3 corazones

Is there such a thing as true love at first sight? This film attempts to follow the course of three people's lives in the exploration of the question, even if there is no answer forthcoming. Is there ever?

One night in a small French town, a tax accountant named Marc has missed the last train to Paris and chances upon a woman in a hotel bar. They start talking, rather, he runs after her, and we're told they spend the night wandering around in perfect harmony. No names or numbers or other mundane details are exchanged, although they do promise to meet the next week at a certain location in Paris.

This seems to be the only time the two characters actually do something, as in, take a decision. From here on out, life just takes over. The meeting at the Jardin de Toulieres (jaw-droppingly beautiful, what is it with Paris and its gardens) never takes place. Marc is prone to panic attacks, you see. Or was it an actual heart attack? Anyway, the two would-be lovers are thus separated. Thereafter, Marc somehow meets another woman, falls in love, marries. But ah! this new woman, Sophie, unbeknownst to all, is actually the sister of the old one, Sylvie. Ergo, path to destruction has been charted.

Read full review at: http://devikamenon.blogspot.com/2016/06/french- movie-friday-3-coeurs.html

This is a wonderful, nicely told story. If you are into the depths of love, its intricate paths, its death ends, this is for you. This is an entertaining yet thoughtful exploration of the intricacies of romantic love, sisterhood, and mother's love. You will struggle to take a side and will leave the film gently touched. Think twice if you are only expecting just another predictable Hollywood film.

Director Benoît Jacquot's "3 coeurs" ("3 Hearts") gathers on screen a stellar cast. The three lead feminine roles are trusted to Catherine Deneuve, Charlotte Gainsbourg, the daughter of ..., and Chiara Mastroianni, also the daughter of ... and also the daughter of Deneuve in real life. Gainsbourg and Mastroianni play the roles of two sisters in whose life shows up a man - the role is played by Benoît Poelvoorde, whom I have last time seen playing the role of ... God in The Brand New Testament, a film which you should search to see if you happen to have missed. The names and fame of the actors were the principal reasons for which I chose to see this film, and probably also the main reasons for which I will remember it.

Marc Beaulieu (Benoît Poelvoorde) is a tax inspector. A good one and probably even a man of integrity because we see him involved in valiantly handling a high-level corruption case (not really related to the rest of the story). Numbers and determinism may be his profession, but hazard seems to reign in his personal life, which looks like a mess in which he attracts also the two sisters, one after the other. His heart is also feeble, the heart which is said to be for humans the center of noble emotions, but which also distracts and derails the paths of life when it physically malfunctions. Should we let hazard (or destiny) reign upon our lives, or should we try to fix its effects? Is this even possible?

The questions raised by the story in the film are interesting, the resulting film is not really up to the premises. The principal reason is the pace of the story, which lingers for long periods, to jump suddenly at some moments, without a good connection between the different episodes. Good acting cannot save the flaws of the story and especially of the story telling, and despite the promises "3 coeurs" ends by being just another love triangle movie.

Unfortunately, this movie did not work well for me. I must admit I don't really like romances, but I can appreciate it when it's well done. The story is quite weak. It doesn't really grab the attention, it does not really convince. It tries to build up a tension (music is anticipating) to something that might happen later on in the movie; but the movie-makers placed importance and weight where I did not experience much importance and weight. Poelvoorde does not play bad, but the character he must play does not give him much room to play well; probably the character itself does not work sufficiently. I know Poelvoorde can play well, having seen him in his first film... Best acting is by Deneuve though she has not a big role. All in all this was a disappointing movie for me.

A man misses his train and as a result he meets a lady. They spend the night together (you aren't sure if they had sex...this is a bit vague) and before he leaves the next morning to go home, they agree to meet...but they don't know each other's names. He is late for the meeting (because he's an idiot) and she eventually leaves--and normally this would be the end of that. However, some time passes and the same man ends up meeting another woman. They fall in love and marry...and it turns out she's the sister of the woman at the beginning of the film. Talk about awkward family reunions!

When the new husband sees his sister-in-law later, they naturally recognize each other but neither says anything. Several years pass and there still is an unspoken awkwardness between the man and his sister-in-law. Out of the blue, however, they begin an affair. Not surprisingly, this isn't a particularly good idea and things get complicated--though by the end of the film, you get the idea everything will inexplicably work out fine!

One thing I appreciated in this film as well as in many French films is that the folks in the movie are NOT Hollywood beauties nor even close to it. They seem very ordinary and are middle-aged and this makes the film seem a bit more real. This being said, however, the story is very contrived. After all, what are the odds of any of this happening?! The coincidence that the woman he marries is the sister of the woman at the beginning of the film? That he would end up being late just like in "An Affair to Remember" (minus the auto accident). That the two at the beginning of the film would later become lovers...especially since they never really talked between then and the beginning of the movie? And, ultimately, that the mother-in-law would somehow guess exactly what is happening--despite there really being no evidence of this affair. All of this seems a bit far-fetched. Additionally, it was very difficult to empathize with the characters who had the affair--they just seemed like selfish jerks. Because of all these difficulties with the script, I still give the film a 5--simply because the acting is very good though the story left a bit to be desired.