Nonnas

Stephen Chbosky's Nonna's is a deeply affectionate, food-forward drama inspired by a true story that proves truth can be just as nourishing as fiction. Drawing from the real-life tale of Staten Island's Enoteca Maria-a restaurant founded by Joe Scaravella after the loss of his parents and grandmother-the film tells the story of Nick (Vince Vaughn), a grieving son who honors his mother's memory by opening a restaurant staffed entirely by grandmothers. What begins as a coping mechanism quickly becomes a celebration of heritage, healing, and the flavors that connect generations.

Vince Vaughn brings surprising depth to Nick, shedding his usual fast-talking persona for a performance rooted in quiet grief and reluctant hope. His chemistry with the "nonnas"-played brilliantly by Susan Sarandon, Lorraine Bracco, and Talia Shire-is the emotional heart of the film. These women, each with their own culinary traditions and personal histories, bring warmth, humor, and a raw honesty to every kitchen scene. Watching them bicker, laugh, and bond over saucepans and rolling pins is both entertaining and deeply moving.

Chbosky directs with a gentle hand, allowing the emotional beats to rise organically while layering the story with rich sensory details: steaming plates of homemade gnocchi, weathered hands kneading dough, and handwritten recipes passed down through generations. The Staten Island setting is lovingly rendered, grounding the film in a real, working-class community that embraces the nonnas and their old-world wisdom. The true story at the film's core adds weight and authenticity, elevating what could have been a sentimental tale into something genuinely soulful.

Nonna's isn't just about food-it's about honoring the past while building something new from the ruins of loss. Like the real Enoteca Maria, it's a testament to the quiet power of grandmothers, of tradition, and of the meals that carry memory. Chbosky has crafted a film that feels like a warm kitchen in winter: filled with the aroma of garlic and the hum of voices that remind us we're not alone. It's a delicious, heartfelt tribute to the women who nourish us-body and soul.

Nonna is more than just a film-it's an experience that wraps around you like a warm hug from your own grandmother. From the very first scene, it feels like home. The movie beautifully captures the essence of unconditional love, nostalgia, and cultural pride. It gently reconnects you with your inner child and stirs deep emotions tied to your roots and upbringing. Watching it brings not just tears, but good tears-the kind that cleanse and comfort you at once. So, keep a box of Kleenex close; you'll need it. The storytelling is light and airy, yet profound, with life lessons woven seamlessly into every moment. It's a gentle reminder of what really matters in life-family, heritage, and the simple joys of love and connection. Nonna isn't just a film you watch; it's one you feel. Everything about it feels right. It leaves your spirit lifted and your heart full.

'Nonnas' is a sweet film, from Stephen Chbosky, based on a true story about a small, family-style restaurant (Enoteca Maria) on Staten Island. It had small-film greatness lurking, but the script needed the touch of a great comedy writer, like James Brooks or even Terry Winter.

Winter would have felt right at home writing for Sopranos alums: Lorraine Bracco, Drea de Mateo and Michael Rispoli. Add to that Susan Sarandon and Talia Shire, along with lead Vince Vaughn, and you have a Hell of a cast and, of course, the real star is the Italian food!

So, the film is heartwarming and entertaining, but not as great as it could have been.

No sex and no dirty language, and guess what, no movie ever needs that. These feel-good movies are what we need more of.

Who doesn't love their nonna? It's an underdog movie. It has some humor. But it was the end that brought a feel-good tear to my eye. You couldn't help but want the restaurant to succeed for no other reason than Joe and the nonnas.

Where most cultures have the den as the place to hang out with company, but in cultures like Italian, French, and Greek, it's the kitchen. Kitchens are happy places in those cultures. They truly cook not out of necessity but love and enjoyment.

This one's worth watching.

Just when I thought there was nothing that I could watch with my family made after 1990 this gem comes along.

No nudity, no sex, no "message", no politics, just a great story, well written, well paced and delivered by fine actors who it shines through loved making it. And you can tell and can feel that the laughter was created and not directed by an ensemble that bounced off each other naturally.

Since Vince Vaughn has started following his true north again he seems happier and he is a joy to watch. Who cares if any moment I expect him to say "who's the big winner Mikey?" It's him and he is marvelous.

If you haven't seen "Bad Monkey" then he is himself there too and he again brings joy, wit, pathos and perfect comedic timing. Thank you Vince because you are the big winner.