Leviathan

From the first five minutes, I was appealed to this movie more than 3/4 of what I've seen this year. It was dark, it was beautifully shot, and established its characters nicely. People complain it took too long for the characters to be established and that the story took too long to unfold. Haven't you heard of visual storytelling? As it plays out, you find out the dark shadows that follow each character and who they really are in the situation they're in. From the wife (most interesting character), to the step- son of the wife. The father is a dark character that is strained beyond limits, and the fantastic acting portrayed by the father is just one of the great performances done by all the actors and actresses. It fights the bond of love, land, and power. The corruption that still stands tall in Russia and its small towns that surround the leviathan that is the story. It unravels extremely slow, but thats what makes more of an impact. The over-thirty second shot of the woman in court explaining the case is so well done, you can really just see the effort put into each role in the film. If only American films could be so well thought out. For any person who has the near two and a half hour time to watch a superb film, sit down and immerse yourself into the gloomy world that inhabits these characters. It teaches you, it haunts you, it stays with you.

cold, cruel, minimalistic. the force of image and the silence. the atmosphere from The Return, the characters from Elena. and the fight against almighty corrupt system. the lost of each pillar of existence and the desire to demonstrate your truth. inspired cast and strange landscapes. and, sure, a lot of controversies. in fact, the film is only tool for remind the heart of reality. a manifesto without enthusiasm. a verdict. it is beautiful and deep bitter. because it reflects the forms of falling world. the solitude as last solution. the pressure of system. the fight for survive. a film who reminds basic things. and a great director as inspired guide in the heart of reality. one of Rusian movies who could remind many masterpieces. but it is not Tarkovsky, it is not Abuladze, it remains a Zvyagintsev. his confession. about a reality and about new Job.

There's certainly a feeling of dread, of malice, that really takes over the film even in its early stages. It's rather impressive. The opening and closing shots are of very much resemblance and they do sort of open and close this one tale. It's very much in line with a dark thriller (and in many ways this is that). It's rather impressive, rather stoic. The cinematography is rather beautiful, and it sets off the tone rather well. There are some truly impressive shots in this piece of work, it even reminded me of The White Ribbon. I'm not sure I loved everything about how the script develops, but the film as a whole is certainly very good and perhaps will remain as the best from the Foreign Language nominees. Certainly recommended, but not always an easy viewing.

Leviathan takes a long, immersive look at the machinations of corrupted power in the lives of the powerless, who desperately struggle to stay the course, hoping against hope to win a losing battle.

A man and his family face off against a politically backed fat cat who wishes to buy the piece of land upon which stands their house, willing to destroy their family nest to raise a modern building in its stead. The grandiose, solemn music of Philip Glass (Akhnaten; Act I Prelude) opens and ends the movie, flanking it like a sturdy front and back cover a fine book from a Russian master's pen. Other than that, the movie is rather stark, musically and otherwise. It is remarkable how effective silent scenes can be. With little music and less sound effects, the film has your undivided attention, reaching emotional heights towards the end. The lack of a musical backdrop further enhances the gritty realism that imbues all the 140 minutes. Relationships between the characters evolve and change significantly over the span of the movie, and though the patterns are somewhat familiar, interpersonal developments are portrayed with commendable subtlety and brilliance. There is a lot of intelligence to the storytelling; much can be understood without words. We embark on a chilling journey into the land and home of ordinary, simple folks, who are kicking and screaming for justice under the suffocating oppression of ruthless power, also blighted by their own frailty.

Leviathan is an outstanding work of art that manages to drive home universally relevant points with sparkling clarity in its refreshingly honest way. A highly recommended piece.

"Leviathan" is a David and Goliath story set in a desolate Russian fishing-town.

We've seen it before- a man desperately tries to keep his property being taken away from rich greedy fat cats.

But this is also a strong family drama, a tale of friendship, betrayal, corruption, hope, hopelessness...

Impressive acting overall, the very slow paced narrative and almost no music besides two fitting Philip Glass pieces make this a movie to remember.

The cinematography also deserves a mention, there are countless wonderfully framed scenes.

Excellent slow burning drama.