CALIFICACIÓN DE IMDb
6.0/10
24 k
TU CALIFICACIÓN
Una joven estrella descubre los orígenes de la élite de Hollywood y hace un trato mortal a cambio de fama y fortuna.Una joven estrella descubre los orígenes de la élite de Hollywood y hace un trato mortal a cambio de fama y fortuna.Una joven estrella descubre los orígenes de la élite de Hollywood y hace un trato mortal a cambio de fama y fortuna.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 premios ganados y 18 nominaciones en total
Natalie Hauck
- Ashley
- (as Natalie Castillo)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Indie horror can be hit or miss, oftentimes a miss, but Starry Eyes is a surprisingly well acted story that sways toward the "hit" side.
Los Angeles, California – the land where bright eyed beautiful people go to try their hand at stardom. Some are lucky if they get a national commercial or a guest spot on a television series, most resigned to locally produced indie flicks that will only be seen by their inner circle.
Starry Eyes takes the brutally competitive and unmerciful Hollywood atmosphere and couples it with the darkest desire, the blind ambition to seize success. Alex Essoe is Sarah, an aspiring actress engaged in the LA grind: waiting tables, submitting head shots and going on casting calls. After one particularly odd audition, she earns the opportunity for a lead role in a gateway movie. Hopeful for her big break, Sarah grapples with making a deal to enter into the dark and occult world of the elite.
Kevin Kolsch and Dennis Widmyer split the dual role of screenwriter/director in Starry Eyes but produce a cohesive vision in their film. It is immediately apparent that Kolsch and Widmyer have been around the Los Angeles block more than enough times. They perfectly capture the pompous, self-serving atmosphere rife with deceptively two-faced phonies who talk more than they 'do'.
Starry Eyes is a surprisingly successful and effective film and horror. The mood is stark and matter-of-factedly vicious. As with any horror, it lulls in the middle as the characters evolve and develop so that they may transform feasibly to the climax. Also the cause for and transformation Sarah goes through is rather standard and obvious.
Alex Essoe's acting and portrayal of Sarah elevates Starry Eyes even further. Essoe subtly transforms from the hopeful ingenue to the ambitiously consumed actress hell bent for greatness. Weirdly poignant and meta, I hope Alex Essoe's performance in this role garners some attention from producers in the right place, for she has talent.
Check out our website for all the horror releases reviewed in FULL.
Los Angeles, California – the land where bright eyed beautiful people go to try their hand at stardom. Some are lucky if they get a national commercial or a guest spot on a television series, most resigned to locally produced indie flicks that will only be seen by their inner circle.
Starry Eyes takes the brutally competitive and unmerciful Hollywood atmosphere and couples it with the darkest desire, the blind ambition to seize success. Alex Essoe is Sarah, an aspiring actress engaged in the LA grind: waiting tables, submitting head shots and going on casting calls. After one particularly odd audition, she earns the opportunity for a lead role in a gateway movie. Hopeful for her big break, Sarah grapples with making a deal to enter into the dark and occult world of the elite.
Kevin Kolsch and Dennis Widmyer split the dual role of screenwriter/director in Starry Eyes but produce a cohesive vision in their film. It is immediately apparent that Kolsch and Widmyer have been around the Los Angeles block more than enough times. They perfectly capture the pompous, self-serving atmosphere rife with deceptively two-faced phonies who talk more than they 'do'.
Starry Eyes is a surprisingly successful and effective film and horror. The mood is stark and matter-of-factedly vicious. As with any horror, it lulls in the middle as the characters evolve and develop so that they may transform feasibly to the climax. Also the cause for and transformation Sarah goes through is rather standard and obvious.
Alex Essoe's acting and portrayal of Sarah elevates Starry Eyes even further. Essoe subtly transforms from the hopeful ingenue to the ambitiously consumed actress hell bent for greatness. Weirdly poignant and meta, I hope Alex Essoe's performance in this role garners some attention from producers in the right place, for she has talent.
