovely mood. The song was Jerome sang by Lykke Li. Bang! Bang! Bullets flashed at a car driver on the streets. Hit men on motorbike were like characters from a western movie shooting down their victim. The act created a contrast from beautiful to horrendous.

What is more, the tense violence gave the film justice. It empathised the horrors of the French Mafia who imported tons of heroin from Turkey to France and New York City. The pace was very fast. It demonstrated how society was corrupt by dangerous mobsters who rhymed with monsters. The viciousness contained scenes of Zampa and his henchmen killing those who did not pay up protection rackets. The shootings would be extremely loud and bloody. Graphic tortures was like a rakish rhythm in the content. It showed how evil bloodbaths were. There are media reports of President Nixon declaring war against drugs. This showed what impact on drug affairs did on lives.

Moreover, Tanny Zampa was like a black and white painting. He loved his family and destroyed his enemies. He owned a fabulous club in Marseille. The dedicated detective Pierre Michel was hungry to bring an end to 'The Connection'. Pierre went to the extent in taking the law into his own hands to expose his patriotic nature. The two main contrasting characters had their glorious rise and tragic downfalls.

To add, a scene which I also liked the most was when Tanny and his thugs interrogated their extortion victim. The sufferer was strapped to a chair. He wore his fabulous tuxedo. The room had silver walls. The scene played classic disco music which empathised disturbing psychology on mobsters killing legit people who did not pay up protection rackets. A gunned down casino owner. Left to bleed in a car park in broad day light. Tanny and his boys walked off like it just was business nothing personal.

To carry on, the visualisation had some glimpse shots, fast forwarding and an expression in chiaroscuro. The film looked like a production from the 1970s. This helped empathise the time period. Laurent Tangy as the cinematographer expressed the contrast between light and shade. It resulted to the picture having a dark and light atmosphere. From urban to a reveal location, the lighting exposed the two different worlds. In Tanny's nightclub the cinematographer strengthen the shade and exaggerated the lighting. The high saturation was the icing on the cake. The camera shots in the French picture had long distance shots, up right footages and birds eye view. This implied the importance of society.

As a continuation, soundtrack included an orchestra, disco music and electronic. The sound effects in the film created a tense tone. It backed up how 'The Connection' had a negative effect on Marseille and New York. The emotionally heavy orchestra which was played in the end implied the tragic downfalls of the two opposing characters. Detective Pierre was shot and left to death in his neighbourhood. Crime Boss Tanny was finally arrested as his Empire crumbled.

For the story itself, all I can say is that it was about time to have a cinematic film about the rise and the downfall of the French heroin connection based in the 1970s. Watching the same old Sopranos could not compete with this breed of Gangsterism due to the fact that 'The Connection' focused on the sociological theme. The content was unique, because I was getting bored watching the same old Italian wise guys like 'Goodfellas', 'Mean Streets' and 'The Sopranos.' Those three titles do not go into political depth. Cinema needs more genres which are so different.

All in all, I give this film a solid……………….. 8/10.

Great movie. You can feel the 1970-1980 life. And a good guy-bad guy battle, with the comparisons, is not bad actually. The selection of actors is very good to. This non static movie remind me to the earlier movie "The French Connection", with a similitude, but this movie is recorded with the Hollywood modern way. The faces of the actors remind me to that era to. I only miss a revenge to a judge's family, but never happens. This Movie is a great deal for Action-Triller lovers. Love the colors and this sepia effects in some frames. If you love action films of earlier eras, this is a movie for you. Beautiful story, good actors and great landscapes. Recomendable

This is the other half of the story of seventies classic - 'The French Connection. Jean Dujardin ('The Artist') plays Magistrate Pierre Michel who in 1974 gets promoted to deal with organised crime in Marseilles. Gilles Lellouche ('Mea Culpa' and 'Mesrine') plays the drugs uber lord 'Tany' – who rules with an iron fist and any other implement that can come to hand. He runs a crime network that includes night clubs, casinos and restaurants and will do anything to keep what he has and make tons more cash

This is one of those times when crims made so much money that they could buy their way out of trouble – even before they were in it. So inevitably Michel has more than the crooks to do battle with. It follows the story from the mid seventies and into the eighties and it is one helluva ride.

The period detail is excellent, the cars, fashions and the music are all spot one – even the decor. There is violence and plenty of potty mouth goings on, but it is all in context. It is also a stylish film that means that most shots are great to look at as well as being intensely entertaining. This is a film that should get a lot more attention and if you are a stranger to French cinema it may be a good one to start with to see just how well they can make them.

"The Connection" (2014 release from France and Belgium; 135 min. original title "La French") is an action crime drama, "loosely based on real events" we are reminded at the beginning of the movie. Those real events are the role the southern French city of Marseille played in supplying (some might say: overwhelming) the US with hard drugs in the 1970s. As the movie opens, it says "Marseille, 1975", and as we follow a motor scooter, the biker all of the sudden stops, and shoots someone in cold blood in a nearby car. We then get to know Pierre Michel, a magistrate who is just being transferred from Juvenile to Organized Crime. Michel throws himself with gusto into the mob-fighting, and along the way bruises with his colleagues at work too. At this point we're about 15 min. into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, when a movie puts up a disclaimer that says "loosely based" on real events, you can bet your last dollar that the movie departs significantly from what really happened. How is it that "The French Connection", surrounding similar facts from the US perspective, was made in 1971, yet this movie plays out from 1975 into the early 80s? If you set aside historical concerns, this movie does quite well, actually. The story is solid and takes its time to play out. No, there isn't a singular scene as memorable as the car/elevated train chase as in "The French Connection", but there is enough tension in "The Connection" that it kept me interested from start to finish. Second, a major plus is the historical accuracy in the decors and scenery. Right away from the opening scene on the motor scooter, I was marveling at all the 1970s French cars (Renault, Simca, Citroen, you name, they're all there, and plentiful), which I loved growing up in Belgium during that era. Likewise with attention to clothing and such. Third, the movie is technically a French-Belgian co-production, and the Belgian investors required some scenes shot in Belgium. The Krypton night club scenes were shot in Antwerp, Belgium (my original home town), and the prison scenes were shot in Charleroi, Belgium. Fourth, Jean Dujardin has a meaty character and role here, and he gives a fine performance as Magistrate Michel. Last but certainly not least, there is a very nice collection of songs in the movie from that era, both French (Serge Gainsbourg, Mike Brant, Sheila, etc.) and English (Blondie, Velvet Underground, Venus Ganga, Kim Wilde, etc.). It's available on Amazon France.

"The Connection" opened last weekend at my local art house theater here in Cincinnati, and I finally had a chance to see it. The early evening screening where I saw this at was attended so-so, and that's a shame. I found "The Connection" always entertaining, never boring and at times outright riveting. If you are in the mood for a quality foreign movie, or perhaps just curious how "la French" (as the term 'French Connection' was referred to in France) is portrayed by this French interpretation of it, you cannot go wrong with this movie. "The Connection" is HIGHLY RECOMMENDED!