La historia de Steve Harmon, un estudiante de cine sobresaliente cuyo mundo se desmorona cuando lo acusan de homicidio. La película narra la compleja batalla legal que podría dejarlo tras la... Leer todoLa historia de Steve Harmon, un estudiante de cine sobresaliente cuyo mundo se desmorona cuando lo acusan de homicidio. La película narra la compleja batalla legal que podría dejarlo tras las rejas de por vida.La historia de Steve Harmon, un estudiante de cine sobresaliente cuyo mundo se desmorona cuando lo acusan de homicidio. La película narra la compleja batalla legal que podría dejarlo tras las rejas de por vida.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
A$AP Rocky
- James King
- (as Rakim Mayers)
Opiniones destacadas
This is an excellent movie. Good script. Skilled -restrained-measured acting but talented cast. The story depicts the nightmare feared by so many parents and kids caught in complicated communities. Watch it.
3 out of 5 stars.
Strong plot about a guy who gets accused of robbing and murdering a store clerk. Great performances. But dull and tedious direction that gets boring after a while.
Strong plot about a guy who gets accused of robbing and murdering a store clerk. Great performances. But dull and tedious direction that gets boring after a while.
Production: Good script. Okay editing. Some of the scenes were a little jarring to the narrative. Good casting. Sets look realistic. 6/10.
On screen: Good to decent acting. Most of the actors are believable, but sometimes their actions seemed unnatural. Good cinematography. The artsy esthetic works for this film. 7/10.
Content/Impact: The telling of this story is necessary to combat the racism that black people, especially young black men, face today. The humanity that is shown throughout the film of black youth and how racism can write their own narrative is profound. Not only did it illustrate this through the main character Steve Harmon but the fact that it was shown through one of the "antagonists" William King shows us the complexity of black people meaning that black people are people too just like everyone else breaking the stereotype that black people are a monolith. 10/10.
Overall: Solid book to film adaptation needed in the world we live in today. 7.6/10.
On screen: Good to decent acting. Most of the actors are believable, but sometimes their actions seemed unnatural. Good cinematography. The artsy esthetic works for this film. 7/10.
Content/Impact: The telling of this story is necessary to combat the racism that black people, especially young black men, face today. The humanity that is shown throughout the film of black youth and how racism can write their own narrative is profound. Not only did it illustrate this through the main character Steve Harmon but the fact that it was shown through one of the "antagonists" William King shows us the complexity of black people meaning that black people are people too just like everyone else breaking the stereotype that black people are a monolith. 10/10.
Overall: Solid book to film adaptation needed in the world we live in today. 7.6/10.
Why do movies so regularly show the murder suspect going to trial, of all things, nearly immediately after arrest? The average time for this particular situation is two years or so before full trial. Our "hero" would have had several months in jail, not prison, leading up to it. After a conviction he'll do his time in prison. It's that simple, why not hire a competent consultant or listen to their "consulting", you know, what you pay them for?
And a lone detective dressed like a comic book investigator making the arrest? Absolutely laughable!
The gray colored courtroom looked like either a cartoon or Star Trek simulation room, I can't decide which. Ridiculous decision, and yes I get the artistic angle since they were pushing it so hard, but still bad. The narration even mentioned it, referring to justice being black or white, no gray. Then it's pure gray, huh?
Wright, Nelson, and Victor all had excellent performances as expected, rest were meh.
And a lone detective dressed like a comic book investigator making the arrest? Absolutely laughable!
The gray colored courtroom looked like either a cartoon or Star Trek simulation room, I can't decide which. Ridiculous decision, and yes I get the artistic angle since they were pushing it so hard, but still bad. The narration even mentioned it, referring to justice being black or white, no gray. Then it's pure gray, huh?
Wright, Nelson, and Victor all had excellent performances as expected, rest were meh.
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I've written this a thousand times, but I'll repeat it once again: I absolutely love one-location movies. I don't know exactly if most of Monster is actually developed inside the courtroom, but it genuinely feels like it. In fact, I believe every scene outside this place is told through extended flashbacks with narration from Steve Harmon about what happened before and on the day of the crime. Since the protagonist is a film student, his voice-over contains descriptions often seen in screenplays, which it's pleasant at first, but then gets overdone.
The trial is definitely the most captivating part of the story. Anthony Mandler and his team of writers demonstrate perfectly some real-life aspects of how the law works. From the well-known emotional disconnect of (some) lawyers with their clients to the prejudiced treatment of people of color, the courtroom sequences keep the movie interesting until its somewhat predictable, unsurprising conclusion. However, despite the exceptional performances from everyone involved, especially Kelvin Harrison Jr., the case itself wraps up with unanswered questions and some messages lost in the transmission.
While the viewers spend the entire runtime following Steve being a good son, brother, and friend, the other Black characters being accused don't receive the same treatment. At one point in the film, someone says "you must consider him innocent until evidence proves him guilty", but this only applies to the protagonist since everyone else is presumed to be guilty from the get-go without the audience ever seeing or hearing their point of view or knowing why they committed that crime. Furthermore, even though the viewers get to know the verdict, Steve's true impact on the murder remains questionable due to the last couple of flashbacks, which begs the question: "are we really supposed to root for him?"
Rating: C.
I've written this a thousand times, but I'll repeat it once again: I absolutely love one-location movies. I don't know exactly if most of Monster is actually developed inside the courtroom, but it genuinely feels like it. In fact, I believe every scene outside this place is told through extended flashbacks with narration from Steve Harmon about what happened before and on the day of the crime. Since the protagonist is a film student, his voice-over contains descriptions often seen in screenplays, which it's pleasant at first, but then gets overdone.
The trial is definitely the most captivating part of the story. Anthony Mandler and his team of writers demonstrate perfectly some real-life aspects of how the law works. From the well-known emotional disconnect of (some) lawyers with their clients to the prejudiced treatment of people of color, the courtroom sequences keep the movie interesting until its somewhat predictable, unsurprising conclusion. However, despite the exceptional performances from everyone involved, especially Kelvin Harrison Jr., the case itself wraps up with unanswered questions and some messages lost in the transmission.
While the viewers spend the entire runtime following Steve being a good son, brother, and friend, the other Black characters being accused don't receive the same treatment. At one point in the film, someone says "you must consider him innocent until evidence proves him guilty", but this only applies to the protagonist since everyone else is presumed to be guilty from the get-go without the audience ever seeing or hearing their point of view or knowing why they committed that crime. Furthermore, even though the viewers get to know the verdict, Steve's true impact on the murder remains questionable due to the last couple of flashbacks, which begs the question: "are we really supposed to root for him?"
Rating: C.
¿Sabías que…?
- TriviaMichael Imperioli was originally cast as Anthony Petrocelli, but due to scheduling conflicts, Paul Ben-Victor replaced him.
- ConexionesReferenced in Flix Forum: Monster (2025)
- Bandas sonorasSe Que Quieres
Written by Nicholas Jonathan Smith, Donald 'D'jon' Johnson, Vito A. Colapietro II (as Vito Colapietro) and Neely Dinkins Jr. (as Neely Dinkins)
Performed by Nick Olate
Courtesy of Choppa Records/The Co-Stars Ent
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Detalles
- Tiempo de ejecución1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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