Check out our website for all the horror releases reviewed in FULL.
Alex Essoe is a really good actress and she was brilliant in this. This move delves into the sometimes morally vague and downright bad things people feel forced to do in order to achieve their dreams of fortune and fame. This movie is better than most "seedy underbelly of Hollywood" type tales. It is better than The Last Tycoon (starring a young Bobby De Niro) and infinitely superior to the superficially pretty but bland and unrewarding Neon Demon. The plot is sort of predictable, but the performances and direction is really excellent, so that doesn't matter. I really liked it. There are lot of unprofessional and immoral demands on actresses that go unsaid and there should be more films like this.
What do you do when you come to the conclusion that the film you just started watching, probably will end up in your top 10 of the most vexing and lousy movies ever? Indeed, swiftly start another film in the hope that it will be a better one. The same happened to me tonight after watching "Muck" for 15 minutes. First there was the rather abrupt beginning where it was immediately clear what acting level I was dealing with (again some selected B-actors). And then the opening credits appeared which were more focused on the silicone attachments of a half-naked, rotating cheerleader who stumbles back and forth in what looked like a swamp. And especially when one of those bimbo's was wondering whether or not there was liquor in the house they saw in the distance. And she was wondering about that in such a way that it looked as if she was planning to start a party with her frolicsome friends, while one of them was bleeding to dead and apparently they left two others behind that were killed. For me that was the moment to grab the remote control and save myself from further suffering. Fortunately, because "Starry Eyes" is of a whole other level and the content is a lot more original. It's equivalent to "Spring", which I've seen recently. Not that the core of the story has never been used in a film before, but its impact and the way it evolves, made sure it was yet again a unique experience.
Sarah (Alex Essoe) is an actress who apparently can't manage to get a role in a film. Every day she consults a website where ads are placed by producers and movie houses that are looking for new acting talent. Mostly these are low-budget and arty film projects. Meanwhile, she works as a "Tater Girl" at Big Taters, a kind of McDonalds run by a perverse-looking manager. He's someone who always brings up some philosophical theory about how they all function as one big family, but ultimately he's more interested in certain curves of Sarah (particularly her perfect butt looks appetizing in her stretchy work uniform). Sarah shares an apartment with her friend Tracy (Amanda Fuller) and in her free time she hangs out with Tracy's friends who encourage and support her. Except Erin (Fabianne Therese) who can't resist to make arrogant and hurtful remarks all the time. Until one day Sarah needs to do an audition for Astreus Pictures and she is willing to do anything to achieve her goal.
In short you can summarize "Starry Eyes" as follows : a sort of "Rosemary's Baby" (but in another sinister way), with the terrifying consequences as in "Contracted" or "The Fly" and this mixed with the better slasher work from horror films in the 80's. The producers of this film have chosen a tranquil development of the story. Therefore it will take some time before it starts to get all gloomy and scary. But the big finale is worth it. The first part they've put enough energy into the introduction of the different characters. Sarah is a fragile and sometimes puny-looking character who's full of doubts. Doubts about her skills, her talent and her appearance. She looks like someone with an eating disorder who snatches hair from her head at stressful moments. According to her so she can concentrate herself again. She's an insecure person full of complexes. Even her smile is uncertain (and uncannily resembles that of Keira Knightley, which gives me even extra shivers). The friends of Tracy, however, is a hotchpotch of libertines who live from day to day (sleeping in a van in someone's garden) and give the impression as if they walk around constantly drunk or high and party all the time. A group of hedonists, but with envy and hypocrisy just around the corner.
