Opiniones de usuarios

After watching this film I read the reviews voted "most helpful," which all were long lists of plot holes and logical inconsistencies. They are absolutely right. I didn't think about it while watching the film, but when it's pointed out, yeah, nothing in this movie makes much sense.

But I still really liked it. It's creepy and atmospheric and more concerned with the psychology of people on a suicide mission than on the nuts and bolts of scientific investigation. It's often intense , usually beautiful, well acted, and had some really weird and mesmerizing moments.

I won't argue that you should forgive it for its plot holes, or that it has any deep meaning, or anything like that. In fact, it's probably easier to make a convincing argument against the movie than for it. I'm just saying, I really liked it.

ADDENDUM: I looked at the user reviews recently (2024) and the top reviews are no longer lists of plot holes. The people who enjoyed the movie, like me, have since my review pushed the naysayers down. Which I fully support.

I've thought about this film for days after seeing it. I don't even know what specifically I've been thinking about, all I can say is it left a big impression on me. I disagree with those who say it's intellectual. I don't think it is nor was it intended to be. It's visceral, primal, just like the world inside The Shimmer.

For me, films work on three hierarchical levels: at the very basic, they should be entertaining. All films should succeed here (but not all do, which is why we should rightly slam those that don't!). Then, there are films that are not only entertaining but also elicit an emotional response; they move us in some way. Finally, there are entertaining films that are moving but also have meaning; they resonate on a deeper, often metaphysical level. To my mind, Annihilation achieves all three.

Forget the plot holes. They exist in every film, otherwise they wouldn't be stories. Some of my favourite films have canyon-sized plot holes and inconsistencies. If you analyse any film you'll find them, and often you don't have to look very hard, e.g. Back to the Future. Do the plot holes and gaps in logic stop BTTF from being a great film? Not to my mind, because I'm invested in the movie. Plot holes only matter to me when they draw me away from the film; if it fails to entertain me.

Does the plot in Annihilation even really matter? The film is about the experience, the visuals and audio, the curiosity, the suspense. A world that could only be accessible to us in our imaginations is here brought to life on the screen. It asks a lot of questions but isn't interested in the answers. It's bold, brave, challenging. Some of it is spectacular, some of it less so. Naturally, that will split opinion, but we've become too accustomed to the ready-packaged "Happy Meal Movies" that the studios churn out for us. We're addicted to them like we're addicted to sugary fast food. We should welcome any film that attempts to wean us off that and broaden our palates.

This is a proper cinematic film, so what a shame it is that here in the UK (and many other countries) we were denied the pleasure of seeing it on the big screen. I can only imagine how even more beguiling and entrancing the experience would've been.

Turn off the lights, switch off your phones, and sit back and feed your imagination and sense of wonder. I know that's why I watch and love films. 8.5/10.

Saw 'Annihilation' because it was recommended by a friend, and also the idea was absolutely brilliant and one of the most unique for any film seen recently and the trailer showed a lot of promise. Also have a lot of appreciation for sci-fi/horror, Alex Garland's previous work is very interesting and Natalie Portman has given some great prior performances.

Can definitely see why 'Annihilation' has proven to be so polarising with audiences and IMDb reviewers. Had problems with it myself and it didn't quite match up to the brilliance of the idea, but had also a lot of admiration for its brave if imperfect execution and bold ambition. It almost does live up to its idea, but doesn't quite. As somebody who has seen her fair share of films with potentially good concepts marred by underwhelming, and in a lot of cases terrible, execution, that was refreshing.

'Annihilation' is uneven and has problems. Most of the characters, apart from Lena and to a lesser extent Ventress (there was a little with Cass but only for two or so lines in one short scene), are underwritten archetypes, Josie was not very memorable and there was absolutely no point to the man in the stuff with the affair.

Lena's back-story was mixed. It is very nuanced and affecting in the scenes between her and Kane, but is far from successful in the stuff with the affair, which felt out of place, pointless, came out of nowhere when introduced, was ended very quickly and never heard from again. The dialogue is very clunky at times, particularly with Anya and some of the back-story, while there are some less than logical character behaviours and some bogus science, especially the explanation for the mutated insides (beyond moronic and nearly ruined one of the film's most stay-with-the-viewer scenes).

Not entirely sure what my stance on the final half an hour is. It is choreographed cleverly in movement, is visually stunning, is an atmosphere whirlwind and does probe though and discussion. It is also one of the strangest last 30 minutes of any film seen in a while and it takes a lot for me to be confused, this portion of the film was a head-scratcher for me and the aftermath discussion with my sister didn't really clear things up. If it was meant to be ambiguous or open-ended, it for my tastes was taken too far, don't mind being challenged but being confused is a no-no (in no way intended to be snobbish).

