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Why do a lot of modern male actors have voices like they've been stabbed through the voice box ???. Speak up men !!!, so we can understand you, it's not cool to whisper !!!!.

Greetings from Lithuania.

So the best thing i can say about "The Shack" (2017) after somehow managing to see it - it is not a terrible movie, but it isn't a good movie either but the worst thing about it - its just boring as hell. I do not use this word often when watching movies, but "boring" perfectly describes "The Shack" - script was so uninvolving, so simple, mediocre at its best and lacking anything of what makes movies involving - its just straight our boring.

Performances weren't particular good either, but they weren't bad neither - everyone did what they could with the material they have had, nothing more and nothing less.

Overall, "The Shack" is a lame and very predictable "spirituous" movie. It is not a terrible one, but it lacks everything of what makes movies involving in a first place - staring from good script and solid directing - this one doesn't had it and this movie dragged as hell for me. Can't recommend it.

I knew something wasn't the norm when too much time was taken over close spiritualist conversations. Sure enough the relationship with the daughter proved to be the peg that this movie hinged on. A lot of soulful moments learning about forgiveness. Not a movie to grab and hold one's attention and probably best watched alone so one can reflect upon life. Good for the soul.

"The Shack" is a beautiful, profound, and moving film. I'm a lifelong movie fan and I always look at reviews before I go to see movies. Of course I went to Rotten Tomatoes and saw that "The Shack" had received uniformly bad reviews. There is something wrong with the critics who panned this movie. They probably have a problem with Christianity. I think if a similar film had been made in Iran, about Islam, with English subtitles, it would receive an Academy Award nomination. Don't let these bitter, twisted souls keep you from seeing "The Shack."

The plot is simple. Mack, (Sam Worthington), an American husband and father, suffers an unbearable loss. He and other family members sink into depression. One day, Mack receives an invitation to return to the shack, the site of the worst moment of Mack's life. He does return, and there he meets spiritual guides played by Octavia Spencer, Aviv Alush, Sumire Matsubara, Graham Greene, and Alice Braga (niece of Sonya Braga). Mack engages in conversation with these spiritual entities. He eventually returns to normal life with a changed outlook.

The film gets off to a rocky start. There is an unnecessary and amateurish voice-over narration by country music star Tim McGraw, who stars as Mack's friend. Otherwise, though, McGraw is excellent on screen, displaying an understated charisma and authenticity that are totally beyond the film's actual star, Sam Worthington. In fact I wish Tim McGraw had played Mack and Sam Worthington had played the best friend.

Too, there are many shifts in time in the opening scenes. There are flashbacks on top of flashbacks and a shocking crime that the movie never makes much use of. Once the movie gets started, about fifteen minutes in, it gets good.

Sam Worthington is okay as Mack. The thing is, his Australian accent is evident in virtually every word he speaks. Again, I wish the filmmakers had made McGraw the star.

Radha Mitchell is good looking but chilly as Mack's wife. She looks like a movie star, not like a wife, and that took away from the film for me.

The rest of the cast is excellent. Octavia Spencer is assigned to play an almost impossible part, and she handles it with great professionalism and depth. Aviv Alush is especially good. Moviegoers have waited a long time for a star like this to play this part, and he knocks it out of the park.

The production values are high. The scenery is lush. I was especially moved by how this family-friendly film handles the tragedy at the center of Mack's depression and alienation from God. The exact words are never used. Graphic images are never shown. Yet we know exactly what happened, and it breaks our hearts and causes us to ask the same questions that Mack asks.

Either you want to see a movie where an average man works out how to deal with unbearable tragedy or you don't. Me, I loved sitting there watching Mack wrestle with his pain and his faith. Many self- identified Christians hate this movie with a white hot hatred. Big name Christian leaders have denounced it as heretical. One man told me that seeing the movie would be the equivalent of shooting heroin.

It think these folks are wearing their shorts much too tight. The film is an allegory. Any thinking person who has been through pain has had the same questions as Mack, and anyone who has read the Bible or other spiritual literature has pondered the same potential answers. I sincerely doubt that any film-goer is going to leave the theater thinking that he or she has actually seen God on screen, or heard God's thoughts about human tragedy. Rather, like any good allegory, the film sets us on our own path of spiritual exploration. That's a very good thing.

