Un adolescente va a ver a su camello para probar una nueva droga antes de irse de fiesta. De camino a casa, recoge a una mujer herida y la noche da un giro surrealista.Un adolescente va a ver a su camello para probar una nueva droga antes de irse de fiesta. De camino a casa, recoge a una mujer herida y la noche da un giro surrealista.Un adolescente va a ver a su camello para probar una nueva droga antes de irse de fiesta. De camino a casa, recoge a una mujer herida y la noche da un giro surrealista.
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- Premios
- 1 nominación en total
Sasha Rudakova
- La femme de la route
- (as Sasha Rudakowa)
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
MadS seemingly came out of nowhere, and as soon as I saw it was a French zombie movie, I was intrigued. The first thing to mention is that the entire film is shot in one continuous take. A remarkable achievement that few filmmakers dare to attempt. There are, however, a few moments where it's clear that if the movie had been shot with multiple takes, certain scenes might have been redone due to minor flaws. But none of these issues are so distracting or problematic that they significantly harm the movie.
This isn't your typical zombie movie; the behavior of the infected is unusual, yet interesting. It brings a fresh take to the genre, which is always appreciated. The characters aren't particularly likable, but they're not bad people either, and the lead actors deliver solid performances. What I enjoyed most about the movie is its realistic feel. The single-take approach contributes to this realism, as does the fact that nothing overly fantastical happens. The characters generally behave in a believable manner, though some of their decisions are a bit foolish and irrational.
Despite that, the film manages to convey a grounded, realistic tone, and even the small dramatic moments worked well for me. Overall, MadS is a decent and unique zombie movie with some flaws, but it still succeeds in the end. [5.6/10]
This isn't your typical zombie movie; the behavior of the infected is unusual, yet interesting. It brings a fresh take to the genre, which is always appreciated. The characters aren't particularly likable, but they're not bad people either, and the lead actors deliver solid performances. What I enjoyed most about the movie is its realistic feel. The single-take approach contributes to this realism, as does the fact that nothing overly fantastical happens. The characters generally behave in a believable manner, though some of their decisions are a bit foolish and irrational.
Despite that, the film manages to convey a grounded, realistic tone, and even the small dramatic moments worked well for me. Overall, MadS is a decent and unique zombie movie with some flaws, but it still succeeds in the end. [5.6/10]
I'll be the first to admit, Shudder has a habit of dumping a lot of questionable content on their platform, but MadS is a real gem. The French director David Moreau brings a fresh take on the zombie genre with his frenetic, one-take style that plunges you straight into the madness. The only thing better than a single-take film is a single-take horror, and MadS uses this technique to perfection, creating a claustrophobic and tense experience that feels both chaotic and masterfully controlled.
David Moreau's take on the zombie genre is frenetic and totally refreshing. The French just know how to make horrors that get under your skin, and MadS does exactly that with its claustrophobic atmosphere and tense pacing. If you're into inventive, pulse-pounding horror, this is definitely worth checking out.
David Moreau's take on the zombie genre is frenetic and totally refreshing. The French just know how to make horrors that get under your skin, and MadS does exactly that with its claustrophobic atmosphere and tense pacing. If you're into inventive, pulse-pounding horror, this is definitely worth checking out.
A fresh, fun start to the film that immediately lays out it's ambitions with a single tracking shot, hip soundtrack, and beautiful cinematography. The fresh premise wears thin during the back half however, as the film falls prey to repetition and actors who cannot stop shrieking. The screaming. And shrieking. A director who had shown a competent and semi restrained approach fully betrays this and falls prey to an overly indulgent back half.
I legitimately muted the film at multiple points and considered skipping minutes 70-80 because the screaming and overall sound design was too grating. The influence of 28 days later was also clear during one particular segment of the score, which was neat. Despite not being able to land this, an admirable attempt that I don't regret watching...sort of.
I legitimately muted the film at multiple points and considered skipping minutes 70-80 because the screaming and overall sound design was too grating. The influence of 28 days later was also clear during one particular segment of the score, which was neat. Despite not being able to land this, an admirable attempt that I don't regret watching...sort of.
The film starts out with terrific potential and appears to have a great concept behind it. The gimmick here is the one shot deal is it appears the entire movie was filmed in one atke. That is actually brilliant and incredibly difficult to do. For that reason, I upgraded the movie by one point. Otherwise, it's really not a horror movie. There are some interesting scenes with some good acting, but by the end even the acting becomes monotonous and difficult to watch. The movie had no closure and really had no direction as a whole. It was interesting and intriguing but needed more development and follow through.
I'm American so this french film with subtitles going to the top of my horror list for 2024 independent films is a pretty big feat. It wastes no time which is spectacular and seriously warranted with all these drawn out tv halfway horrors. It's very well filmed even with the handheld steady run & gun style Cinematography, I loved every scene. Definitely a film you can have fun watching with other people. Hearing them scream in french "s'ilvous plait" over and over was like music to my ears. It was choreographed to be chaotic and yet it was incredibly smooth and sharp. It didn't beat around the bush with dumb responses or poor acting it seemed very logical and crazy all at the same time. The dialogue had just enough info without being extra wordy while reading subs. From start to finish I have no complaints. The last scene was hell-fully picturesque. I see the similarities of all young people no matter where your from trying to figure out life getting dealt some life changing anguish 😧 and having nowhere to turn no where to hide and only thing u can do is lose your mind and scream. I love artful simplicity even the movie cover was a good clue to all who watch will be in for a disturbing fun ride.
¿Sabías que…?
- TriviaFilmed in one long tracking shot with no breaks.
- ConexionesReferenced in Film Junk Podcast: Episode 966: Terrifier 3 (2024)
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Detalles
Taquilla
- Total a nivel mundial
- USD 49,816
- Tiempo de ejecución1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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