However, 'Annihilation' looks wonderful, one of the best-looking films seen by me recently. Some of the landscapes are pretty spectacular, as is the look of the shimmer. The creatures are very well done, especially the bear creature, and evoke a great deal of creepiness. It's beautifully and atmospherically shot and stylishly edited.

The music is haunting and ominous, doing a great providing slow-building suspense and mystery without making it too obvious prematurely. Some clever use of sound too. Some of the dialogue is thought-provoking, like with the interrogations.

Regardless of any reservations with some of the storytelling, 'Annihilation' is a triumph in terms of atmosphere and as an experience film. There is a slow-building tension that doesn't become dull, enough of it is thought-provoking, tense and emotional and there is a subtle tension. Two scenes stand out, and are two of the most disturbing scenes of any film in a long time. One was with the mutated insides, word of warning- don't watch this while eating, being someone who made that mistake. The other was the second bear attack, a creepy build up then crescendoing in a way that was unnerving and truly frightening. The film is also thematically interesting, familiar themes in both the genre and in Garland's previous work but built on a grander level.

Most of the acting was good, especially the astonishing Natalie Portman giving one of her better performances since 'Black Swan'. Oscar Isaac and Jennifer Jason Leigh are the best in support and Gina Rodriguez fares quite well. Tessa Thompson is too underused to make an impression and her character too bland. Garland directs with great skill.

Overall, not quite brilliant and sometimes frustrating but ambitious, admirable and interesting. 7/10 Bethany Cox

Been wanting to watch this one for some time now. It was actually not as good as I expected it to be from the hype I'd been hearing, but it was still a trippy experience none-the-less. Reminded me a bit of Event Horizon and Color Out of Space. It was slow and dragged early. The first 2/3 of the movie I'm wondering where it's going, and once we get there I'm constantly questioning if it will ever end. The cinematography was great as was the score. I probably would have enjoyed it more if I saw it much sooner, and I probably won't enjoy it as much if I revisit it. I really just wanted to like this one more.

It's hard to find novel sci-fi these days, but this movie explored a few new directions that I found entertaining. The story is good and the execution carried and developed the suspense well. Sometimes a movie needs to be rated as how engaging it is, how it kept your attention and how it made you feel, not how many "plot holes" there are, how "logical" it was and such intellectual drivel. Enjoying a movie is like drinking a beer - you like it or you don't, but please don't give me a diatribe on the size of the bubbles and whether the colour is golden amber or light gold. Who cares? I enjoyed the movie and the acting and was engaged to the end. Which means in entertainment value: Goal achieved.

'ANNIHILATION': Four and a Half Stars (Out of Five)

The new science fiction horror flick from writer/director Alex Garland (who also performed both duties on 2014's 'EX MACHINA'). It's about a biologist who volunteers to lead an expedition into a dangerous environmental zone, after her husband comes out of the zone seriously injured, and the sole survivor of his expedition. It's based on the novel, of the same name, by Jeff VanderMeer. The film stars Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny and Oscar Isaac. It's gotten nearly unanimous positive reviews from critics, but it also performed really poorly at a test screening (which prompted a Netflix release overseas, instead of a theatrical one). I think the film is a very dark and bizarrely beautiful sci-fi masterpiece, and I can also see why a lot of people won't like it.

A year has passed since a team of soldiers entered an environmental disaster zone, and never returned. One soldier, named Kane (Isaac), suddenly reappears, much to the desperate relief of his biologist wife Lena (Portman), but he doesn't remember where he's been or how he got home. Then he has a sudden medical emergency, and is rushed to a hospital. In an attempt to help him, Lena decides to join a team of all female scientists, on an expedition back into the environmental zone. Things of course don't go as planned.

The movie is very hauntingly beautiful, and it's especially highlighted by an awesomely haunting score, and some breathtaking visuals. The story is interesting, but it's definitely slow-paced, and the climax is much more of an intellectual payoff than a spectacular action scene (which many viewers might be hoping for). So I can definitely see why some people would hate this film, but I loved it. It's one I definitely won't forget anytime soon too, and it's great to see Natalie Portman (my old favorite actress) back in top form!

While watching the movie, I was both engrossed by the events playing out onscreen while at the same time thinking "this could be done better". To me, the writing felt like it was done by a smart Middle-Schooler: smart enough to understand some science concepts and have a few interesting ideas, but too naive in the world to create realistic or logical human behavior.

