Homestead

The movie is supposed to be about a nuclear incident, you see the explosion then everybody heads to Ross home. No explanation of who caused the incident or why, just people hiding at the Ross home and securing it from who knows? No aliens, no crooks, no evil people, just hiding from nothing. A huge lack of a Christian theme, no spiritual message, not a movie I would identify with Angel Studios. It was like 2 separate movies, one about hiding and protecting each other from an unknown enemy, and one about finally getting Faith and everything is then ok. Very, very disappointing for Angel Studios. If this movie is a sample of where Angel Studios is heading, it's no wonder The Chosen filed a breach of contract dispute with Angel Studios which was decided in The Chosen's favor. Angel Studios has chosen to dispute the judges ruling and file an appeal. The boys from Utah are on the wrong path. I'll add I got 2 free tickets from Angel Studios, and I would not even have watched it for free it I knew what it was about after I watched it.

One hard truth about writing reviews is that I'll watch a film now and again that I won't connect with, and "Homestead" turned out to be that next movie. However, I understand that while I may not like it, other people will, so don't let this review stop you from seeing it if you're already excited.

To begin with the positives, all the actors, including Neal McDonough, Bailey Chase, Olivia Sanabia, Kearran Giovanni, and Tyler Lofton, did nicely with the material. In particular, McDonough's performance as Ian Ross stood out for me, as he had charisma while his character assesses the end of the world in a (mostly) realistic manner.

While I didn't think the narrative was strong, I must admit that Ben Kasica, Leah Bateman, and Phillip Abraham's screenplay was well-written. It also contains a message about how, in crisis, coming together is the best option, enhanced by Ben Smallbone's beautiful direction.

There were many great scenes, specifically the opening scene, which demonstrates the events that led to the world falling apart. Scenes like that are when the film excels, showcasing how tragedy can reveal the best and worst in all of us.

Unfortunately, the negatives weigh down the experience for me. For the first negative, the film doesn't handle its narrative the best. This drawback could be due to how uninvested I was in the character's struggles. Said characters make decisions that feel unrealistic or out-of-character based on how they previously were set up. For example, Chase's character, Jeff Erikson, feels closed off emotionally throughout the film, and his attitude only changes toward the end.

The editing was a bit messy. Time progression is all over the place, cemented by, and I'm paraphrasing, a '30 Days After the Incident' title card. It skips details that I feel the film would have benefited from showing, and I know there's a TV show following this. The choppy editing led to stagnant pacing, with the film only picking up in select moments. Kevin Costner's "Horizon: An American Saga - Chapter 1" had similar issues, which felt like a setup rather than a complete package. I'll give "Homestead" this: I prefer it over Horizon, and if it were between watching Chapter 2 of Costner's passion project or the TV show where I'd have to "Pay It Forward" to view, I'd go for the latter option. I'm not because a $15 minimum is too much of an ask for only the first episode, and it should have been $5. I know I'm being a hypocrite because the Angel Sponsored Screening I went to, where I saw the film for free, wouldn't happened without the "Pay It Forward" program, so thanks to everyone who helped make the screening possible.

Moving on from the show and the editing, one final point I want to bring up, a minor issue compared to the editing, is the narration. Dawn Oliveri's character, Jenna Ross, delivers the narration throughout the film, and I felt it didn't leave an impact. The narration is vital for developing her character, but it seemed like the only aspect giving her character instead of letting her actions speak for themselves. Again, it could be a symptom of my lack of character investment, but for the most part, the film could've removed the narration.

"Homestead" didn't work for me, and that's okay. I know that others will enjoy it, but I'd sooner watch its preceding TV show when it becomes free instead of "Paying It Forward." No offense to the program, but I should like the setup that shouldn't feel like a setup. While I didn't enjoy it enough, if you see and enjoy it and are interested in seeing the story continue, definitely "Pay It Forward."

Technically, the acting, directing, writing, and Matthew Rivera's cinematography make the technical score a 9/10.

For the enjoyment score, if you want to see it, then do so, but I felt it was weak. For me, the enjoyment score is a 5/10. Nonetheless, its messaging is lively, inspired, and necessary. In most cases, we all connect in a time of tragedy and peril one way or the other, and working alongside one another is the solution. I wish that message were in a better film.