Every day, the average person finds themselves working to do the right things. Whether this be for others, themselves or in other places, it feels good to do them. It brings closure and gratification to the doer knowing that someone else will feel good too. But in life, not every waking moment is filled with joy and happiness. Sadness and tragedy is also a part of this cycle and sometimes it happens to people who are not deserving of such horrible acts. For those who believe in a higher power, this becomes quite the challenge for the religious. So many questions begin to flood the individuals mind asking why and how come. The problem is, the more one thinks about it, the more consumed they can become. This is similar to what happens here.

The plot is about Mack Phillips (Sam Worthington), a loving husband and father of three children. One weekend in the summer he goes on vacation with his family, only to not pay attention during a certain moment to have his youngest daughter Missy (Amélie Eve) kidnapped. Sadly when she is found in shack, the worst of his nightmares came true. Sometime later, he receives a mysterious letter inviting him back to the shack. Wanting to take matters into his own hands, he sets off. When he arrives, he realizes he's come to meet God and thus begins his journey of self enlightenment. Based on the book written by William P. Young, the script adapted by John Fusco, Andrew Lanham and Destin Daniel Cretton makes good use of its character development on Mack. The direction was headed by Stuart Hazeldine, who had only lead Exam (2009), which was more of a thriller. For this he does a decent job.

Throughout the running time, Mack goes through many ups and downs while talking with his creator. Questions that many ordinary people would ask themselves too. Why must bad things happen to innocent people? What was the point? Why do bad people get away with good things? As time passes Mack begins to learn the answers to his questions and realizes certain things he never thought were possible. He also discovers things about himself and how that affects his wife Nan (Radha Mitchell), his son Josh (Gage Munroe) and daughter Kate (Megan Charpentier). How Mack interacts with the higher entity is also done in a unique way. Instead of just having God present himself as an all powerful being, he gets split into four different people. Octavia Spencer plays papa, the nickname Mack gave his god, Avraham Aviv Alush plays Jesus and Sumire is Sarayu. These three more or less are a reflection of Christianity's holy trinity. Then there's Alice Braga who is the personification of Wisdom and also has lesson to teach.

There's even an appearance from Graham Greene as another character portrayal of papa when Mack hits an even harder roadblock. Tim McGraw is also cast as one of Mack's closest friends. For all the actors involved, they all perform very well. For those who believe in a higher power, this film may even give insight to those who wonder themselves. The emotion looks authentic and the feeling of loss is relatable. If anything, Sam Worthington still can't seem to get rid of his English accent every now and then. He's convincing most of the time, but every so often his original accent slips out. However even with all these positives, the film still has moments that are off putting. For one, the idea that God is always happy and believes even he does no wrong. It seems almost too sure of oneself. Almost arrogant sounding and in some scenes. It just doesn't sound right.

The other problem is expected Christian movie clichés. Some are just so blatantly foreshadowed, it can be quite obnoxious. It's understandable that something's are supposed to be emotional and heartfelt, but then there are points where it begs the question why must a story always try to lead it's audience to a sense of false security. Just stop it already. Aside from this though, the music and camerawork were well executed for this production. Declan Quinn as the cinematographer to this movie had a number of captivating scenes that had beautiful scenery. Having experience in other coming of age movies like This Is My Father (1998), In America (2002) and Ricki and the Flash (2015), Quinn has an eye for getting the right shot. Areas like the shack, where Mack meets God or even being at home is visually pleasing. The music is also on the same level with Aaron Zigman composing the score. Utilizing as much piano as possible, many of the key strokes used are grounded and touching. Since this isn't really a franchise it's not expected to have a main theme really.

This movie may seem rather heavy at first, but the overall message to the story is interesting enough to at least have viewers listen. While it does have some strange moments about God in general and the usual Christian genre clichés, the main cast perform well. The characters develop nicely, the camerawork is pretty and the music is effective.