There are just too many times that things occur that have no sense or logic. I'm not talking about the "alien" aspect, which is supposed to be somewhat mysterious and incomprehensible, but about the way that the humans in the story act or react to what's going on. The way that the government is handling the phenomenon seems strangely hands-off for what should be the most important event in the history of humanity, and the individuals involved make lots of odd decisions just to drive the story forward.

On top of that, there is a framing device where a survivor is being interrogated about the events of what is shown throughout the movie, and it not only doesn't provide any additional illumination to bother with the clunkiness, it tends to deflate a lot of the tension by giving away certain plot points before you see them on screen. The ending is more just vague for the sense of being mysterious rather than making you really ask questions afterward. I suspect that if you asked the Director how the ending related to the rest of the movie, he would't be able to give more of an answer than he wanted things to be left open-ended.

Finally, the characters are all fairly morose and sedated. There's a (weak) explanation in the movie for this, but the overall low energy makes you not care too much about any of the characters.

Do you need all the answers and a nice tight ending? If so, don't watch. I say that not because I look down on anyone who needs that. Sometimes I need that. This is one of those more ethereal thinkers that some like and some don't though there is some pretty good action too. There are several scenes that honestly just scared the crap outta me. The acting is good. The effects are good. The premise is interesting. From the reviews, I was expecting much more glaring plot holes and fewer questions which were actually answered. I am trying to avoid spoilers so let me just say that I thought that while there were not a lot of concrete answers, we got some good theories proposed.

In slamming the movie, I saw one reviewer compare it to Sunshine, which he also hated. That review was what actually flipped the switch and got me to watch it, but I'd say that is a good test. If you don't like movies like Sunshine (also written by Alex Garland), you probably won't like this.

Story wise I just couldn't get a connection with any of the characters. I wasn't intrigued and there were multiple moments in the movie where I even cringed a little by the simple writing, a little let down by Alex Garland this time.. but.. CGI was on point and at least the concept itself was original enough to make it worth a watch

I honestly got bored and started looking for the next film to watch before it had ended. I like Natalie Portman and she brings some weight to her role but this is largely a style over substance affair that takes little to no consideration for secondary characters or knitting together the plot holes. Shame as it could've been quite something.

I thought that this would end up in the 'impossible to film' pile but I feel they have truly captured the mystery and dread of the environment that is portrayed on screen. The effects are beautiful in displaying alien and illogical happenings that only prod at our curiosity.

I'm glad a film like this has managed to slip past the 'out-there' net of Hollywood and kudos to the team that have created this!

The only advice I can give to anybody going to see Annihilation is: stick with it. I definitely was close to checking out around the middle point, but quickly my interest was piqued and in the blink of an eye the movie turned into a profound, 2001 meets Under The Skin meets Predator surreal science fiction near- masterpiece.

The first half is so patiently mediocre that the second half almost feels like a completely different movie, making the movie a mixed bag but one that's totally worth it. Some of the performances are great, some are okay, and at least one is noticeably bad. Natalie Portman turns in a great performance (she carries the entire film) and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype. The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad. Oscar Isaac is very good.

Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory (the last twenty minutes are truly a thing to behold). The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.

I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.

It is just disappointing that movies like this don't cover the basics. Touching clearly contaminated organisms with bare hands as a biologist is completely ludricous. Or step into water with a mutated body, and then put your hand in it.

And of course, running after an unknown beast, in the dark and having no flashlights..... of course...

When did moviemakers become so lazy and inept. The same was with movies like alien promethius. Exploring an alien planet without any protective gear....

I lost interest halfway due to sheer irritation. The bad reception is quite earned. It was lazy and boring and totally unrealistic.

I found this flick a great watch especially if you watch at night in the dark with you favorite significant other. I'm sure the high paced super action type of film favored by the teen plus group will find this movie not worth the watch. But if your attention span is greater than 3 minutes this is a very good film. The only issue I had was with the very ending. I wanted to know more and an explanation that was clearer than what I could figure. It's worth a watch.

This movie is incredibly frustrating.

It reminds me a lot of Prometheus in that it's beautiful and occasionally thought-provoking, but more often than not its worldbuilding is undercut by poor character dialog, vague plot devices, and foolishly bad decisions. And it doesn't have the same cheeky self-awareness as Prometheus.

Annihilation also suffers from a lack of genre definition. It dabbles in many sub-genres of sci-fi, but does very few of them well.

It really is a shame too. This one had the potential to be a true fantasy/sci-fi classic with its strong worldbuilding, fascinating visuals, and attention to style that is usually reserved for genre-titans.

Instead, it becomes a slightly-above-mediocre slog with wooden characters and poor pacing. It does come together a bit in the third act, but it's too little too late by that point.

6.2/10