Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.
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- Guionista
- Elenco
Noel Gugliemi
- Hector
- (as Noel G.)
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
High Rollers falls apart on nearly every level. The plot is incoherent, riddled with logic gaps, and full of characters who behave in ways that make no sense. Dialogue is stiff and unnatural, leaving emotional moments feeling forced or laughable.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
We are living in a very bad time where most movies being released are crap and they copy off of every action movie from the old days. We haven't gotten a great heist movie since Ambulance (2022), I highly recommend you watch that movie if you are into heist thrillers. Don't watch High Rollers thinking it will be as great as the 2001 classic Ocean's Eleven, you will be disappointed.
These Hollywood actors were once the biggest stars and they put lots of effort into their films, Travolta and Bruce Willis were big names in the 80s, 90s, and 2000s. But today in the 2020s after the COVID-19 pandemic, most of the actors we know and love are all tired and they put zero effort into making movies.
Sad time we live in and I don't feel it will get better, this is why I'm so nostalgic. I miss the days when we constantly got a great movie and people went to DVD rental stores to pick up blockbusters. My overall rating of High Rollers is 3 stars, they tried but failed.
These Hollywood actors were once the biggest stars and they put lots of effort into their films, Travolta and Bruce Willis were big names in the 80s, 90s, and 2000s. But today in the 2020s after the COVID-19 pandemic, most of the actors we know and love are all tired and they put zero effort into making movies.
Sad time we live in and I don't feel it will get better, this is why I'm so nostalgic. I miss the days when we constantly got a great movie and people went to DVD rental stores to pick up blockbusters. My overall rating of High Rollers is 3 stars, they tried but failed.
This is a highschool production, right? RIGHT!? I've seen toddlers in Christmas plays act better and I've seen homeless hobos write better and I've seen dogs direct better. Don't waste your finite, limited and priceless time watching this 'movie'.
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
High Rollers is a sequel to Cash Out. Director Randall Emmett probably shot both movies back to back even though there is one significant cast change.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
High Rollers is a film that suffers from numerous technical flaws. First, the screenplay structure is weak and disjointed. As the story progresses, logical errors and inconsistencies become increasingly apparent. The film's framework fails to generate the necessary momentum to captivate the audience. The plot's irregularities and implausible developments distract from the experience, making any attempts at drama feel redundant. In particular, the characters' decision-making processes lack clarity, and their dialogue often feels unnatural.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
¿Sabías que…?
- TriviaFilm reunites John Travolta and Gina Gershon who previously starred together in "Face/Off" (1997).
- ConexionesFollows Engaño Mortal (2024)
- Bandas sonorasNonstop
Written By James Thacker and John L Pearson
Produced by James Thacker and John L Pearson
Courtesy of Kazen Music Group
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- How long is High Rollers?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 41 minutos
- Color
- Relación de aspecto
- 2.39:1
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