Magia a la luz de la luna

The basic story line/plot was the solid foundation for a very entertaining combination of very well-written dialog, a well-defined believable group of characters, fabulous interior and exterior period (1928) scenery, exquisite period costuming and music, and a terrific cast that brought it all to life.

Of particular note was the role of the aunt, so charmingly underplayed by a truly delightful veteran English actress. Her affected portrayal left me wanting more of her character (she'd be a welcome as-is walk-on for Downton Abbey).

The philosophic question regarding happiness that the story line raises had just the right subtle amplitude to leave one pondering, the humor fit the time period and the characters, and the whole tone and content of the movie had a lightness that elevated it's entertainment value.

A terrific and not often seen example of well-paced and entertaining story telling.

"A relationship, I think, is like a shark. You know? It has to constantly move forward or it dies. And I think what we got on our hands is a dead shark." - Alvy Singer

A gorgeous, sumptuous movie: wonderful cinematography, great, Jazz Age music (as well as Beethoven), the Cote d'Azur, Eileen Atkins, Colin Firth in full Mr. Darcy mode, Emma Stone… what could possibly be amiss? Well, it seems in the midst of all the prettiness and lovely fixtures, Woody forgot to include some energy. The result is a film which, while sporadically quite enjoyable, and even funny, feels curiously airless. Falls into the category of Woody's oeuvre which includes "A Midsummer Night's Sex Comedy", "Radio Days", "Melinda and Melinda", and "Scoop": movies which are not at all bad, but are almost instantly forgettable.

A romantic comedy about an Englishman brought in to the help unmask a possible swindle. Personal and professional complications ensue.

Magic in the Moonlight is a film directed by Woody Allen and stars Emma Stone and Colin Firth. It is obviously a romance. I'm not entirely convinced by woody Allen since there are years he'll hit you with movies like Match Point or Midnight in Paris and then, years when you'll get You Will Meet a Tall Dark Stranger or Scoop. Nonetheless, this movie throw two very talented actors, in the middle of a quite boring story. In fact there is no tension until ten minutes left of the movie. As usual there are moments where the writing is very clever and seems fresh but they don't overcome the cliché moments though. this film fits perfectly the build of standard romantic comedy structure: guy meets girl, they do not get along very well at first as they're opposing, then they start to like each other and suddenly problems happen. In this case nothing really happens, I mean nothing really unpredictable. Colin Firth is very good as this very rude, very mean and hard to live with character. Plus, Emma Stone is really charming, lovely and beautiful; she is also very good.

Overall Magic in the Moonlight as whole is watchable but very conventional; that I could see where the film was headed from the beginning. I am a little bit disappointed because everybody know that Woody Allen is a really talented writer.

Stanley (Colin Firth) is a famous magician in the Roaring Twenties Europe. He performs in a Chinese costume, the rage at the time. Yes, he is great. But, he is a little dictator to the rest of his crew, spewing out orders right and left. One day, an old friend, Howard (Simon McBurney), also a magician but not quite as well known, comes for a visit. Its more than a friendly chat. Howard brings word about a young medium named Sophie (Emma Stone) who he, Howard, believes is hoodwinking a wealthy family who lives in the south of France. However, Howard has seen her in action and CANNOT discover her secret. Could Stanley come and investigate? Ho ho, indeed he can, for in addition to magical tricks, our Stanley loves unmasking frauds who claim to have paranormal powers when everyone KNOWS there is no such thing. There is no spirit world, no afterlife, no ghosts, etc. That's what Stanley firmly believes and he has ripped off the disguise of many a huckster. So, to France the two go. Yet, Stanley is about to face a formidable foe. He finds Sophie beautiful, intelligent, and gifted. In addition, after seeing her in action, Stanley is aghast to discover that he can't understand her talents either, especially after she tells him some of Stanley's family secrets. This man runs to the home of his nearby aunt (Eileen Atkins) and plots how to further the cast. Will Sophie be found to be, gulp, the genuine item? Is there a paranormal world? This lovely film has it all, my view. It has a great story, with many a memorable line. Allen is surely the best screenwriter of all eternity. Then, the actors are terrific. Firth and Stone are dazzling stars while McBurney, Marcia Gay Harden, Atkins, Jackie Weaver, and all of the rest give terrific support. Next, the scenery is the kind to put your eyes out while the costumes, cinematography, and lively direction make for a most enjoyable film. My only criticism is that Firth and Stone are too far apart in age to really be a romantic couple, especially with Stone made to look as young as possible. Nevermind, because its not really important. What's important is that YOU go see these magical film before the next moon rises.

It's a simple yet endearing story, both hilarious and thought-provoking. The premise, of an acclaimed magician out to prove that a particular young psychic is a phony, may seem too simple or familiar, but the period setting, the acting, and the dialogues make the movie quite delightful. This well-written debate between atheism and the existence of a higher power, rational vs irrational thinking, and the mindset and level of happiness of a person in each of those cases, was fascinating and enjoyable to witness. The mystery is maintained quite well. Then, it goes on to discuss one form of magic which truly exists among us (I don't want to spoil it), which was quite heartwarming.

The acting by everyone involved is commendable, especially Colin Firth; it's good to see him in a proper comedy after so long. I love the scene where he reacts in a certain way after the young psychic Sophie reveals few things about his aunt's past; it was rib-tickling and heartwarming at the same time. Emma Stone is charming as always.

From afar, it might seem like a simple comedy, but if you take a closer look, the themes it explores are actually quite deep and intriguing; those things govern the life and mindset of most people around the world.

Beginning to end, I wasn't bored for a second. I had a smile on my face all the way through. If one is able to grasp the meaning behind this comedy's themes, they just can't deny Woody Allen's genius. He rarely fails to amaze me.