Cuando los gemelos Bill y Hal encuentran el viejo juguete del mono de su padre, comienzan una serie de muertes espantosas. Los hermanos deciden tirar el juguete y seguir adelante con sus vid... Leer todoCuando los gemelos Bill y Hal encuentran el viejo juguete del mono de su padre, comienzan una serie de muertes espantosas. Los hermanos deciden tirar el juguete y seguir adelante con sus vidas, distanciándose con el paso de los años.Cuando los gemelos Bill y Hal encuentran el viejo juguete del mono de su padre, comienzan una serie de muertes espantosas. Los hermanos deciden tirar el juguete y seguir adelante con sus vidas, distanciándose con el paso de los años.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 5 nominaciones en total
Beatrix Perkins
- Florence
- (as Bea Perkins)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'The Monkey' is a horror-comedy featuring a cursed toy monkey, praised for its creative death scenes and dark humor. Theo James' performance as twin brothers is highlighted for depth. The film's atmosphere, sound design, and effects are commended, though pacing and tone inconsistencies are noted. Some appreciate its unique horror and satire blend, while others criticize its lack of depth. Overall, it's seen as an entertaining yet flawed horror addition.
Opiniones destacadas
If Final Destination and Wish Upon had a child, it would be The Monkey. That was our immediate thought as we left the theater. This film blends supernatural horror, dark comedy, and absurdity in a way that feels both ridiculous and wildly entertaining. It's a film that knows exactly what it wants to be; an over-the-top, blood-soaked thrill ride that makes you laugh even as you cringe at its gruesome kills.
What sets The Monkey apart from its influences is its surprising dose of humor. Horror comedies are tough to pull off, but this film manages to create an odd yet satisfying balance between gory chaos and weirdly charming absurdity. You're not exactly belly-laughing, but there's this strange, undeniable urge to smirk and chuckle at the madness on screen. It has the energy of a violent children's fairy tale. Think of a silent-era slapstick comedy, but with splattering blood and twisted fates. It's bizarre, but it works.
Now, let's talk about what horror fans are really here for; the kills. And The Monkey delivers. It's gruesome, creative, and wacky in the best way possible. The deaths feel like something conjured from a child's chaotic imagination; illogical yet strangely poetic. The Monkey itself, this cursed toy at the center of the carnage, has a mischievous, almost gleeful way of orchestrating its victims' fates. If you love the elaborate, almost Rube Goldberg-esque deaths of Final Destination, you're in for a treat. It's all so over-the-top that it somehow becomes hilarious. The violence is exaggerated, stylized, and so absurd that it loops back around to being entertaining rather than just shocking.
Then there's Theo James, the ever-dashing star who's given the impossible task of playing an insecure, jittery father. And let's be honest; this man is too effortlessly suave for that. No amount of nerdy costuming can fully strip away his natural charm, and while he gives it his best shot, it's hard to fully buy into his transformation. He does a decent job, but there's a lingering sense that he's slightly miscast.
As for the story, it's simple... maybe too simple. The Monkey doesn't aim for deep narratives or complex character arcs. It moves along swiftly, focusing more on its chaotic spectacle than its plot. But credit where it's due: the film isn't just a copy-paste horror template. Unlike Wish Upon, which follows a predictable formula, The Monkey throws in enough surprises to keep things fresh.
That is, until the third act. This is where the film goes off the rails, not necessarily in a bad way, but in a 'Did we just jump the shark?' kind of way. It tries to up the stakes but ends up pushing the absurdity a bit too far. The motivation behind certain character decisions feels weak, and it loses some of the controlled chaos that made the first two acts so enjoyable.
Still, despite its flaws, The Monkey is a damn good time. The suspense is solid, the kills are outrageous, and the execution of horror-comedy is commendable. Could it have been better? Sure. A slower, more tension-filled buildup to the deaths would've elevated it further. But as it stands, it's an undeniably fun horror flick that doesn't take itself too seriously.
Verdict: The Monkey is a wild, ridiculous, and gory thrill ride that embraces its absurdity in the best way possible. It's like eating a sour candy; sharp, intense, but with a strangely enjoyable sweetness underneath. While Theo James struggles to shed his natural charisma for his role, and the third act goes a little off the deep end, the film remains a thoroughly fun and entertaining horror experience. If you love blood, chaos, and dark humor, you'll have a blast with this one.
What sets The Monkey apart from its influences is its surprising dose of humor. Horror comedies are tough to pull off, but this film manages to create an odd yet satisfying balance between gory chaos and weirdly charming absurdity. You're not exactly belly-laughing, but there's this strange, undeniable urge to smirk and chuckle at the madness on screen. It has the energy of a violent children's fairy tale. Think of a silent-era slapstick comedy, but with splattering blood and twisted fates. It's bizarre, but it works.
