Gemma Bovery

Gemma Bovery is a movie based on Flaubert's Madame Bovary, but modernised and very meta as Gemma Bovery seems, according to the narrator, bound to follow the same path as the novel's central character. Starring Gemma Arterton as Gemma Bovery, it's easy to see why her neighbour, the village baker and the film's narrator, becomes completely besotted with her. She's radiant and effortlessly sexy from the moment we first encounter Gemma and her husband, played by Jason Flemyng, as they arrive at their new home in a small Normandy village. Soon, she is well acquainted by the locals, especially her neighbour, as played by Fabrice Luchini, who can't seem to think about much else other than this beautiful girl who seems to have come straight out of the pages of his favourite novel. With less assured direction and an actor without the affable qualities of Luchini, his gazes upon Gemma and longing monologues may seem quite creepy, but this is a romantic who acts more than ably as an audience surrogate for the events in this small hamlet. Gemma, like the Madame Bovary of the novel, succumbs to temptation and enters into an affair with a young man studying at his parents' house nearby, which causes much concern for her neighbour, who sees parallels between her and her fictional namesake. Which may not make for high drama, but I found this movie incredibly charming and easy to fall for, much like the gorgeous and talented Arterton who, in one particular scene, does for kneading bread what Patrick Swayze and Demi Moore done for pottery in Ghost. Arterton also plays her character just right, because this isn't a woman scorned or downtrodden. She knows her own mind and has depths that are slowly revealed. In the wrong hands she may have been quite unlikable, but here, despite her mistakes, she's always endearing. As is the bucolic plenty of the Parisian countryside. It's only in the movie's final moments that it plays a sour note that seems unnecessary, whilst an obscure ending shifts the tone just too far. But this is a bit of a treat and a genuine surprise.

Like Chabrol,who reportedly "made the movie Flaubert would" ,it was filmed on location in the green landscapes of Normandie and even in the cathedral of Rouen .Like my good friend Writers Reign aka Leon points out in his insightful review,women directors make more and more their presence felt in the French cinema;to think that in the early fifties,there was only ONE female artist frequently making movies ;no it was not Agnès Varda,it was Jacqueline Audry ,Ida Lupino's contemporary colleague.Unlike her male colleagues,Mrs Fontaine did not do the umpteenth version of the famous novel;nor did she try to transpose the action to our times as Vadim and others did (with mediocre results) with Choderlos De Laclos's "Les Liaisons Dangereuses".

Anne Fontaine's take on "Madame Bovary" is a very palatable work ,as delectable as Lucchini's bread ;however to be fully appreciated ,it 's better to read the novel first.The movie anyways begins with Lucchini's voice-over ,reading the episode of the ball,the turning point of the novel.

When you like a book ,you often think of your own movie ,and sometimes,its adaptations,be they made by Renoir or Minnelli may,in several respects,disappoint you.That's Anne Fontaine's master stroke:what we dream of,Fabrice Lucchini ,ex-"Bobo" ("Bourgeois Boheme") makes it come true:he begins to "direct " his "Bovary",before being overtaken by events ("that was the end of my sexual peace" ).

Today in Normandy ,people go to the villages of Tôtes and Yerville (the movie was actually shot in Lyons La Forêt) just to see the place where SHE lived ,just like people visit Juliet's house in Verona .In spite of the names ,the real life characters are very distant relatives of those of Flaubert:the Young student is not really Rodolphe Boulanger who was a mature selfish buck (best Rodolphe: Louis Jourdan in Minnelli's version) ;just as Charles Bovery is not the lump country doctor.But why is the hero a baker by the way? a nod to Rodolphe Boulanger (=baker)?or because it introduces an "erotic" way to knead dough?Or perhaps because of the French expression "Pour Une Bouchée De Pain" (= for next to nothing)which makes sense,considering the outcome.

Lucchini's baker is still twenty in his head and as time is passing him by,attempts to mythologize a banal love affair through the creation of a story-like world of bygone days ;he's ready for another one when the movie ends .

Anne Fontaine has made one of the most interesting French movies of 2014;Fabrice Lucchini,cast against type,is perhaps not very credible as a baker ,but he sure is as an intellectual dreamer;Mrs Gemma Aterton is a feast for the eyes ;Jason Fleming and Niels Schneider give restrained but effective performances;Isabelle Candelier is to be praised for making the best of an unrewarding part;it's pleasant to see again Edith Scob (Georges Franju's "Les Yeux Sans Visage") in the part of a bourgeois whose only reason to live seems to be a statuette.On the other hand,Elsa Zylberstein is intrusive ,exasperating,the typical smug actress.

It's a mouthwatering effort (in every sense of the word).Never since "Babette's feast" ,did I savor such a display of good food.

Loved it. Gemma Arterton is irresistible and exudes sexuality - her acting wasn't bad either. Beautifully filmed and very loosely based on the book but the scenery and portrayal of country life in France did it for me. Good opportunity to brush up your French too.

Gemma Bovery (Gemma Arterton) and her older husband Charlie move from London to a small town in Normandy, France. Their new neighbor Martin Joubert (Fabrice Luchini) is the baker and a fan of Gustave Flaubert's Madame Bovary. Martin is immediately enchanted by the lovely Gemma and her literary name. She gets restless and has an affair with a young man named Hervé de Bressigny. She is surprised by the return of her cheating former lover Patrick.

Gemma Arterton enchants this movie. She is the heart of this. Fabrice Luchini is compelling as an obsessive fan without being too creepy. I am not as enchanted with the ending. It is trying to be poetic but it feels too manufactured. I was looking for the rat poison but I would love any number of ways to go. It needs to be more substantive. It needs to be Gemma's action. I was looking for Gemma to raise the stakes with her relationships. The ending is not the greatest but the movie will always have Gemma.

Ah, the English-French culture clash! Loved the sad-faced neighbour and his forever critical wife. And their dog Gus. And then the local Englishman who loves France for its cheese and wine (only?). And his gushy French wife. And the local Adonis' mother. These are all truly memorable comic characters. They are more interesting than the central couple, the Boverys. They make it well worth watching. The odd well-chosen Anglo-Saxon word or phrase (sometimes in French!) puts everyone in their place, including poor Gus! Nice soundtrack too.