The Swan

The Swan.

A small brilliant boy is tormented by two large idiotic bullies.

First of all, I almost forgot it was a short movie until it finished !

I was fully involved in this magical story and the way it was presented that I'd call it lazy for not capturing what's happening and instead telling what's happening through beautiful frames.

It may look lazy but I know it must be even harder to make such as a thing, especially nowadays when you simply can make it normal, Wes Anderson is beyond that.

The production design was stunning as always and I enjoyed every minute of it, I need more of these colorful narratives by Wes.

This is another of the four part short collection of stories, presented on netflix, originally by roald dahl. This one is only eighteen minutes. About two no-goods who decide to torture a boy. It gets pretty dark, but it's mostly in words spoken by the narrator. Not a lot of blood and guts. Also starring ralph fiennes as dahl. With rupert friend. Lots of fast talking, which accompanies the amazing, short, advenure. Fun, clever sets. Some sadness, but according to the card at the end, it's partly based on an actual local news account. A bit darker than the others. Directed by wes anderson. And all over in eighteen minutes!

Wes Anderson has four new short-films on Netflix. I think they're all based on Roald Dahl stories. Last night I watched the one called "The Swan," and I really had no idea what I was in for. I guess I had expected something comical, with melancholy undercurrents, like most of Anderson's work. Instead, the story is one of the most diabolical horror stories I've ever heard, diabolical because it is so realistic, so believable - describing the ordinary way in which young boys can do terrible things to each other. And yet, because it is expressed through Anderson's cute, stagey, pastel-colored style, there is a distancing effect which somehow makes the piece hit harder than a more realistic style might have. It has the power of a poem, or a song. The magical-realist ending concludes the piece on a mysterious, ambiguous note which can be read in different ways. My god, it's good. So sad, so powerful.

Wes Anderson's "The Swan," a part of an impressive short film collection inspired by Roald Dahl's stories on Netflix presents viewers with a vivid adaptation of Dahl's tale resonating with Anderson's signature stylistic flair. Featuring a stellar cast including Asa Jennings as the young Peter Watson and Rupert Friend portraying the adult Peter the 17-minute narrative plunges into the unsettling account of young Peter's encounter with two bullies.

Throughout the film, Anderson's masterful touch is evident, blending live-action with animation seamlessly, giving life to Dahl's rich storytelling. Embracing a strong visual design, the film possesses Anderson's penchant for symmetry and direct camera engagement. Though the plot unfolds through narration, suggesting more of the cruelty than explicitly showcasing it, the experience felt immersive. Such is the potency of the narrative that at moments, it seems like a reading session of Dahl's story rather than a motion picture.

However, the film might not resonate with everyone, especially those unfamiliar or less appreciative of Anderson's unique style, which over the years has been refined and might come across as predictable to some. Nevertheless, for fans of Anderson and Dahl, "The Swan" stands as a testament to storytelling excellence, artfully presented and layered with nuanced details awaiting rediscovery upon subsequent viewings.

Beyond "The Swan," Anderson's other Dahl adaptations, notably "The Wonderful Story of Henry Sugar" and "Ratcatcher," further cements his prowess in translating Dahl's universe onto the screen.

In essence, "The Swan" is a captivating piece, masterfully bridging Anderson's cinematic artistry with Dahl's narrative brilliance.

I didn't realize that this was coming out so soon after Henry Sugar.

Shorts are a great way for the casual observer to get acclimated to Wes Anderson without overwhelming the viewer. Production design and set decoration are typically cool and quirky. Rupert Friend gives a fun performance.

I wish The French Dispatch would have been released the same way that these Roald Dahl shorts are coming out. It's much more manageable. They can be collected into one bigger film but they stand alone very nicely. Wes Anderson is clearly a big fan of Dahl and takes great care to present the stories in a way that honors both story and author.