Now, let's talk about what horror fans are really here for; the kills. And The Monkey delivers. It's gruesome, creative, and wacky in the best way possible. The deaths feel like something conjured from a child's chaotic imagination; illogical yet strangely poetic. The Monkey itself, this cursed toy at the center of the carnage, has a mischievous, almost gleeful way of orchestrating its victims' fates. If you love the elaborate, almost Rube Goldberg-esque deaths of Final Destination, you're in for a treat. It's all so over-the-top that it somehow becomes hilarious. The violence is exaggerated, stylized, and so absurd that it loops back around to being entertaining rather than just shocking.
Then there's Theo James, the ever-dashing star who's given the impossible task of playing an insecure, jittery father. And let's be honest; this man is too effortlessly suave for that. No amount of nerdy costuming can fully strip away his natural charm, and while he gives it his best shot, it's hard to fully buy into his transformation. He does a decent job, but there's a lingering sense that he's slightly miscast.
As for the story, it's simple... maybe too simple. The Monkey doesn't aim for deep narratives or complex character arcs. It moves along swiftly, focusing more on its chaotic spectacle than its plot. But credit where it's due: the film isn't just a copy-paste horror template. Unlike Wish Upon, which follows a predictable formula, The Monkey throws in enough surprises to keep things fresh.
That is, until the third act. This is where the film goes off the rails, not necessarily in a bad way, but in a 'Did we just jump the shark?' kind of way. It tries to up the stakes but ends up pushing the absurdity a bit too far. The motivation behind certain character decisions feels weak, and it loses some of the controlled chaos that made the first two acts so enjoyable.
Still, despite its flaws, The Monkey is a damn good time. The suspense is solid, the kills are outrageous, and the execution of horror-comedy is commendable. Could it have been better? Sure. A slower, more tension-filled buildup to the deaths would've elevated it further. But as it stands, it's an undeniably fun horror flick that doesn't take itself too seriously.
Verdict: The Monkey is a wild, ridiculous, and gory thrill ride that embraces its absurdity in the best way possible. It's like eating a sour candy; sharp, intense, but with a strangely enjoyable sweetness underneath. While Theo James struggles to shed his natural charisma for his role, and the third act goes a little off the deep end, the film remains a thoroughly fun and entertaining horror experience. If you love blood, chaos, and dark humor, you'll have a blast with this one.
I went into The Monkey without high expectations. The trailer made it look like one of those generic horror movies that rely on jump scares and a ridiculous premise. And yeah, the premise is silly: A monkey bangs a drum-someone dies. But instead of a serious horror film, you get an over-the-top horror-comedy that tries so hard to be funny that it eventually gets in its own way.
The movie actually starts off well. The first deaths still have some shock value, the characters are entertaining, and there's a bit of that Final Destination appeal where you're curious about what's going to happen next. But very quickly, you realize: there's no real tension. Every death is just a setup for a joke. The first time it's funny, the second time too-but by the eighth time someone randomly explodes and the others just shrug it off with an "eww," it gets old.
And that's the problem. The film mocks horror clichés but doesn't offer anything thrilling itself. Scream proved that you can perfectly blend horror and comedy by keeping both elements grounded enough. Here, every serious moment is immediately undercut by a dumb joke. Even themes like the strained father-son relationship or the threat of the monkey carry zero weight because nothing in the movie has real consequences.
The second half starts to drag. The jokes repeat, and at some point, the film just feels like a series of TikTok skits where people die in the most absurd ways possible. The ending is the lowest point. I won't spoil it, but it feels like the writers had no idea how to wrap things up-so they went with the cheapest and dumbest option.
Is it a bad movie? No. It's entertaining if you just want to turn off your brain and enjoy some absurdity. But it could have been so much more if it had taken itself even a little bit seriously. As it is, it's a fun idea that eventually runs out of steam.
The movie actually starts off well. The first deaths still have some shock value, the characters are entertaining, and there's a bit of that Final Destination appeal where you're curious about what's going to happen next. But very quickly, you realize: there's no real tension. Every death is just a setup for a joke. The first time it's funny, the second time too-but by the eighth time someone randomly explodes and the others just shrug it off with an "eww," it gets old.
And that's the problem. The film mocks horror clichés but doesn't offer anything thrilling itself. Scream proved that you can perfectly blend horror and comedy by keeping both elements grounded enough. Here, every serious moment is immediately undercut by a dumb joke. Even themes like the strained father-son relationship or the threat of the monkey carry zero weight because nothing in the movie has real consequences.
The second half starts to drag. The jokes repeat, and at some point, the film just feels like a series of TikTok skits where people die in the most absurd ways possible. The ending is the lowest point. I won't spoil it, but it feels like the writers had no idea how to wrap things up-so they went with the cheapest and dumbest option.
Is it a bad movie? No. It's entertaining if you just want to turn off your brain and enjoy some absurdity. But it could have been so much more if it had taken itself even a little bit seriously. As it is, it's a fun idea that eventually runs out of steam.
With the latest Stephen King adaptation hitting the silver screens, I was expecting a story that would spark late night conversations with friends. Instead, what we got was a forgettable experience that barely left an impression.
