CALIFICACIÓN DE IMDb
5.8/10
52 k
TU CALIFICACIÓN
Cuatro destacados directores indios exploran el sexo, el deseo y el amor a través de los cortometrajes en esta secuela de "Lust Stories".Cuatro destacados directores indios exploran el sexo, el deseo y el amor a través de los cortometrajes en esta secuela de "Lust Stories".Cuatro destacados directores indios exploran el sexo, el deseo y el amor a través de los cortometrajes en esta secuela de "Lust Stories".
- Premios
- 10 premios ganados y 21 nominaciones en total
Vijay Varma
- Vijay Chawhan (Sujoy Ghosh's Segment)
- (as Vijay Verma)
Vibha Chhibber
- Kaki
- (sin créditos)
Jugal Hansraj
- David Chaudhary
- (sin créditos)
Mukti Mohan
- Anita
- (sin créditos)
Payal Pandey
- Bitari
- (sin créditos)
Jeniffer Piccinato
- Nisha
- (sin créditos)
Anjuman Saxena
- Reena
- (sin créditos)
Resumen
Reviewers say 'Lust Stories 2' delves into lust, desire, and relationships but is criticized for disjointed storytelling, weak scripts, and lack of depth. Many note subpar performances and underdeveloped characters, even with talented actors. The anthology format, successful in the original, feels disjointed here. Some praise specific segments, especially those directed by Konkona Sen Sharma and featuring strong performances by Tamannah Bhatia and Vijay Varma. However, the overall consensus is that 'Lust Stories 2' fails to match its predecessor's impact, disappointing fans.
Opiniones destacadas
Lust stories 2 is a romantic drama anthology film directed by several directors.
Made for each other by R Balki:-One of the very few surface level, passable films by balki. The subject matter of sex education and its importance in married life is on point, but the treatment is very meh type. It works well as a comic short, but never soars to an exceptional height. Mrunal thakur performed very weak in this short. There was no x-factor.
The mirror by konkana sen sharma:-This is the excellent one of the four stories by miles. Tilottama shome and amruta subhash give two epic performances. The subject matter of voyeurism is very well portrayed. This short makes sex look pleasurable and enjoyable. It also makes a very sharp remark on human ego and class and economic differences. There is one shot, where the camera shifts from a fingering tilottama touching herself watching the two of them have sex, to them having sex and then to a calendar and back to tilottama through amruta. That shot itself elevates this shot head and shoulders above the rest.
Sex with ex by sujoy ghosh:-one of the most childish and amatuerish works by sujoy ghosh. First of all, the jarring visuals stick out as a sore thumb. I mean, who can suggest such poor sets for a film. The illogical twists are of no use, they are there just for the sake. The performances are nothing in front of what we have seen from vijay and tamannah maybe. Only positive is that the sex and romance is good, they manage to bring their real life magic onto the screen.
Tilchatta by amit ravindernath sharma:-this is another fine short by amit sharma. The screenplay builds up the tension and suspense on what is going to happen next. The performances by kumud mishra, kajol excite the narrative. The ending twist within the twist is unprecedented as well. It really catches you offguard. The saying 'when you plan to take revenge, you have to dig two graves, one for the person, and one for yourself' is the gist of the short. This was a great short film.
Made for each other by R Balki:-One of the very few surface level, passable films by balki. The subject matter of sex education and its importance in married life is on point, but the treatment is very meh type. It works well as a comic short, but never soars to an exceptional height. Mrunal thakur performed very weak in this short. There was no x-factor.
The mirror by konkana sen sharma:-This is the excellent one of the four stories by miles. Tilottama shome and amruta subhash give two epic performances. The subject matter of voyeurism is very well portrayed. This short makes sex look pleasurable and enjoyable. It also makes a very sharp remark on human ego and class and economic differences. There is one shot, where the camera shifts from a fingering tilottama touching herself watching the two of them have sex, to them having sex and then to a calendar and back to tilottama through amruta. That shot itself elevates this shot head and shoulders above the rest.
Sex with ex by sujoy ghosh:-one of the most childish and amatuerish works by sujoy ghosh. First of all, the jarring visuals stick out as a sore thumb. I mean, who can suggest such poor sets for a film. The illogical twists are of no use, they are there just for the sake. The performances are nothing in front of what we have seen from vijay and tamannah maybe. Only positive is that the sex and romance is good, they manage to bring their real life magic onto the screen.
Tilchatta by amit ravindernath sharma:-this is another fine short by amit sharma. The screenplay builds up the tension and suspense on what is going to happen next. The performances by kumud mishra, kajol excite the narrative. The ending twist within the twist is unprecedented as well. It really catches you offguard. The saying 'when you plan to take revenge, you have to dig two graves, one for the person, and one for yourself' is the gist of the short. This was a great short film.