"Starry Eyes" won't be appreciated by everyone. On the one hand, it 's sometimes quite bizarre to observe. The two people at the table during the audition at Astreus Pictures and the manager of Big Taters are a living proof of that. Bizarre characters who undoubtedly deserve a place in a mental institution. On the other hand the slow transformation that Sarah undergoes isn't exactly appetizing to look at. The reward that she gets by meeting certain requirements that were asked by the producer Astreus Pictures, is preceded by a period in which Sarah deteriorates both physical and psychological. She slowly turns into an unreal individual with psychopathic tendencies resulting in a bloody final piece. The way Alex Essoe gives shape to the character Sarah, is at times brilliant. The final transformation leaves an overwhelming impression and shows the natural beauty she possesses. Hopefully we'll see her again as a leading actress in another movie. Also Fabianne Therese as the fake girlfriend who's constantly trying to undermine Sarah's confidence and the eccentric Taters boss (Pat Healy) were enjoyable. And finally Mary Olsen and Marc Senter as the casting director and her assistant fitted perfect in it.
Of course, some will say that the final story is not too original, and it eventually became a typical horror with some gore clichéd images. But for me this was a successful and impressing film that after a patiently build up beginning, bursts out into a climax. Perhaps the macabre character of this film and the quirky way of elaboration made it into a memorable one. The only thing I was slightly disappointed about was the total lack of background information about the satanic (if you can call it that way) sect. It remains a bit mysterious. However, I am sure this film left that monstrosity called "Muck", effortlessly behind. A fascinating film!
More reviews here : http://opinion-as-a-moviefreak.blogspot.be
Sarah (Alex Essoe) is an actress who apparently can't manage to get a role in a film. Every day she consults a website where ads are placed by producers and movie houses that are looking for new acting talent. Mostly these are low-budget and arty film projects. Meanwhile, she works as a "Tater Girl" at Big Taters, a kind of McDonalds run by a perverse-looking manager. He's someone who always brings up some philosophical theory about how they all function as one big family, but ultimately he's more interested in certain curves of Sarah (particularly her perfect butt looks appetizing in her stretchy work uniform). Sarah shares an apartment with her friend Tracy (Amanda Fuller) and in her free time she hangs out with Tracy's friends who encourage and support her. Except Erin (Fabianne Therese) who can't resist to make arrogant and hurtful remarks all the time. Until one day Sarah needs to do an audition for Astreus Pictures and she is willing to do anything to achieve her goal.
In short you can summarize "Starry Eyes" as follows : a sort of "Rosemary's Baby" (but in another sinister way), with the terrifying consequences as in "Contracted" or "The Fly" and this mixed with the better slasher work from horror films in the 80's. The producers of this film have chosen a tranquil development of the story. Therefore it will take some time before it starts to get all gloomy and scary. But the big finale is worth it. The first part they've put enough energy into the introduction of the different characters. Sarah is a fragile and sometimes puny-looking character who's full of doubts. Doubts about her skills, her talent and her appearance. She looks like someone with an eating disorder who snatches hair from her head at stressful moments. According to her so she can concentrate herself again. She's an insecure person full of complexes. Even her smile is uncertain (and uncannily resembles that of Keira Knightley, which gives me even extra shivers). The friends of Tracy, however, is a hotchpotch of libertines who live from day to day (sleeping in a van in someone's garden) and give the impression as if they walk around constantly drunk or high and party all the time. A group of hedonists, but with envy and hypocrisy just around the corner.
"Starry Eyes" won't be appreciated by everyone. On the one hand, it 's sometimes quite bizarre to observe. The two people at the table during the audition at Astreus Pictures and the manager of Big Taters are a living proof of that. Bizarre characters who undoubtedly deserve a place in a mental institution. On the other hand the slow transformation that Sarah undergoes isn't exactly appetizing to look at. The reward that she gets by meeting certain requirements that were asked by the producer Astreus Pictures, is preceded by a period in which Sarah deteriorates both physical and psychological. She slowly turns into an unreal individual with psychopathic tendencies resulting in a bloody final piece. The way Alex Essoe gives shape to the character Sarah, is at times brilliant. The final transformation leaves an overwhelming impression and shows the natural beauty she possesses. Hopefully we'll see her again as a leading actress in another movie. Also Fabianne Therese as the fake girlfriend who's constantly trying to undermine Sarah's confidence and the eccentric Taters boss (Pat Healy) were enjoyable. And finally Mary Olsen and Marc Senter as the casting director and her assistant fitted perfect in it.
