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IMDbPro

Donde el corazón te lleva

Título original: Black or White
  • 2014
  • B
  • 2h 1min
CALIFICACIÓN DE IMDb
6.6/10
14 k
TU CALIFICACIÓN
Kevin Costner, Octavia Spencer, and Jillian Estell in Donde el corazón te lleva (2014)
The story of a grandfather who is suddenly left to care for his beloved granddaughter. When the little girlÂ’s paternal grandmother seeks custody, a legal battle ensues that forces the families to confront their true feelings on race, forgiveness and understanding.
Reproducir trailer2:16
43 videos
70 fotos
Drama

Un viudo afligido se ve envuelto en una batalla por la custodia de su nieta, a quien ayudó a criar toda su vida.Un viudo afligido se ve envuelto en una batalla por la custodia de su nieta, a quien ayudó a criar toda su vida.Un viudo afligido se ve envuelto en una batalla por la custodia de su nieta, a quien ayudó a criar toda su vida.

  • Dirección
    • Mike Binder
  • Guionista
    • Mike Binder
  • Elenco
    • Kevin Costner
    • Octavia Spencer
    • Gillian Jacobs
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    14 k
    TU CALIFICACIÓN
    • Dirección
      • Mike Binder
    • Guionista
      • Mike Binder
    • Elenco
      • Kevin Costner
      • Octavia Spencer
      • Gillian Jacobs
    • 85Opiniones de los usuarios
    • 86Opiniones de los críticos
    • 45Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 4 nominaciones en total

    Videos43

    Official Trailer
    Trailer 2:16
    Official Trailer
    Are You O K Papa
    Clip 1:24
    Are You O K Papa
    Are You O K Papa
    Clip 1:24
    Are You O K Papa
    Shared Custody
    Clip 1:08
    Shared Custody
    No Endcard
    Clip 1:14
    No Endcard
    No Endcard
    Clip 0:37
    No Endcard
    Worth Fighting For
    Clip 1:13
    Worth Fighting For

    Fotos70

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 64
    Ver el cartel

    Elenco principal66

    Editar
    Kevin Costner
    Kevin Costner
    • Elliott Anderson
    Octavia Spencer
    Octavia Spencer
    • Rowena Jeffers
    Gillian Jacobs
    Gillian Jacobs
    • Fay
    Anthony Mackie
    Anthony Mackie
    • Jeremiah Jeffers
    Jillian Estell
    Jillian Estell
    • Eloise Anderson
    Bill Burr
    Bill Burr
    • Rick Reynolds
    Mpho Koaho
    Mpho Koaho
    • Duvan Araga
    André Holland
    André Holland
    • Reggie Davis
    Jennifer Ehle
    Jennifer Ehle
    • Carol
    Paula Newsome
    Paula Newsome
    • Judge Cummins
    Indigo
    Indigo
    • Young Nurse
    Bertha Bindewald
    • Rosita
    Joe Chrest
    Joe Chrest
    • Dave
    Ireyon Johnson
    • Kristen
    Janeline Hayes
    Janeline Hayes
    • Dondi
    Lloyd Dillon
    • Rex
    Ernest Wells
    • Uncle Victor
    Angela Jones
    Angela Jones
    • Rita
    • (as Angela Landry)
    • Dirección
      • Mike Binder
    • Guionista
      • Mike Binder
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios85

    6.614.2K
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    Opiniones destacadas

