CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Un hombre en luto recibe una misteriosa invitación personal a encontrarse con Dios en un lugar llamado La Cabaña.Un hombre en luto recibe una misteriosa invitación personal a encontrarse con Dios en un lugar llamado La Cabaña.Un hombre en luto recibe una misteriosa invitación personal a encontrarse con Dios en un lugar llamado La Cabaña.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
Amélie Eve
- Missy Phillips
- (as Amelie Eve)
Opiniones destacadas
I knew something wasn't the norm when too much time was taken over close spiritualist conversations. Sure enough the relationship with the daughter proved to be the peg that this movie hinged on. A lot of soulful moments learning about forgiveness. Not a movie to grab and hold one's attention and probably best watched alone so one can reflect upon life. Good for the soul.
Mack Phillips is happily married with three children. When a family tragedy shatters their carefree existence, Mack becomes bitter and depressed and the family starts to drift apart. Out of the blue he receives an invitation to return to where the tragedy took place, a deserted cabin known simply as The Shack. Thing is - the invitation is from God...
Well-intended but clumsy and long-winded. The aim was to portray the Christian message in a relatable way, especially how it pertains to tragedy and grief. However, it takes forever to get there, and does so in a folksy, licence-taking, sermonising sort of way.
Part of the problem is that the producers hedged their bets in terms of who their target audience was, trying to make it for Christian and non-Christian audiences alike and thus diluting the effect on both parties. Christians will probably find the movie overly simplistic and dumbed-down, and even inaccurate in some respects. Non-Christians, and movie-goers in general, will be put off by the overly long set-up before the important stuff, and then then how that is also drawn out. In addition, the message delivery is not too subtle, so the feeling that you're being lectured to may be off-putting to some too.
It's not all bad though. There are some good messages along the way and the end ties things together reasonably well. That would require watchers to make it to the end though...
Well-intended but clumsy and long-winded. The aim was to portray the Christian message in a relatable way, especially how it pertains to tragedy and grief. However, it takes forever to get there, and does so in a folksy, licence-taking, sermonising sort of way.
Part of the problem is that the producers hedged their bets in terms of who their target audience was, trying to make it for Christian and non-Christian audiences alike and thus diluting the effect on both parties. Christians will probably find the movie overly simplistic and dumbed-down, and even inaccurate in some respects. Non-Christians, and movie-goers in general, will be put off by the overly long set-up before the important stuff, and then then how that is also drawn out. In addition, the message delivery is not too subtle, so the feeling that you're being lectured to may be off-putting to some too.
It's not all bad though. There are some good messages along the way and the end ties things together reasonably well. That would require watchers to make it to the end though...
"The Shack" is a beautiful, profound, and moving film. I'm a lifelong movie fan and I always look at reviews before I go to see movies. Of course I went to Rotten Tomatoes and saw that "The Shack" had received uniformly bad reviews. There is something wrong with the critics who panned this movie. They probably have a problem with Christianity. I think if a similar film had been made in Iran, about Islam, with English subtitles, it would receive an Academy Award nomination. Don't let these bitter, twisted souls keep you from seeing "The Shack."
The plot is simple. Mack, (Sam Worthington), an American husband and father, suffers an unbearable loss. He and other family members sink into depression. One day, Mack receives an invitation to return to the shack, the site of the worst moment of Mack's life. He does return, and there he meets spiritual guides played by Octavia Spencer, Aviv Alush, Sumire Matsubara, Graham Greene, and Alice Braga (niece of Sonya Braga). Mack engages in conversation with these spiritual entities. He eventually returns to normal life with a changed outlook.
The film gets off to a rocky start. There is an unnecessary and amateurish voice-over narration by country music star Tim McGraw, who stars as Mack's friend. Otherwise, though, McGraw is excellent on screen, displaying an understated charisma and authenticity that are totally beyond the film's actual star, Sam Worthington. In fact I wish Tim McGraw had played Mack and Sam Worthington had played the best friend.
Too, there are many shifts in time in the opening scenes. There are flashbacks on top of flashbacks and a shocking crime that the movie never makes much use of. Once the movie gets started, about fifteen minutes in, it gets good.
Sam Worthington is okay as Mack. The thing is, his Australian accent is evident in virtually every word he speaks. Again, I wish the filmmakers had made McGraw the star.
Radha Mitchell is good looking but chilly as Mack's wife. She looks like a movie star, not like a wife, and that took away from the film for me.
The rest of the cast is excellent. Octavia Spencer is assigned to play an almost impossible part, and she handles it with great professionalism and depth. Aviv Alush is especially good. Moviegoers have waited a long time for a star like this to play this part, and he knocks it out of the park.
The production values are high. The scenery is lush. I was especially moved by how this family-friendly film handles the tragedy at the center of Mack's depression and alienation from God. The exact words are never used. Graphic images are never shown. Yet we know exactly what happened, and it breaks our hearts and causes us to ask the same questions that Mack asks.