Thoughts summed up: Lust Stories 2 is a subpar anthology that'll only be remembered for Konkona Sen Sharma's standout segment. The rest are largely forgettable, leaving little in the way of impact.
Made for Each Other (R Balki): An ad-level concept stretched and squeezed all the way but nothing really stands out here. Neena Gupta's granny role sounded interesting at first, but quickly gets preachy and intolerable after a point (rockstar, my foot!). The ending is.. well, just an ending.
The Mirror (Konkona Sen Sharma): Stunner! Not only is the voyeur concept refreshingly presented, this segment also has the best payoff. Both Tillotama Shome and Amrutha Subhash are excellent in their respective roles. The scenes where the ladies lose their cool and their eventual reconciliation were remarkably directed.
Sex with Ex (Sujoy Ghosh): Apart from Tamannaah's unfiltered beauty, there isn't much to relish here. The story is a mess, the CGI countryside is an even bigger mess, and the climactic twist was seen coming 72 miles away.
Tilchatta (Amit Ravindernath Sharma): The plot is as old as it gets. Did this segment really need someone the calibre of Kajol? The twist at the end was fascinating (yet sad), and I think this should have swapped positions with Konkona's segment.
Made for Each Other (R Balki): An ad-level concept stretched and squeezed all the way but nothing really stands out here. Neena Gupta's granny role sounded interesting at first, but quickly gets preachy and intolerable after a point (rockstar, my foot!). The ending is.. well, just an ending.
The Mirror (Konkona Sen Sharma): Stunner! Not only is the voyeur concept refreshingly presented, this segment also has the best payoff. Both Tillotama Shome and Amrutha Subhash are excellent in their respective roles. The scenes where the ladies lose their cool and their eventual reconciliation were remarkably directed.
Sex with Ex (Sujoy Ghosh): Apart from Tamannaah's unfiltered beauty, there isn't much to relish here. The story is a mess, the CGI countryside is an even bigger mess, and the climactic twist was seen coming 72 miles away.
Tilchatta (Amit Ravindernath Sharma): The plot is as old as it gets. Did this segment really need someone the calibre of Kajol? The twist at the end was fascinating (yet sad), and I think this should have swapped positions with Konkona's segment.
The problem with these kind of movies lies with the lust they want to sell. Even without those scenes the story can work and believe me this time the stories are fine.
The first story must not be Rated A if it was not in this movie. The story contains nothing in the name of lust.
The second Story portray some kind of illegal behavior but still you don't sympathize with any of the characters.
The third story in which Tamannah and Vijay is there wants to surprise you but fails miserably. What you can predict was there in the end and you are left unsatisfied there.
The fourth story which is predictable also leaves you puzzled about the name of this movie.
Atleast try to justify the title of movie.
The first story must not be Rated A if it was not in this movie. The story contains nothing in the name of lust.
The second Story portray some kind of illegal behavior but still you don't sympathize with any of the characters.
The third story in which Tamannah and Vijay is there wants to surprise you but fails miserably. What you can predict was there in the end and you are left unsatisfied there.
The fourth story which is predictable also leaves you puzzled about the name of this movie.
Atleast try to justify the title of movie.
"Generally, anthologies provide a bittersweet experience, but this one has fewer variations than the others, making it possibly better than them. The best one I have watched will still be "Wild Tales." However, despite being sluggish in a few areas, Lust Stories 2 will be a god watch directed by multiple directors, revolves around the central theme of 'Sex.' One story focuses on a happy ending is the weakest among the stories as a veteran like Neena fails to pull it off because of the cheesy lines she has been given. Very poorly written script and dialogues I must say.
Two stories are horror and thriller are the average ones , they try to give you shocking climax but fail because of the weak script again.
However, one is a delicately crafted psychological story. The best among the four, in my opinion, is Konkona's segment "The mirror", where you can feel a woman telling a woman's story.
All in all a watchable attempt. The actresses featured in the anthology are renowned, such as Kajol, Tamanna, and Mrunal, ensuring a good viewing experience.
Two stories are horror and thriller are the average ones , they try to give you shocking climax but fail because of the weak script again.
However, one is a delicately crafted psychological story. The best among the four, in my opinion, is Konkona's segment "The mirror", where you can feel a woman telling a woman's story.
All in all a watchable attempt. The actresses featured in the anthology are renowned, such as Kajol, Tamanna, and Mrunal, ensuring a good viewing experience.
Okay, let's start with my review of the four episodes:
Made for Each Other - R. Balki I felt this chapter was the most ordinary of the four, and I do understand that culturally, in India, there's some shock value to the fact that a grandmother would be so racy and vocally conscious of the importance of sex and intimacy. That said, the episode just entirely relies on this gimmick and even though it's not bad, it does seem to have no point. It could easily have gone down as a random clip on social media which aims to provide some educative content, but a very superficial one, frankly speaking. Obviously, Neena Gupta is fun and does a good job, but this episode as a whole just doesn't leave a mark.
