Shōgun

When I first heard about Shogun I couldn't wait to see it because I absolutely loved the original. I then read the reviews and while the majority of them are really good they were still mixed enough that I thought I'd judge for myself? Well, I loved it. I loved it so much I'm already watching it all the way through again. I kept telling myself that there's no way they can keep every episode as entertaining as the last but they did. It just kept getting better and better. Like many have already said it's historically inaccurate. I can get past shows like that as long as it was entertaining enough and this definitely was.

This is hands down one of the best shows of the year, maybe of the last few years. Like millions of others, I'm a huge Shogun fan so I was counting down the days until this came out. Even though I couldn't wait to watch it I didn't have a lot of confidence it would be as good as the original but not only was it as good, it was even better and by a lot. The last episode was kind of disappointing. It wasn't bad but it could've been better. I was ok with the ending but it still left me a little unsatisfied so what do they do? They go and renew it for another two seasons to keep this amazing story going. I've already watched this first season a few times.

Always loved Japan since I first heard of their culture. Shogun, season 1 so far, was done nearly perfect. Everything, music, visuals, actors, class, story.

One remark though; it'd have been more 'interesting' if the English sailor's character had a little more depth and intelligence, but I can understand this choice for a dumb, simple sailor in the 15th century too. I just found Captain Allegren's character having that perfect natural dept that enriches a character. Jonathan Blackthorne is not bad however, just a little more 'down to earth'.

Well done, all who've contributed to this work of art.

Shogun (2024) is a stunning achievement in television - a richly textured, deeply immersive experience that feels both epic and deeply personal. Rarely does a show balance historical authenticity, powerful performances, and emotional depth so effortlessly.

The production values are absolutely top-tier. Every scene feels meticulously crafted: from the lush, misty landscapes to the intricate feudal interiors, the show pulls you straight into 17th-century Japan without ever feeling forced or "touristy." The costume design and cinematography are gorgeous without being showy - everything serves the mood and story.

The performances are phenomenal across the board. Hiroyuki Sanada as Lord Toranaga delivers a masterclass in subtlety and power. His portrayal of a man navigating impossible political currents is both riveting and moving. Cosmo Jarvis, as the shipwrecked John Blackthorne, brings a rawness and vulnerability that avoids the usual "white savior" trap - his arc feels earned, complicated, and human. Anna Sawai as Mariko is another standout, blending strength, sadness, and quiet dignity into one of the show's most unforgettable characters.

The writing is smart and patient, trusting the audience to keep up without spoon-feeding exposition. It captures the essence of James Clavell's novel while modernizing some aspects with sensitivity and intelligence. Themes of loyalty, honor, survival, and cultural clash are explored with nuance rather than cliché.

Why not a full 10? The pacing occasionally falters - a few middle episodes stretch scenes a little thin - and some viewers may find the dense political maneuvering requires close attention. But honestly, these are small quibbles compared to what the series accomplishes.

Shogun is television at its most ambitious and rewarding. It demands your full attention, and it rewards you with a rich, unforgettable journey. Highly recommended.

This show is borderline perfect, it's weaves and bobs make so much sense that you are enthralled by its characters and stories. The shows music and cinematography is absolutely perfect. The existential questions that the protagonist asks to Mariko may seem odd at first but make up the fundamental philosophical difference between the western world and Japan. 'we live and we die' a quote from the show makes up this perfectly. The englishmans sharp critique of the Japanese and their way of life and eventual change of mind is the fundamental conflict in the mind of the protagonist. We are usually only given borderline racist or fetished version of feudal Japan in our movies and TV shows, this is a show which puts the Japanese characters front and centre and watches as the dance of death and power plays out with the foreigner playing the part of a catalyst or as Hiroyuki Sanada puts it a 'distraction'.