    9cattjones

    This Mulatto Loved this Film

    I was not surprised to read that this film was based on actual events. I am sure that these situations have played out numerous times when it comes to mulatto children. The one thing that did surprise me is that Kevin Costner felt so strongly about this film that he financed it himself (along with his wife). Being mulatto myself I was happy to see that a film that broached the subject was finally being made and it could not have come at a better time with all the racial issues of recent days. Mr. Costner recommended that you see this film with someone that does not look like you; and I agree. This film is about two grandparents that deeply love their granddaughter, Eloise (Jillian Estell). With the death of Elliot Anderson's (Kevin Costner) wife, Rowena Jeffers (Octavia Spencer) feels like she would be the better person to raise Eloise than Elliot and the battle ensues. Rick Reynolds (Bill Burr) is engaged to handle Elliot's case and Jeremiah Jeffers (Anthony Mackie) is representing Rowena. Both of these attorneys have their hands full because both Elliot and Rowena have issues of their own. The character that I enjoyed the most was Duvan Araga (Mpho Koako) who is the tutor hired by Elliot to help Eloise stay focused on her studies among other things. The theater was pretty packed and I think that everyone in the theater was enjoying the film. You can tell that it is a good movie when everyone else reacts the same way that you do to certain situations. This film has the potential to generate a lot of dialog which I think was the intent to begin with. I had never heard of writer/director Mike Binder, but I think that after this film, his name will be more recognizable in the future. What I got out of the film is that it is not Black OR White….. It is Black AND White. I think that the entire cast did an excellent job and I would highly recommend this film to everyone.
    7planktonrules

    Not exactly black or white...

    From the title and the way the film was marketed, you'd get the impression that this is a movie about a custody dispute that all boils down to race. Well, this plays only the tiniest part in a film and is instead a film where there are lots of gray areas...and the custody situation is NOT black or white (metaphorically speaking).

    When the film begins, Elliot (Kevin Costner) is at the hospital, as his wife just died. It's not just going to effect him, however, as he and his wife was the caretakers for their granddaughter, Eloise. However, although it's always clear that Elliot loves her, he's also got a drinking problem...though it does not appear to impair his ability to care for the child...at least at the present.

    Soon, Eloise's Grandmother (Octavia Spencer) has filed for custody of the child. Much of this might have been avoided if Elliot had allowed the other side of the family (the black side) to see the girl. He, however, is angry at them as Eloise's father is a crack- head and the father's family is in denial about his current drug use or ability to care for the child. He's a mess, and clearly he should NOT care for any child...let alone a pet! But, the rest of the family seems to possibly be able to care for Eloise...but they've got to get over the Grandmother's fantasies about her son and his addiction. How does all this work out? See the film.

    Overall, I enjoyed this film but must strongly point out that it is NOT strictly a film about race. Instead, it shows how both sides of the family care but are really screwed up...and it's up to the judge to determine what's best. I appreciated this and enjoyed the film. My only reservation is the last 10 minutes or so of the movie...it didn't seem all too realistic in many ways. So, I am recommending it but think it does, in some ways, miss the mark. Well worth seeing.
    7bbickley13-921-58664

    Very emotion movie on race laid out very evenly

    Black or white, nobody's perfect and the movie does a good job portraying that. Kevin Costner plays Elliot Andersen, the grandfather of a Eloise Andersen who he's been raising with his wife since the day she was born, but when he's wife passes suddenly, her Grandma Rowena does not feel Elliot is capable of taken care of the child alone, epically when the death of his wife brings out what she considers his drinking problem, so she gets her little brother, a lawyer to take legal action.

    The movie seems to work as a vehicle to freely say the things that I think need to be said about race in this country. We live in a world were we can be so politically correct that it does nothing to actually solve the problem, but sweep it under the rug, and this movie is not about that.

    But that's superficial for selling the movie to the audience. Black or White would work equally if everyone in the movie were black or white. It's a real story about a blended family were the child is unable to be cared for by the parents and the village has to step in.

    This movie is about love, as sappy as it sounds. No one is perfect, but if you love someone enough, the right thing can be done for their benefit. this statement goes for anyone no matter if they are black or white.

    Black or White does work for the court room scenes however. It was like watching two different countries use an political agenda to take control of an island they both wanted. To watch Grandpa Elliot do nothing but show love for his Eloise, after his wife's death and attempt to keep it all together for her, then watch him be attacked in the court for being too white to take care of a black child was painful.

    Yeah, I would definitely recommend this movie to see, I'm glad Costner was able to get it made.
    9aneculai

    Costner brings racial conversation to next cultural and social level!

