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This is a drama about two people who have a chance meeting on a train. Both are with other people and seemingly happy but the attraction between them is too strong to resist. It follows their relationship from the platonic to the inevitable fallout from the decisions they take.

In other hands this could have been a corny and cheesy mess however a brilliant cast and good direction means this is nothing but a success. It moves along at a good pace and never gets boring. I also liked the fact that it didn't paint the adulterers as awful people just normal people in a difficult situation.

The main cast are all top rate actors and they don't disappoint. David Morrissey is great as the guilty husband, the fantastic Sheridan Smith is beguiling as the younger woman and Olivia Colman superb as the spurned wife.

The 7.39 is a very good drama and well worth watching.

David Nicholls' reworking of the David Lean classic shifts the action from wartime Carnforth to contemporary London. Carl Matthews (David Morrissey) and Sally Thorn (Sheridan Smith) have a chance meeting, see each other on a regular basis on the 7.39 morning train from an unspecified suburb to the center of London, and fall in love. Unlike Trevor Howard and Celia Johnson in the earlier film, their love is not restricted to clandestine meetings in a station canteen, but develops into a full-blown affair. Nonetheless the outcome is much the same, as they realize that there is no future for either of them. The story is a familiar one, set against the backdrop of contemporary London - a teeming, high-tech city that alienates many of its citizens. John Alexander's direction vividly captures the heartlessness of contemporary urban life, with shots of a crowded train whose passengers seldom, if ever talk to one another, and interior shots of Carl's office, where the employees are separated from one another by glass screens. No one, it seems, has the time or the inclination to relate to one another. Thus it is perhaps inevitable that Carl and Sally should try to seek an alternative through love. Shot mainly in a series of shot/reverse shot sequences, THE 7.39 is an intense drama focusing on the characters' unspoken feelings: a close-up of Sally's tortured expression as she leaves Carl for the last time tells us far more about her pent-up emotions than dialog ever can. The casting is highly effective: Morrissey towers over Smith, suggesting that the couple are both physiognomically as well as emotionally ill-matched. Nonetheless they take full advantage of the affair while it lasts.

The 7.39 is the latest screenplay to hit the (TV) screens from the pen of David (One day) Nicholls comes across as an update or homage to Brief Encounter. The 1945 original is rightly considered a classic, written by Noel Coward and directed by David Lean it's very much a film of it's time.

This was shown recently over two nights on BBC1 and follows a similar pattern with the two leads being tempted into cheating on their partners. David Morrissey is well cast as the middle management office worker married to Olivia Coleman with two teenage children. Sheridan Smith is equally effective as a personal trainer recently engaged to Sean Maguire who clearly works out.

Knowing David Nicholls this won't be a "and they all lived happily ever after" ending and it isn't. But the journey is what this film is all about and it's quite a ride, with highs and lows along the way as the miss-matched pair get to know each other better.

There is not much humour or nudity in the film but it's definitely an adult film with consequences for actions taken, it also works as a story much better than the film adaptation of One day did.

Overall 8/10 highly recommended.

The 7:39 was shown over two nights and is a modern reworking of Brief Encounter which is was itself was re-jigged in 1984 as 'Falling in Love' when it starred Robert De Niro and Meryl Streep.

David Morrissey and Sheridan Smith meet during an early commute to London where they argue over a seat. In subsequent encounters during the morning rush hour, they form a friendship and later have a steamy affair.

David Morrissey is the middle aged, middle management worker in commercial property with a horrible boss. he hates the daily grind of going and coming back from work.

He is married to Olivia Coleman, they have two teenage children, one about to go to university. He finds that for the first time in years he has a buzz and a spring in his step because of the affair.

Sheridan Smith is a personal trainer engaged to get married but unsure as to whether to commit and this affair with an older man seems to provide a pleasant diversion.

Of course we have the predictable consequences with Morrissey not performing in his job effectively and getting fired, Coleman finding out about the affair and finally being confronted by Smith's boyfriend.

An enjoyable drama, light on its feet, not heavy handed. The workplace scenes were so true to life with the actor playing Morrissey's boss nailing the part of the slimy, douche-bag.