Either you want to see a movie where an average man works out how to deal with unbearable tragedy or you don't. Me, I loved sitting there watching Mack wrestle with his pain and his faith. Many self- identified Christians hate this movie with a white hot hatred. Big name Christian leaders have denounced it as heretical. One man told me that seeing the movie would be the equivalent of shooting heroin.
It think these folks are wearing their shorts much too tight. The film is an allegory. Any thinking person who has been through pain has had the same questions as Mack, and anyone who has read the Bible or other spiritual literature has pondered the same potential answers. I sincerely doubt that any film-goer is going to leave the theater thinking that he or she has actually seen God on screen, or heard God's thoughts about human tragedy. Rather, like any good allegory, the film sets us on our own path of spiritual exploration. That's a very good thing.
The plot is simple. Mack, (Sam Worthington), an American husband and father, suffers an unbearable loss. He and other family members sink into depression. One day, Mack receives an invitation to return to the shack, the site of the worst moment of Mack's life. He does return, and there he meets spiritual guides played by Octavia Spencer, Aviv Alush, Sumire Matsubara, Graham Greene, and Alice Braga (niece of Sonya Braga). Mack engages in conversation with these spiritual entities. He eventually returns to normal life with a changed outlook.
The film gets off to a rocky start. There is an unnecessary and amateurish voice-over narration by country music star Tim McGraw, who stars as Mack's friend. Otherwise, though, McGraw is excellent on screen, displaying an understated charisma and authenticity that are totally beyond the film's actual star, Sam Worthington. In fact I wish Tim McGraw had played Mack and Sam Worthington had played the best friend.
Too, there are many shifts in time in the opening scenes. There are flashbacks on top of flashbacks and a shocking crime that the movie never makes much use of. Once the movie gets started, about fifteen minutes in, it gets good.
Sam Worthington is okay as Mack. The thing is, his Australian accent is evident in virtually every word he speaks. Again, I wish the filmmakers had made McGraw the star.
Radha Mitchell is good looking but chilly as Mack's wife. She looks like a movie star, not like a wife, and that took away from the film for me.
The rest of the cast is excellent. Octavia Spencer is assigned to play an almost impossible part, and she handles it with great professionalism and depth. Aviv Alush is especially good. Moviegoers have waited a long time for a star like this to play this part, and he knocks it out of the park.
The production values are high. The scenery is lush. I was especially moved by how this family-friendly film handles the tragedy at the center of Mack's depression and alienation from God. The exact words are never used. Graphic images are never shown. Yet we know exactly what happened, and it breaks our hearts and causes us to ask the same questions that Mack asks.
Either you want to see a movie where an average man works out how to deal with unbearable tragedy or you don't. Me, I loved sitting there watching Mack wrestle with his pain and his faith. Many self- identified Christians hate this movie with a white hot hatred. Big name Christian leaders have denounced it as heretical. One man told me that seeing the movie would be the equivalent of shooting heroin.
It think these folks are wearing their shorts much too tight. The film is an allegory. Any thinking person who has been through pain has had the same questions as Mack, and anyone who has read the Bible or other spiritual literature has pondered the same potential answers. I sincerely doubt that any film-goer is going to leave the theater thinking that he or she has actually seen God on screen, or heard God's thoughts about human tragedy. Rather, like any good allegory, the film sets us on our own path of spiritual exploration. That's a very good thing.
This film tells the story of a man who loses his young daughter during a camping trip. He grieves for the loss of his daughter, and his process is eased by a trip to the heavenly shack.
Grief is a difficult process to deal with, especially after such a traumatic experience. The heavenly intervention is a beautiful process. The process of healing is universal, and it's beautifully portrayed in this film. Through various reflections and exercises, the beauty of life, forgiveness and the need to move on are conveyed.
It drove me to tears many times because it is very touching. I thoroughly enjoyed it.
Grief is a difficult process to deal with, especially after such a traumatic experience. The heavenly intervention is a beautiful process. The process of healing is universal, and it's beautifully portrayed in this film. Through various reflections and exercises, the beauty of life, forgiveness and the need to move on are conveyed.
It drove me to tears many times because it is very touching. I thoroughly enjoyed it.
I'm not really a huge fan of most "Christian" movies. I say that as a Christian and as a pastor. But for the most part I find them formulaic to the point of boring and usually badly (even horrendously) acted. And usually the more seriously they try to take themselves the worse they end up being. So I confess that I had very low expectations of "The Shack." I watched it because my wife wanted to watch it. She had read the book (I've not bothered with it either - for no particular reason) and wanted to see the film adaptation. Well, I watched it with her and I was pleasantly surprised. All in all, I thought this was a pretty well done movie and an interesting story.
First, I thought that Sam Worthington did a great job playing Mackenzie. Abused - and watching his mother be abused - by an alcoholic father as a child, Mackenzie grew up and managed to become a pretty good dad to his three children. Then tragedy strikes. On a camping trip his youngest daughter is kidnapped and murdered (and presumably raped - this was never said but was certainly implied.) Mackenzie and his family are devastated, of course. Mackenzie becomes depressed and angry. He had had a distant faith before all this happened, but it was destroyed by the events. Then one day he receives an invitation to go to the shack where his murdered daughter was taken by the kidnapper. Not knowing what - or who - to expect there, he goes, and begins a journey of discovery and healing when he finds himself in the company of God - the Holy Trinity. Father, Son and Holy Spirit are all there.
