Paris Christmas Waltz

The bar for this series was set at what I thought was an impossibly high level with 'A Christmas Waltz' in 2020 - remember the searing-hot chemistry between Lacey Chabert and Will Kemp? - but 'Paris Christmas Waltz' has at least equalled and perhaps bettered the original. Not often you write that about a sequel.

Jen Lilley and Matthew Morrison are perfectly cast, and their chemistry reminds me of Chabert and Kemp three years ago on a different channel. The Paris setting is amazing - these movies are always better when shot on location, rather than in some North American town or city masquerading as a more exotic location - the music is perfect and, although I am not really a ballroom dancing person, the choreography was spectacular, and actually, some of the best scenes in the film were dancing ones. Not sure how much dancing Lilley did, but Morrison appears to be in most of those scenes.

10/10. Everything with the fingerprints of Janeen and Michael Damian on it is solid gold. Might be the best GAC Family movie ever. Here's hoping we will be Christmas waltzing again in a year's time!

Last year was a mess for Christmas movies. What with GAC raiding the Hallmark cupboard in 2022, everyone was down last year. This year it's finally settling down and GAC and Hallmark are both doing some decent work this season's Christmas rom coms.

That's what this is, a Christmas Rom Com. It isn't meant to be an academy award winning film. These never are. Hallmark or GAC doesn't produce these films. Look at the names of the production companies, the names of the screen writers, the names of the casting directors, the names of the producers and executive producers. They are interchangeable. They all do movies for both. Does anyone really think the production staff gives these movies the same amount of time that goes into a feature film or a TV movie? Of course not. Each production company is doing maybe 10 of these each year.

One viewer's trash is another viewer's treasure. I love Jen Lilly. I though she was good in this movie. She dances extremely well. She sings well. It's somewhat of a musical but not really. Matthew Morrison is good in his role. Yes, both are not song and dance actors but the dances are extremely well done. Especially more so considering the time restraints they had in doing the movies. Yes Jen Lilly whines. All the female leads do a bit of that in these movies when they don't think the romance is going to work out. Or they get angry and stomp off. Again, it's a formulaic rom com. Two thirds through the movie is when every one of these movies has the romance fall apart.

SO give them all a break, it's a feel good Christmas movie.

I liked a Paris Christmas Waltz. I'm not usually a fan of the dancing or singing movies but this one I liked. It was nice to see Matthew Morrison play a part that didn't involve Royalty or an accent. I love Jen Lilly. These 2 were perfectly paired in this movie. I didn't think there was a lot of chemistry between them but I loved watching them dance. They filmed this movie in Paris and in Romania (I think). The Paris scenes were beautiful. They way the danced in front of the Eiffel Tower was beautiful. GAC did good with this movie. It was fun, playful, and a beautiful location. There wasn't a "dramatic" misunderstanding. Watch it for the fun dancing.

I have always been hot and cold on Jen Lilley, but I was very impressed with her performance in this one. Matthew Morrison puts on a sparkling show dancing, but Lilley surprised me since I have only ever seen her as an actor. In one number they both sing nicely.

As to character, Lilley fits the personality of Emma. Early in the movie she oozed wonder and awe first when she saw and experienced Leo's dancing. When she needed to show a hint of lovestruck, more wonder and awe. Then they get to Paris and you almost expect her to swoon. When the big rival, Giselle, shows up, Lilley is perfect as the nervous woman slightly lacking in confidence. Morrison plays off all that to have a little awe of his own at Emma's spontaneity and joie de vivre. Yes there is plenty of chemistry between these two.

I was disappointed in Emma that she let Giselle play her mind games even though she had been duly warned. I really expected Emma to be smarter than that. Giselle gives us something GAF sometimes (usually) lacks and that's some real tension with a good villain but not quite evil.

Outside the story there is plenty of scenery as they tour Paris. Paris is even better at Christmas. There is even more dancing, although the qualifying round of the dance competition was somewhat boring, but necessary for the story.

The movie was a feast worthy of the Christmas season.

8.7 stars.

There are few Hallmark movies that receive as venerable a description as "par excellence", but I've saved it for 'Paris Christmas Waltz'. This story towers above the majority, just as the Eiffel looms atop the Parisian cityscape.

Emma is a mere accountant hoping for an adventure. Her impossible dream is to one day dance like a professional, but she knows this is an illusion. She is a simple woman with an unattainable ambition; more a hope than a goal. She meets Leo on an icy Manhattan street, and they share a special moment.

Leo is a Broadway dancer who needs a dance partner for an upcoming Pro-Am competition. Can this charming amateur named Emma, a simple accountant by day, aspiring dancer by night, possibly fill those shoes?

What I love about 'Paris Christmas Waltz' is the tactile involvement we share with Jen Lilley and Matthew Morrison as they partake in a subtly seductive odyssey. This journey sweeps us through the landscape of competitive dance in Paris...full of excitement, adventure, anxiety, and fulfillment. This film is successful in transporting us into a magical place, surrounded by visions of bells, and ribbons, accompanied by grace and beauty, threatened by superiority, encumbered by inadequacy. We are engulfed in the ambience of this other world of dance. This is no ordinary Hallmark production, and I'm staggered at how notably 'Paris Christmas Waltz' transcends the watermark.

Lilley's emotional presentation far exceeds anything I've ever seen from her, and I attribute it to Morrison's ability to invoke a marked enthusiasm. World class!