    Kevin Costner's "Black or White" is one of those break-through movies who bring the silver screen art to a next level. In his case, the movie brings the cultural and social conversation about race to a level it should have been long time ago. The movie suggests a new paradigm for the topic of race, a level where the social and personal relationships between people no longer include the skin color. The movie portrays with a keen sense the tension and resistance our cultural biases pose to any attempt to remove the racial aspects from the confrontations between people of different skin color. In "Black or White" Kevin Costner breaks the pattern of action hero he has got us used with, displaying acting traits of the highest level. With the camera close-ups on his face most of the time, his eyes add immense value to his acting, displaying real emotions and deep feelings only those who experienced parenting can truly understand and react to. Overall, "Black or White" is a new paradigm of both his personal acting and the cultural and social topic of racial tension.
    9briand6465

    This isn't about Black or White. This is about Eloise

    "This isn't about Black or White. This is about Eloise." Saw Black or White starring Kevin Michael Costner, Octavia Spencer, Jillian Estell, and Anthony Mackie at Regal Cinemas! "Elliot Anderson" brilliantly played by Costner is a lawyer faced with a "curve-ball" life threw at him and his family when his wife is tragically killed in a car crash. He is then left to cope with loss, explain what happened and care for his grand-daughter, "Eloise Anderson" well-played by 10-year old Jillian Estell, but faces the challenges of racial bias and custody court proceedings.

    "Rowena Jeffers" played by Spencer is "Eloise's" paternal grandmother who seeks custody of her grand-daughter with the help of her brother "Jeremiah Jeffers" played by Mackie, and this young lady is left torn between two families who care for her very much. "Reggie Davis," "Eloise's" biological father played by Andre Holland is referred to as a "street ni**er" according to "Elliot Anderson" (Costner) due to his criminal record, continued drug use, and inability to be a good father to "Eloise."

    This racial bias tension pours in to the court custody case which was ruled on by "Judge Cummins" played by Paula Newsome. It is up to "Elliot Anderson" and his legal team including "Rick Reynolds" played by Bill Burr to convince not only the judge but "Rowena Jeffers," "Jeremiah Jeffers," and family that "Eloise" is best suited to live with her "white" grandfather rather than the "black" side of the family.

    What I personally liked about the movie is that it was based on real events and presented great refreshing messages about race-relations in modern day America! I enjoyed the film and give it an overall cinema score of 9/10! Go see it! ‪#‎LoveHasNoColor‬ ‪#‎maverickradio‬™

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Kevin Costner personally financed this film, because he was moved by Mike Binder's screenplay, wanted to tell the story of the family, and to continue the conversation on race in the U.S. among the film's viewers.
    • Errores
      When outside the law firm that Elliot visits for the first time, they're discussing his alcohol problem, and a young man in a light blue shirt and mustard colored pants walks by. The same man walks by the same way as they move towards the car.
    • Citas

      Elliot Anderson: So, yes, we're different, you and I. You want to submit that? Submit it. We have different skin colors. Is that the first thing I notice when I see a black man, the color of his skin? Yes. Submit away. Because I can go ahead and submit that that's the first thing you see when you see a white guy. Now, I don't know why that is any more than I know why when I see a good looking woman the first things I notice are her breasts, because I do. But if I move on to my next thought quick enough, I'm not a pervert, alright? I'm not a bad guy. I'm just mildly flawed. It's the same thing with race. It's not my first thoughts that count, it's my second, third, and fourth thought, and each and every case I'm in, it comes down to the same thing: the action and interaction I'm having with the person that I'm interacting with!

    • Conexiones
      Featured in The Tonight Show Starring Jimmy Fallon: Jennifer Lopez/Anthony Mackie/Iliza Shlesinger (2015)
    • Bandas sonoras
      White Lies
      Written by Paolo Nutini (Paolo Giovanni Nutini) and John Fortis

      Performed by Paolo Nutini

      Courtesy of Warner Music UK Ltd.

      By arrangement with Warner Music Group Film & TV Licensing

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    Preguntas Frecuentes

    • How long is Black or White?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de marzo de 2015 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Black or White
    • Locaciones de filmación
      • Nueva Orleans, Luisiana, Estados Unidos
    • Productoras
      • Treehouse Films (II)
      • Sunlight Productions
      • IM Global
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 9,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 21,571,189
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 6,213,362
      • 1 feb 2015
    • Total a nivel mundial
      • USD 21,833,967
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 1 minuto
    • Color
      • Color
    • Mezcla de sonido
      • Datasat
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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