Ned Rifle

I probably should have seen the first two in this trilogy first, since there are a lot of plot references to them, but...I didn't, and I probably won't. Because I've already seen the end result, see. This is a textbook definition of an offbeat movie, and it hits much more often than it misses. Aubrey Plaza really nails it - if you're even a slight fan of her work, you just gotta see her in this one. Everyone else is pretty good as well, but I was focused more on Ms. Plaza.

I just now learned this is a follow-up to other films, I think it works perfectly fine on its own. It´s lightning fast, a pure script film. There are no transitions shots whatsoever as if the rule on the filming set was "just say your line, hit the mark and let´s move on to the next scene". It certainly cuts the BS. Every scene, every line of dialogue is there for a good reason. The film has nice rhythm and a strong sense of purpose. The humor is dry and quick, symbolism is timely. This film has many virtues, I would recommend it specially to aspiring film makers, as it does much with very little. There are some bits of bad acting, as you could expect, but somehow it isn´t an issue, the script keeps it interesting. There are eloquent speeches with big words but it´s all not that pretentious, it´s quite simple, really. Good stuff

I ran across "Ned Rifle" because of the good rating that it had on Rotten Tomatoes (Currently, it is at 77%). I also noticed that it had some really good actors in it (Parker Posey, Aubrey Plaza, Martin Donovan, among others), so I decided to take a chance on it. In the opening scene, (for those who didn't see "Henry Fool" or "Fay Grim") it certainly felt like you had to play catch-up. Ned's mother, Fay (Parker Posey) is in prison for being an alleged terrorist, which leads back to what happened in the previous film, "Fay Grim". But, even though I didn't see the previous two films, I was still able to get a good idea of what happened. Director/Writer Hal Hartley does a pretty good job with presenting the information that you need to know, even if you never saw the other films.

The acting is wonderful. Parker Posey does a great job with the little scenes that she has, bringing a lot to such a small role. Liam Aiken is likable as the titular character. He has a way about him, that you want him to succeed in his mission. Aubrey Plaza's signature humor (I won't list the word that is associated with her type of humor, since she revealed that she hates that word), but her line delivery fits perfect with this world that the audience is presented. This brings us to the MVP of the film: Thomas Jay Ryan. Whenever he is on screen as Henry Fool, he knocks it out of the park, bringing a manic energy to the film that helps the second half to propel past the first half. It all culminates in an incredibly tense final 10 minutes. The film is about 81 minutes (including four minutes for opening and closing credits), but it will stick with you long after it is over.

I stumbled across this movie, but I am glad that I took the time to see it. Heck, I might even have to go and seek out the other two movies in this "trilogy". Highly recommended for fans of indie films.

Ned Rifle ends the Henry Fool trilogy in classic Hal Hartley style, with damaged people unable to connect or to explain themselves.

This was a relief after Fay Grimm, the Henry Fool sequel that occurred during Hartley's dalliance with genre storytelling, something he failed to ever get a handle on.

The movie begins as a revenge tale, with Henry's son deciding to hunt down and kill his father for ruining his imprisoned mother's life. Along the way he joins up with a mysterious and sexy scholar with a plan of her own.

That description makes it sounds like a genre film after all, and in a way this movie ably bridges classic Hartley with genre Hartley.

The original cast is still there and is excellent, with a slightly mad Henry and a disillusioned Simon. New to the trilogy is Aubrey Plaza as the mystery woman. Plaza is a perfect Harley actor able to work within his peculiarly affectless emotionalism.

This movie is what I expect from Hartley; quirky humor, opaque characters, complex motives, and within that more emotion than one might expect. While it's not quite up to the level of early Hartley films like Trust or Surviving desire, it definitely scratches the Hartley itch.

As all movies should feel - I think this was perfectly timed. 90 solid minutes, I wasn't bored anywhere. The acting is odd in some instances, but overall I enjoyed the entire thing, hence the rating. I'm a big fan of Aubrey Plaza - I may have watched this for her, but in reality the main character does such a good job that I didn't miss her too much when she wasn't on screen. The story is terribly basic and that's not a criticism - very much a compliment. I haven't watched the other movies in this apparent trilogy and this one works very well as a standalone movie, so fret not if you haven't either. If you're slightly deep, this may tickle your fancy. If you're not at all a thinker, then maybe give this one a miss.