Just a shame the serial was a bit by the numbers.

... how many people would change partners were opportunity presented as in this fairly well-made-good little mini-series... here these-two made to appear as really very nice-decent-individuals, just happening to meeting-having-sex-regularly because they can, and really are very sexually attracted to one another

... it's well made and appealing, just a bit hollow, along with evidencing why divorce rates are high world over... commitment crushed by passion till awakening or rationality (or nature) intervenes-returns

... and not that all these works need-require-nudity, yet making this here storyline more authentic, today's expressive-audiences increasingly sense its absence-avoidance.

How many ways are there to depict infidelity, on screen or on the page? Or romantic love, for that matter? Sometimes it seems that all possible shades of both have been covered, and repeated ad nauseum. Then there comes something like 'The 7.39', and one realizes the same old story can indeed be told in yet another way, which is both entertaining and insightful.

Two commuters - 'everyman' and 'everywoman' - are attracted to each other; the first part focuses on them and the tension is built up really effectively. The second part takes us through the repercussions of their actions, not in a moralistic way, but in a way that one feels sympathy for ALL the characters.

The resolution is unexpected -- I couldn't predict till the last minute how it was all going to end. To take a theme/plot that has been told a million times before, and then to tell in a way that the viewer holds her breath, eagerly anticipating the next turn in the course of events: that's the art of storytelling at its best. This has been compared to the great film 'Brief Encounter'; both deal with the very human theme of temptation, but I think 'The 7.39' also tells us something about the dilemma of the modern man/woman: is life any less complicated when the rules are relaxed?

There is so very little to look forward to on telly these days, but this is just incredible. A host of great people, great characters and a great script. I have read all the typically superfluous comments re. Oh the 7.39 is always so crowded, where is the fat balding bloke etc etc. the 7.39 does not go from West Sussex to paddington. I am a railway enthusiast and even I groaned at that one !! Having been fortunate enough to experience a very intense wonderful affair of this type, this is so realistic, I was spell bound and cannot wait for tonight. The looks, the subtle body language, the doubt, the intense rush it's all there and yes I hope the lust will be there as well. Well it is 2014, even if it's the London commuter belt and all that and the stuffy old south of England !! Well done the BBC for showing this, well done to the actors and actresses a modern day Brief Encounter, fantastic !! More please.

I'm a big fan of all of the main actors in this.. which is why I'm even more disappointed with this series.. I do not need to put any spoilers in this.. as after 5 minutes in, you can guess each stage as it goes along..

I approached this movie thinking it can't be much --- and I'm glad to state I was wrong.

The story is easy to understand --- life can become a rut and then you find yourself stuck in a daily routine. The rewards become transparent and frustration can set in quickly.

Here we have two people, Carl & Sally, who come to cross purposes on a commuter train one morning. With an apology later from Carl the ice is broken between our two characters. They both find out through just daily talking that there is a common thread between them. A friendship develops and then more comes into their lives.

What's so marvelous about 'The 7:39' is how the relationship progresses and the brilliant ability of the writer and director to keep this old and over told story consistently fresh and lively, start to finish.

It's 2 hours long but it's worth the watching !!!

A British television movie, splits into two parts of each 60 minutes long. From the writer of 'One Day' who once again wrote a beautiful screenplay. Portrayal of the romantic drama from the perspective of the middle-aged people. Indeed, specially made movie for them, it explores the midlife crises in the marriage and spiritless mechanical life that follows the day after the day. Now, you guys have to switch your mind to google map mode: The story told between the two points of life's map, one is where the home and the family is, dot, and the other one is an office and the job, dot. To describe it mathematically, between these points there comes a line which is practically a boring journey.

The majority won't enjoy leaving home for the work, especially on the Monday morning. The bad day begins with shouting for someone who come across your car front, or fight for a seat in the train and bus. The same way this story appear to have a life where two odd people meet. Carl married with two children and Sally engaged to marry soon. So the days follow everything changes and the journey turns more cheerful than ever. Their little friendship ends in flirtation, but well realising they won't accept the truth. Can they remain good friends, or ready to face the consequences and how their families affect by this is the rest of the riddle.

