Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.Un ladrón experto debe ejecutar un arriesgado atraco a un casino cuando su némesis secuestra a su amada. Atrapado entre criminales rivales y el FBI, lo arriesga todo.
- Dirección
- Guionista
- Elenco
Noel Gugliemi
- Hector
- (as Noel G.)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
After narrowly escaping a whirlwind of a heist, mastermind Mason (John Travolta) has retired from the criminal world with his gang of thieves and the love of his life, Decker (Gina Gershon). Their happy days are short lived when Decker is kidnapped by the notorious Salazar, bent on extracting revenge on Mason. Mason has no choice but to execute a risky heist inside a luxurious South American casino, putting him and his crew on a collision course with rivaling criminal syndicates and the FBI
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
If you want a reason to gouge your eyes out, watch this movie. Horrible plot and corny acting. A horrible soap opera. Literally would rather sit on a plane with a screaming baby puking next to me. I am questioning how someone could make this horrible of a movie. Staring at a wall is more entertaining. I would rather drink toilet water than watch this movie. Waste of time and money. I think a kindergarten musical would be a better use of time. I strongly advise that you avoid watching this movie again all costs. An experience I wish I could forget. How could this movie be so horrible within the decent cast? I don't know.
High Rollers is a film that suffers from numerous technical flaws. First, the screenplay structure is weak and disjointed. As the story progresses, logical errors and inconsistencies become increasingly apparent. The film's framework fails to generate the necessary momentum to captivate the audience. The plot's irregularities and implausible developments distract from the experience, making any attempts at drama feel redundant. In particular, the characters' decision-making processes lack clarity, and their dialogue often feels unnatural.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
High Rollers is a sequel to Cash Out. Director Randall Emmett probably shot both movies back to back even though there is one significant cast change.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
High Rollers falls apart on nearly every level. The plot is incoherent, riddled with logic gaps, and full of characters who behave in ways that make no sense. Dialogue is stiff and unnatural, leaving emotional moments feeling forced or laughable.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
¿Sabías que…?
- TriviaFilm reunites John Travolta and Gina Gershon who previously starred together in "Face/Off" (1997).
- ConexionesFollows Engaño Mortal (2024)
- Bandas sonorasNonstop
Written By James Thacker and John L Pearson
Produced by James Thacker and John L Pearson
Courtesy of Kazen Music Group
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- How long is High Rollers?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 41 minutos
- Color
- Relación de aspecto
- 2.39:1
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