John le Carré: volar en círculos

The Pigeon Tunnel isn't just an interview with spy novelist John LeCarre, but a fascinating and deeply rewarding introspection. LeCarre is engaging, open and honest about his childhood and his deeply flawed relationship with his parents. A former British spy - although he contends not a very good one - he would use those experiences to pen some of the best spy novels ever, including my favorite "Tinker, Tailor, Soldier, Soy." LeCarre visits and revisits betrayal as the central source of his writing, which he claims as art, a thought that many critics might not agree with. In the end, LeCarre imagined a world both bludgeoned with honesty and filled with a desire for fantasy to stunning effect. The Pigeon Tunnel exposes the spy and the man within, leaving us to wonder who he really was. At the end of the film, LeCarre admits "If I'm not writing, I'm an actor without a part," perhaps giving us some amount of insight into this complex and engaging man.

This would be of particular interest if the viewer enjoyed the authors fiction which I did. This is a remarkable movie about a remarkable author living in Cold War times.

LeCarré somehow manages to capture the colour of the paint (tobacco brown) on the walls of the meager interrogation rooms and offices in his prose, and the underlying violence is subtle and implied rather than evident. And although there are sides to take his writing never demands this of the reader.

His skill in capturing the zeitgeist of the Cold War years is his brilliance which somewhat diminishes in the post war era when he still continues to shine in a more contemporary way.

See the video, LeCarré is the star.

Based in part on Le Carre's book, this is a fascinating insight into the mind and works of Le Carre / David Cornwell. The documentary mixes interviews with Cornwell in a darkened library with dramatised clips, as he recalls his childhood especially his extraordinarily disreputable father who despite being a complete fraud seems to have influenced Cornwell considerably. He then goes on to explain his role in the secret service and the seemingly deranged minds of those around him, including Kim Philby who seem to thrive on deceipt. Thereafter he has used this knowledge, his fertile imagination and his childhood experiences to craft so many great spy novels.

It is all thoroughly absorbing helped immeasurably by the man himself whose warm treacly erudition cannot fail to keep you entertained. It is interesting that this smooth manner must have helped a lot when he was interrogating and you therefore wonder when being 'interrogated' himself by filmmaker Errol Morris whether everything he claims is true, actually is - he is after all an expert on deception.

The Pigeon Tunnel title is explained at the beginning of the film and goes some way to explaining why most of his books start off being called The Pigeon Tunnel.

As "The Pigeon Tunnel" (2023 release; 93 min) opens, Le Carre and the film's director Errol Morris are discussing the making of this film (supposedly the last interview LeCarre ever gave). LeCarre (real name: David Cornwell) then reflects on his upbringing, which he admits was anything but easy. At this point we are 10 minutes into the documentary...

Couple of comments: this is the latest documentary from Oscar-winning director Errol Morris ("The Fog of War"). Here he reassesses Cornwell/Le Carre's life and times. And how does Morris exactly do that? For the most part he simply lets the interviewee do the talking. It's almost as if we get a glimpse of what Le Carre is such an accomplished writer. The movie is at its best when Le Carre explains how his own real life experiences as a spy for the British secret service influenced the novels he wrote. Morris uses film clips to illustrate various points. At a certain point, it blurs the lines of what is real and what is fiction. I found is rather fascinating. THe movie also benefits tremendously from the delightful original score by Philip Glass and Paul Leonard Morgan, who has scored several earlier Morris documentaries.

"The Pigeon Tunnel" premiered at the Telluride Film Festival in early September, earning immediate critical acclaim. There is good reason why this movie is currently rate 95% Certified Fresh on Rotten Tomatoes. The movie just started streaming on Apple TV. If you are a fan of John Le Carre or of Errol Morris' earlier documentaries, I'd readily suggest you check this out, and draw your own conclusion.

Getting inside the head of a spy is undoubtedly challenging; getting inside the head of a novelist who was once a spy who now writes about that enigmatic profession is nearly impossible. And that's one of the hurdles that hampers this profile of former MI5 and MI6 operative David Cornwell, better known to the world by his pen name, John le Carré (1931-2020). Based on the author's memoir of the same name, the latest from documentarian Errol Morris puts the best-selling espionage novelist under the microscope, seeking to discover who le Carré is, what factors impacted his life and writings, and how his novels mirror those influences in terms of content and themes. Through discussions of books like "The Spy Who Came in from the Cold," "Tinker, Tailor, Soldier, Spy," "Smiley's People," "A Perfect Spy" and "The Looking Glass War," backed by clips of film and television adaptations of these works, le Carré and Morris ruminate on the writer's objectives in bringing them to life, some of them personal in nature and some of them expressions of his feelings about the murky underworld he left behind and brought to life on the printed page. Much of what the author consequently discusses comes across as dark, cryptic, and characterized by rampant intrigue and betrayal, not unlike the life he left behind (as well as the dismal upbringing he underwent at the knee of his untrustworthy father, a professional swindler adept at plying his craft). The insights, to say the least, are rather depressing and disquieting. But that unsettling material is further compounded by a string of often-perplexing observations about le Carré's existential outlooks and literary intentions, some of which seemingly amount to little more than oh so much navel gazing and intellectual masturbation, overstated attempts at encapsulating his perspectives on human nature and human relations as reflected through his works. I can imagine that there's probably a market for a film like this among Anglophiles captivated by the writer's works, the spy novel genre in general and PBS/BBC television dramas, but it really didn't do much for me, especially since this offering pales in comparison to many of Morris's other better productions. Thankfully, the picture's merciful 1:32:00 runtime proved to be its saving grace (even though the picture admittedly improves once it gets past an overly long, excessively detailed prologue). Ironically, le Carré notes in the film that he sees his novels as an antidote to the James Bond books and movies, but, from where I stand, I'll take 007 over this any day.