The Oldest View

This series captures the liminal suspenseful uneasy feeling even better than Kane's Backrooms series. You can clearly see that he has put detail into every single shot. It's amazing how he created this with CGI. It's hard to spot the difference between the animation and real life. I also like how this is based on a real story. A lot of effort was put in the backstory of the dying mall and especially in the "Giants" and the botanist behind it.

Kane again showed what he is capable of and I am really looking forward to the upcoming Backrooms movie from him with A24 studios. And of course other future projects.

At the time of writing this review, there are 3 episodes of The Oldest View. This will be updated as more episodes get added.

First episode: This is a great starter, doesn't give much away but gives plenty to work with. The cinematography and colour scheme are incredible, with the contrast of the greyer colours and green colours creating lots of questions, which is also hard to pull off, so props to Kane. The rest of the video is simply a panning out of someone making some sort of mask out of cardboard. Leaving us with many questions, and somewhat suspense as to where Kane will lead with this next.

Second Episode: This one is (in my opinion) a lot more exciting and gives us the biggest hints so far in the series. We're introduced to Wyatt, a vlogger who found something he shouldn't have found. A hole in the ground, but steps that lead down and down and down? The CGI here is impeccable, I literally couldn't tell it was until I read a comment later. He goes down and down the steps where it gets darker and darker, the steps also become more worn and chipped, creating suspense as to what this staircase was used by. He also says how the area should be flooded due to recent raining, yet the steps are bone dry, almost a sign of paranormal activity. He then reaches a door, in which I prepared for a Jumpscare, yet there was none, and instead an empty mall playing music, to where the video ends. The suspense throughout is immaculate and I really vibe with it.

Third Episode: This is by far the best episode now. The suspense that Kane keeps throughout this is unreal along with the setting itself. The models are creepy and by far one of, if not the best production I have ever seen in a YouTube video. The tensions keeps you on the end of your seat throughout the whole video, especially the monster which appears unable to do things, however changes, almost as if trolling Kane. The storyline is great and each moment kept my heart racing. I felt that this episode was perfectly crafted as well as an unreal plot twist, which moved my rating up from a 9 to a 10. He's by far one of the best upcoming directors of this generation and I can't wait to see what else he has in store.

(Edit:) I've noticed a negative review stating that Kane paid me to put this review up?? This is completely untrue, and I just highly enjoy the series and been interested in Kane's work for a long time. I doubt Kane even knows I exist. I also wouldn't take any advice from them considering they have 2 reviews and both being negative. Also, this isn't meant to be a high production value film, it's meant to be a single person project which he makes off of donations. Anyway yeah that's my edit of this review. (I hope Kane makes a part 4!!!)

Kane Parsons (aka: Kane Pixels) has done it again. THE OLDEST VIEW is another mind-twisting journey into a unique world that is cold and bleak, yet very familiar. As with his BACK ROOMS, it's that familiarity that helps to make it so unnerving / terrifying. Mr. Parsons has a way of taking mundane, everyday surroundings, and transforming them into an endless, hyper-claustrophobic hell.

This time, he ups the dread-level slowly, creating an epic of paranoia and skin-crawling discomfort. There are only a few jolts, but that allows us to get comfortable, while the horror creeps up all around us. These are new, original ideas in a genre that truly needs them.

Highly recommended for those who enjoy being scared $hitle$$...

The Oldest View is a true cinematic gem, rich in detail and atmosphere, capturing attention from the very first scenes. With a mysterious, immersive ambiance, this film transports viewers into a world where every element, every shot, feels meticulously crafted. What makes this piece particularly special is the depth of its storyline; to fully understand it, you often have to dig into hidden details or do a bit of research. This need to look beyond the surface adds an almost enigmatic quality, delighting viewers who enjoy a challenge.

The suspense is masterfully handled, with each scene maintaining an intense, intriguing rhythm. The director plays skillfully with expectations, drawing the audience deeper into the plot. The cinematography is equally remarkable-every frame and camera angle pulls you further into the story, creating an experience that feels both grand and personal. The visuals aren't just beautiful; they become a character in their own right, adding depth and texture to the narrative.

However, even such a powerful work has a few drawbacks. For instance, some viewers might find the pacing a bit slow at times, especially due to the contemplative pauses that, while enhancing the mood, may occasionally feel excessive. Additionally, some of the dialogue lacks fluidity, which might throw off those who prefer a more straightforward narrative. The plot itself, though captivating, is also rather complex, and less attentive viewers might feel lost in the intricacies.

The Oldest View is a film brimming with secrets and mysteries that reveal themselves to those willing to dive deep. It's absolutely worth watching, both for the masterfully crafted suspense and the incredible cinematography.

This movie/episode is one of the best horrors I've seen. It had great lore behind it. Outstanding that Kane Animated this himself and perfectly replicated it. It made me feel as if I were in a nightmare. I personal have a theory that the spirit of the man that this statue is based off of is possessing the rolling giant and you can see the spirit poking his head out from different corners. The Dallas mall rolling giant project actual feels like something I learned in art class before for some reason. I love what horror comes with the forgotten or the past. Good job Kane you never disappoint can't what for the backrooms movie.