It just seems... Futile.

After seeing the first quarter of the movie, it reminded me James Siegel's 'Derailed'. I thought I was an inch closer to predict the second part, but the story was smartly moved to the other way. An interesting story development followed further going towards the end of the first half. In the second part, everything slowdowns, but still gripping because it was a crucial stage in the storytelling to solve the puzzle that created in the earlier. Not an over melodramatic or the sexual exploration, but the point is very clear to give us a fair bit amount of everything with the realistic outlook as much possible.

With the sense of awareness of our responsibility in life we know that cheating in a marriage is morally wrong, but it depends what type of life we're leading. There's nothing specialty in this film compared to other movies of the same theme, but the portrayal makes the poetic rendering. Maybe the actors were too good with the excellent chemistry. Yep, you can't just keep silent, these guys filled the souls to their characters, certainly appreciation follows after a watch. While a watch, all my thinking was on the end part, how it's going to happen. A simple and usual, but definitely a very good solution, highly satisfying, makes the overall movie is the best piece of carving. Simply wondered how this movie can't fit to be a silver- screen product.

8/10

If you've ever had to commute to London, you'll know that: conversations are sparse, fat people forget how fat they are and newspapers seem to make more noise at 7am! The 7.39 brings all this together but showing through commuter rage, friendships can be made. Many viewers have complained it's not realistic making such a connection this way, but let's not forget it started with a dispute! As for other complaints such as the train carriage was too empty, just remember you have to fit a whole camera crew onto the train and some trains do not actually allow bikes during peak times! Part one allows us to see how the friendship between Sally and Karl develops and just how quickly it leads to something more dangerous. The most artistic aspect of the first half of this drama is how the director shows the audience just how unaware the Sally and Karl are actually falling for each other.

In the beginning of part two, we see the aftermath of Sally and Karl's affair which out of the whole series, is the most realistic scenes we'll see.

Much recommend and but have a tissue to hand!

I decided to give this a go after seeing it was popular on BBC iplayer and I'm so glad I did. It's one of those dramas which people have in their head, catching attention of someone on the commuter train but that's not even when the drama starts. They both have SOs and it's how their love destroys everything else. The soundtrack really works well with the changes within the story and the two main actors have great chemistry. I fully recommend this for a rainy autumn afternoon.

Sheridan Smith, David Morrissey and Olivia Colman are perfect here.

I watched this when it was first broadcast on the BBC in 2014. But having just caught it again when it was repeated on the BBC in 2020, it's even better than I remember it being.

While it doesn't say anything new about relationships, it tells its tale in a very thoughtful and restrained way.

My only criticism is that Ryan, Sally's fiancé, is a little too irritating. While Ryan probably needs to be irritating, in order to push Sally into Carl's arms, I feel the script went a little too far.

Came to this recently whilst looking at previous David Morrissey TV programmes (fine actor). The premise of the show sounded well-worn. Man and woman meet on a train which they catch daily into work. However with a light, humoruus script and the terrific performances of Morrissey and Sheridan Smith (stunning performance) I was swept up immediately. Not forgetting Olivia Coleman who may take more of a supporitng role here but is, as ever, on point. I liked the low-key, but realistic ending. Glad to have found it, and will be recommendng to many. It may be 10-11 years old, but could of been filmed yesterday.

Hits several nerves. The deep crater is there and you can't help craning your neck to peer into the dangerous chasm. Curiosity never cured the cock.

A fantastic story, parable, drama or real life disaster. Most of us have been there, unable to resist. The grass is always more tranquil on the other side of the fence.

Carl played by David Morrisey is stiff, starchy and solid on the point of stupid. Sally played by Sheridan Smith is soft, sassy and ok I've lost it. The pair work hand in glove. A strange film, as if you've experienced that inevitable cruelty - you will know how to avoid it. Olivia Coleman breezes impeccably making the lock look amazingly true. Great stuff !