Of course, some will say that the final story is not too original, and it eventually became a typical horror with some gore clichéd images. But for me this was a successful and impressing film that after a patiently build up beginning, bursts out into a climax. Perhaps the macabre character of this film and the quirky way of elaboration made it into a memorable one. The only thing I was slightly disappointed about was the total lack of background information about the satanic (if you can call it that way) sect. It remains a bit mysterious. However, I am sure this film left that monstrosity called "Muck", effortlessly behind. A fascinating film!
More reviews here : http://opinion-as-a-moviefreak.blogspot.be
Aspiring actress, Sarah Walker (Alexandra Essoe) auditions for a part in a horror film. Hoping not only to get her "big break", but also to escape her dismal life, including her job at a bottom-of-the-barrel restaurant, Sarah is quite desperate.
Her interactions with the movie's Producer (Louis Dezseran) and his Casting Director (Maria Olsen) grow increasingly bizarre and uncomfortable. Sarah has no idea what she must sacrifice in order for her dreams to come true. Resisting at first, her life begins to change into a nightmare world of physical and mental disintegration. Sarah finally realizes what she is being compelled to do, but can she do it?
STARRY EYES is an exceptional horror film, and a darkly satirical look at the cost of fame. Ms. Essoe is phenomenal, pretty much carrying the entire movie on the strength of her performance. If you're tired of the same old thing in horror films, then give this a shot...
Her interactions with the movie's Producer (Louis Dezseran) and his Casting Director (Maria Olsen) grow increasingly bizarre and uncomfortable. Sarah has no idea what she must sacrifice in order for her dreams to come true. Resisting at first, her life begins to change into a nightmare world of physical and mental disintegration. Sarah finally realizes what she is being compelled to do, but can she do it?
STARRY EYES is an exceptional horror film, and a darkly satirical look at the cost of fame. Ms. Essoe is phenomenal, pretty much carrying the entire movie on the strength of her performance. If you're tired of the same old thing in horror films, then give this a shot...
This movie was a slow burn, with the feel of an 80's throwback. It will not however be for everyone. By no means is it action packed, filled with cgi or littered with sex scenes. It does pay homage to old school nitty gritty horror that did not reply on all of the aforementioned. The vibe is dark and somewhat quirky, but in a good way. I've read other reviews comparing it to movies such as suspiria, and I can't stand behind that opinion. If you grew up on 80's style horror and have a love for the strange, then this one might just be for you. It does have a slow start, but if you stick with it, surely it will prove to be a rewarding experience. I thoroughly enjoyed pretty much every minute of it. The ending seemed a bit lackluster in comparison to the rest of the movie, but that can be forgiven as I can't quite picture any other ending personally. I immediately found myself rooting for "Sarah." I wanted to see her acquire her goals, but somewhere in the mix of it all I found myself disliking her. Very nice character progression with her. The actors did what I thought was a very striking performance. All in all, I'd definitely say give this movie a go
¿Sabías que…?
- TriviaShot in 18 days.
- ErroresWhen Sarah is beating Ashley with the free weight, it is covered in blood. But as she hesitates with the weight in the air before delivering the final blow, you see the weight has no blood or gore on it.
- Citas
The Producer: Ambition - the blackest of human desires. Everyone has it, but how many act on it?
- Créditos curiososAt the end: "RIP Robert W. Kolsch 1942-2013." This is the father of co-director Kevin Kolsch.
- ConexionesFeatured in Half in the Bag: 2019 Movie Catch-Up! (part 1 of 2) (2019)
- Bandas sonorasR6M
Written by Jacki Paollela
Performed by DJP and MrT
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- How long is Starry Eyes?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Şeytanın Gözleri
- Locaciones de filmación
- Los Ángeles, California, Estados Unidos(main location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 10,220
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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