The film lacked that unique, lingering quality that usually comes with Stephen King adaptations. It was undeniably strange; both in its acting and overall atmosphere, but not in an intriguing or unsettling way. It was just... odd, in the most neutral sense possible.
The story itself was fine, and the special effects were serviceable, though some of the grotesque elements felt exaggerated, almost as if they were added just to inject any semblance of life into the film.
I'd rate this one a 5.2. If you're a fan of over-the-top gore, you might find some enjoyment here, but the pacing will likely leave you bored for large stretches. Fans of Stephen King's work might feel like this isn't even an adaptation of his, as it lacks the depth and complexity his stories usually bring. If you're hoping for a plot that sparks post-movie discussions, look elsewhere. But if you're just looking for something to pass the time and happen to stumble upon this, give it a shot, but don't expect much.
The film lacked that unique, lingering quality that usually comes with Stephen King adaptations. It was undeniably strange; both in its acting and overall atmosphere, but not in an intriguing or unsettling way. It was just... odd, in the most neutral sense possible.
The story itself was fine, and the special effects were serviceable, though some of the grotesque elements felt exaggerated, almost as if they were added just to inject any semblance of life into the film.
I'd rate this one a 5.2. If you're a fan of over-the-top gore, you might find some enjoyment here, but the pacing will likely leave you bored for large stretches. Fans of Stephen King's work might feel like this isn't even an adaptation of his, as it lacks the depth and complexity his stories usually bring. If you're hoping for a plot that sparks post-movie discussions, look elsewhere. But if you're just looking for something to pass the time and happen to stumble upon this, give it a shot, but don't expect much.
Evil-looking windup toy monkey causes someone's gory "accidental" death every time it beats its toy drum. That's it, for an hour and a half. Every ten minutes somebody dies in an elaborate fashion that nonetheless lacks the ingenuity or suspense of the "Final Destination" (or even "Saw") movies because it's all played as a joke. Even that would be fine if the director really had a flair for jaunty black comedy--something like early Coen brothers--or spectacular bad-taste slapstick. But he doesn't, so this just comes off as one dumb gag after another, played out by characters who are all cartoonishly one-dimensional, so there's zero emotional stake in their fates.
I enjoyed at least some of Perkins' prior movies, but this reminded me that the weakest thing about Stephen King books and writing is when they're trying to be funny (think "Maximum Overdrive"), which is not his strong suit. It's better crafted than a lot of low-budget movies in a similar vein, but given that it's not particularly low-budget and involves some talented people, its ideas should be better than that of your average lowbrow gore comedy. I was very disappointed. If my expectations had been lower, I would have found it an okay throwaway movie--but even so, one that's neither particularly clever or scary, just sort of mildly amusing.
I enjoyed at least some of Perkins' prior movies, but this reminded me that the weakest thing about Stephen King books and writing is when they're trying to be funny (think "Maximum Overdrive"), which is not his strong suit. It's better crafted than a lot of low-budget movies in a similar vein, but given that it's not particularly low-budget and involves some talented people, its ideas should be better than that of your average lowbrow gore comedy. I was very disappointed. If my expectations had been lower, I would have found it an okay throwaway movie--but even so, one that's neither particularly clever or scary, just sort of mildly amusing.
I read a lot of Stephen King books but this short story from him I must have skipped as I have no recollection of it so I can't really compare this movie with the book. There have been a lot of his books made into movies, some really good ones that became classics in the horror genre like The Shining, Misery, Carrie and so on, but also a lot of movies that honestly were an insult to the books. The Monkey was a bit of good gory fun with multiple innovative killing methods which resulted in a lot of blood spatters. My wife and I enjoyed this one. It's not a bad story, good acting and well shot horror scenes and the monkey is creepy. A fun watch!
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
¿Sabías que…?
- TriviaAccording to the director, the decision to have the monkey bang a drum instead of cymbals was due to the rights to the cymbal-banging version being owned by The Walt Disney Company, as the toy had appeared as a character in Toy Story 3. The cymbal monkey was in Toy Story 3 in the first place because its director Lee Unkrich is a fan of Stephen King.
- ErroresHal and Bill's room has a Nintendo Gamecube controller sitting near the TV. The Gamecube did not release in North America until November 14th 2001 and the scene is supposed to take place in 1999.
- ConexionesReferenced in Film Junk Podcast: Episode 982: The Monkey + Better Man (2025)
- Bandas sonorasDo Lafzon Ki Hai Dil Ki Kahani
Performed by Amitabh Bachchan, Sharad Kumar and Asha Bhosle
Lyrics by Anand Bakshi
Music by Rahul Dev Burman (as R.D. Burman)
Published by The Royalty Network, Inc. o/b/o Saregama Music United States (BMI)
Courtesy of Saregama Ltd
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- How long is The Monkey?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 39,724,909
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,014,649
- 23 feb 2025
- Total a nivel mundial
- USD 68,871,071
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
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