It's an interesting portrayal of God. The Father (Papa, as God is known in Mackenzie's family) was played by Octavia Spencer. Apparently this was criticized by some who couldn't stand the idea of God being black. Or a woman. Or a black woman. Whatever. The point was that this was an image of God Mackenzie would be comfortable with. And God was very comfortable - admittedly almost too comfortable at times, although in the end Mackenzie is forced to confront some painful things before his healing can start. Certainly, though, it's a very "touchy, feely" portrayal of God that some might be uncomfortable with. I thought, though, that it provided an image of a very tender God who stands with his children and never abandons them - even though they sometimes feel abandoned. And it raises a lot of the difficult theological questions that all of us grapple with. The presence and the power of evil; God's role in evil; issues of judgement and forgiveness. They're all there. I wouldn't say that it's an entirely orthodox portrayal of God by any means. And, yes, to acknowledge one of the main theological criticisms the story received from a lot of Christian circles - it does have a universalist tinge to it for those who are offended by that theological viewpoint. (I would say that I'm not a universalist - because being a universalist is itself being judgemental - but I'm open to the possibility that God might be - so that didn't really bother me.) I did like the fact that the Father in one scene switches from a black woman to an older male for scenes where Mackenzie needed a real "father figure." I enjoyed the playfulness of Jesus (Avraham Aviv Alush) and the gentleness of Sarayu (the Holy Spirit.) It was really a very warm and comforting image of God.
It's not going to be to everyone's taste - and, being an overtly Christian, faith-based movie - it's going to push a lot of people to the extreme ends of the "loved it/hated it" spectrum. I'm not sure I got as far as loving it - but I did enjoy it very much. (8/10)
First, I thought that Sam Worthington did a great job playing Mackenzie. Abused - and watching his mother be abused - by an alcoholic father as a child, Mackenzie grew up and managed to become a pretty good dad to his three children. Then tragedy strikes. On a camping trip his youngest daughter is kidnapped and murdered (and presumably raped - this was never said but was certainly implied.) Mackenzie and his family are devastated, of course. Mackenzie becomes depressed and angry. He had had a distant faith before all this happened, but it was destroyed by the events. Then one day he receives an invitation to go to the shack where his murdered daughter was taken by the kidnapper. Not knowing what - or who - to expect there, he goes, and begins a journey of discovery and healing when he finds himself in the company of God - the Holy Trinity. Father, Son and Holy Spirit are all there.
It's an interesting portrayal of God. The Father (Papa, as God is known in Mackenzie's family) was played by Octavia Spencer. Apparently this was criticized by some who couldn't stand the idea of God being black. Or a woman. Or a black woman. Whatever. The point was that this was an image of God Mackenzie would be comfortable with. And God was very comfortable - admittedly almost too comfortable at times, although in the end Mackenzie is forced to confront some painful things before his healing can start. Certainly, though, it's a very "touchy, feely" portrayal of God that some might be uncomfortable with. I thought, though, that it provided an image of a very tender God who stands with his children and never abandons them - even though they sometimes feel abandoned. And it raises a lot of the difficult theological questions that all of us grapple with. The presence and the power of evil; God's role in evil; issues of judgement and forgiveness. They're all there. I wouldn't say that it's an entirely orthodox portrayal of God by any means. And, yes, to acknowledge one of the main theological criticisms the story received from a lot of Christian circles - it does have a universalist tinge to it for those who are offended by that theological viewpoint. (I would say that I'm not a universalist - because being a universalist is itself being judgemental - but I'm open to the possibility that God might be - so that didn't really bother me.) I did like the fact that the Father in one scene switches from a black woman to an older male for scenes where Mackenzie needed a real "father figure." I enjoyed the playfulness of Jesus (Avraham Aviv Alush) and the gentleness of Sarayu (the Holy Spirit.) It was really a very warm and comforting image of God.
It's not going to be to everyone's taste - and, being an overtly Christian, faith-based movie - it's going to push a lot of people to the extreme ends of the "loved it/hated it" spectrum. I'm not sure I got as far as loving it - but I did enjoy it very much. (8/10)
¿Sabías que…?
- TriviaIn 2005, William P. Young was working three jobs and living in a 900-square-foot apartment with his wife and four of his six children after losing his home to bankruptcy. He started writing a novel during his daily 40-minute train commute, hoping to express his feelings about God to his children, since he couldn't afford to buy holiday gifts. He expected his family and maybe a few friends to read it. The book sold over 20 million copies.
- ErroresIt's hard to imagine that FBI agents would invite a grieving parent to the scene where his abducted daughter was assaulted or killed, leaving behind her blood and dress.
- Bandas sonorasNothing But The Blood of Jesus
Traditional
Performed by the ScreenMusic Choir
Courtesy of the Chicago Music Library
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- How long is The Shack?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 57,386,418
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,172,119
- 5 mar 2017
- Total a nivel mundial
- USD 96,942,115
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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