I waited for this movie for months. I had allowed my anticipation to build to that of a child awaiting Christmas morning. Wanting that one gift that blows the rest away only to open all your gift and find you didn't get the one that matters...Angel Studios didn't gift me my one gift. Instead they gave me a huge build up into a mediocre movie that is basically a long advertisement for a new series. Very little action. Very little scenes showing what's actually happening through America after the bombs. I felt robbed and tricked at the end. I'm not happy about the way they built this up. This could have been the movie of the year. If anyone walks away from this saying they are fulfilled and happy with the production then they are not in being honest and are only attempting to be kind. I can not deny the disappointment my family and I felt as we walked out of the theater.

Movies from Angel Studios are definitely improving when it comes to the acting, writing, and the overall quality of the films.

Homestead takes a very scary topic, and starts us off on the day of the incident, to show how quickly things would likely collapse. There is little to no backstory on the characters or the state of the world. What you learn about the characters you get from conversations that occur. This can be both good and bad - good in them at the plot moved along at a fast pace, bad because you aren't invested in them as people.

Some of the archetypes used are a little "one note". I was initially exasperated with the usual portrayal of the veteran types and their rigidity. But, it is definitely part of a character arc to show that people can and will change through experiences, so it actually works and I expect more in depth development as the follow up series progresses.

It does definitely stick to a redemption arc through faith, and has a few very obvious allegories (like Jesus using loaves and fishes to feed the masses), but I didn't find it over the top, forced or done in an unrealistic way.

It's a flawed film in some ways, but what film isn't? The debates have dialogue that could have definitely been written better. The direction could have been more on point. The effects of the attacks could have been shown a little more. But overall, it was still a good film and we all enjoyed it.

Remember that movie a few months ago from Kevin Costner called HORIZON? It started like the makings of a great movie, but then about 1/3 the way into the running time, they decided to just slow everything down and not move the plot along anymore, because it was a miniseries pilot rather than an actual movie. Well that exact same thing happens here, and it really bummed me out because I loved the opening of the film.

Going back to THREADS in the early 80's and even the pilot episodes for such shows as "Walking Dead", "Survivors", and "Jericho", I've always felt hungry for a well-directed (and especially a well-written) realistic portrayal of society falling apart at the very opening of the apocalypse. The closer these shows and films get to full on realism, the more interesting they get, but it never seems to quite hit the threshold of believability. The closest of course would be THREADS, but that film is hampered a bit by its low budget and unrelenting bleakness, plus it's a "broad-brush" film that doesn't really focus on the personal journey of the characters with much depth. Most of these films follow characters who are essentially unprepared victims who run around like headless chickens, looting and killing each other. There's very little attention paid to the rebuilding of society unless you stick with the series.

What's fascinating about this film is that it seems to follow the world's best prepper; a billionaire who owns a large property, stockpiles many months worth of food, and hires a large staff to run the place. It's a much more fascinating concept to me than following some loner wandering around because we get the makings of a small society trying its best to function and dealing with the various crises and things they didn't plan out. I have a feeling it'll be a pretty satisfactory miniseries (assuming that there are more episodes coming), but unlike a lot of my fellow Gen-Xers, I have little patience to sit down and binge-watch or maintain some loyalty to an ongoing series. I'd much rather watch films in the form of closed-narratives, which is something that this film does not offer (nor did HORIZON) in the slightest bit. There's nothing satisfying at all in the end but a lot of unanswered questions.

The key scenes such as the incident with the hunters feels very poorly handled, and the attempt to make the killer character conflicted and then suddenly get over it rang completely false and hollow as well. The film has a lot of tough guys posing with guns but ultimately has practically no action, which is frustrating when you can spot many, many opportunities for it along the way. Ultimately, the film lacks in entertainment value unless you really are drawn toward prepper culture and want to see what sort of blind spots you may have in your own prepping strategy. There are those who are practical and those who are idealistic, and the film seems to favor the idealists without really showing the consequences of ignoring pragmatism in a doomsday situation in which it's absolutely critical. I guess that may be the downside of watching a post-apocalypse movie with an ever-so-slight religious bend to it, though this is worlds better from something more overt such as LEFT BEHIND.