The Mirror - Konkona Sen Sharma Well, it's easily the strongest part of them all - in terms of story, script, direction, acting and execution, as well as the issues it addresses, from sex, loneliness to social class. Konkona does a fantastic job with an episode that so intelligently explores the desires of women from different strata of society. And their social class is not even a factor when it comes to their personal desires as they are equal. Tillotama Shome seems to have carved her own niche in the film industry with some wise choices, and she is fantastic here. After Sir, where she played the maid to perfection, it's interesting to see her assume the part of the employer. Doubtlessly though, it is Amruta Subhash who absolutely nails it in the part of the maid and gradually proves herself as one of the most impressive character actresses in India today. Her performance is a portrait of rage, honesty and compassion, which is exactly what this interesting episode ends up being.
Sex with Ex - Sujoy Ghosh Now this is a very basic sort of thriller, and it's quite intriguing, but it's also quite banal and formulaic. Vijay Varma can always be counted on to deliver the goods, and he's quite good here, but the episode as a whole is quite a thankless task. Tamanna Bhatia is equally effective in the part but the episode concludes on such a predictable note it's amazing a director as good as Ghosh would ever have thought this could pass as something even remotely original or impactive. It's watchable, but it's forgettable.
Tilchatta - Amit Sharma Well, anything for Kajol. Try to watch it and imagine another actress in the part, it will just not work. Kajol's presence indeed makes up for many of the flaws, for the dark and gloomy atmosphere, for the pacing, and for the story which relays hardly any positive or redeeming messages. Very well acted though. Kumud Mishra is plain excellent as the abusive drunk, really very good and very easy to hate. It is obviously Kajol though who carries the entire segment on her able shoulders. Her eyes reveal the complexity of her situation, and she so easily slips into the shoes of an ordinary, troubled woman. The final twist is quite upsetting, and it has various interesting messages, one of which relates to the two faces of plotted revenge. Sometimes the immediate solution is the good one.
Made for Each Other - R. Balki I felt this chapter was the most ordinary of the four, and I do understand that culturally, in India, there's some shock value to the fact that a grandmother would be so racy and vocally conscious of the importance of sex and intimacy. That said, the episode just entirely relies on this gimmick and even though it's not bad, it does seem to have no point. It could easily have gone down as a random clip on social media which aims to provide some educative content, but a very superficial one, frankly speaking. Obviously, Neena Gupta is fun and does a good job, but this episode as a whole just doesn't leave a mark.
The Mirror - Konkona Sen Sharma Well, it's easily the strongest part of them all - in terms of story, script, direction, acting and execution, as well as the issues it addresses, from sex, loneliness to social class. Konkona does a fantastic job with an episode that so intelligently explores the desires of women from different strata of society. And their social class is not even a factor when it comes to their personal desires as they are equal. Tillotama Shome seems to have carved her own niche in the film industry with some wise choices, and she is fantastic here. After Sir, where she played the maid to perfection, it's interesting to see her assume the part of the employer. Doubtlessly though, it is Amruta Subhash who absolutely nails it in the part of the maid and gradually proves herself as one of the most impressive character actresses in India today. Her performance is a portrait of rage, honesty and compassion, which is exactly what this interesting episode ends up being.
Sex with Ex - Sujoy Ghosh Now this is a very basic sort of thriller, and it's quite intriguing, but it's also quite banal and formulaic. Vijay Varma can always be counted on to deliver the goods, and he's quite good here, but the episode as a whole is quite a thankless task. Tamanna Bhatia is equally effective in the part but the episode concludes on such a predictable note it's amazing a director as good as Ghosh would ever have thought this could pass as something even remotely original or impactive. It's watchable, but it's forgettable.
Tilchatta - Amit Sharma Well, anything for Kajol. Try to watch it and imagine another actress in the part, it will just not work. Kajol's presence indeed makes up for many of the flaws, for the dark and gloomy atmosphere, for the pacing, and for the story which relays hardly any positive or redeeming messages. Very well acted though. Kumud Mishra is plain excellent as the abusive drunk, really very good and very easy to hate. It is obviously Kajol though who carries the entire segment on her able shoulders. Her eyes reveal the complexity of her situation, and she so easily slips into the shoes of an ordinary, troubled woman. The final twist is quite upsetting, and it has various interesting messages, one of which relates to the two faces of plotted revenge. Sometimes the immediate solution is the good one.
¿Sabías que…?
- TriviaShrikant Yadav who plays husband of Amruta Subash in the series are close friends in real life.Shrikant Yadav was not ready to do the intimate scenes with her but Amruta Subash's husband whose also his friend convinced him to do the scenes.
- ConexionesFollows Bombay Talkies (2013)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Lust Stories 2?Con tecnología de Alexa
Detalles
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the German language plot outline for Bajo el hechizo del deseo 2 (2023)?
Responda