Bacurau: Tierra De Nadie

Perhaps the most recent entry of weird western genre, this is a wild ride form start to finish. imagine mixing Sergio Leone's spaghetti westerns with science fiction, horror and disturbing scenes, psychedelic drugs, Udo kier as a former nazi with his squad of savage american-eoropean villains and cultural themes of a local brazillian village and the result is Bacurau.

Written and directed by Kleber Mendonca, an acclaimed brazillian filmmaker, Bacurau is a roller-coaster of a film. It manages somehow to be both 1. reminiscent of Jodorowsky's surrealists westerns and 2. a very modern social commentary film about foreign invasion and colonialism. You may or may not like this film, but you will surely appreciate it's accomplishments.

An ingeniously veiled & viciously incisive slice of Brazil's sociopolitical affairs that refuses to be confined by genre definitions, Bacurau is a blazingly original, deftly layered & thoroughly engaging delight that takes its inspirations from the works of both Sergio Leone & John Carpenter but creates something that's truly unique & relevant to the nation's endemic concerns.

Written & directed by Kleber Mendonça Filho & Juliano Dornelles, the film is not only strange & mysterious at first but also dreamlike & unpredictable but as plot progresses and dots connect and stakes become clearer, it gives way to a vivid & violent showdown that's gleefully barbaric & extremely cathartic. Taking its time to cement the foundations, this is smart, subversive storytelling.

The story digs into Brazil's violence-fuelled history, political corruption, structural injustice & social gap through the small-town community, investing in its bustling life before acquainting us with the sinister threat that's lurking in the vicinity. The performances are solid throughout, the collective whole turning out to be greater than the sum of its parts. And the background score adds its own synth-flavoured bits to the final print.

Overall, Bacurau is a cleverly scripted, intelligently directed, finely photographed, expertly edited, steadily paced & strongly acted cinema that's thrilling, riveting & entertaining from the first frame to the last. A potent & powerful combination of sharp commentary & tangy extravaganza that's exquisitely balanced on all fronts, Bacurau is one of the best films of last year and is accomplished enough to find a spot amongst Brazil cinema's finest. Highly recommended.

This movie gets you going in a way that maybe you weren't expecting from an action thriller and shows genuine characters that you come to care about really early. It also introduces you to a place that's rough and angry and you realize that there's a perfect symbiosis with this rugged land and with its people. The problems they suffer on a daily basis ( lack of water, food, unwilling and corrupted government officials ), make them to the eye of certain people and corporations as second class citizens and maybe PREY!!!

One of my faves of the past year. Literally have nothing bad or negative to say about it. So I'll keep this one short.

Easily the strangest film I saw in 2020. The Brazilian actors feel so genuine and legit, and all the American actors are the polar opposite: Cinemax caliber acting. The juxtaposition between the two is really off-putting, but it's one of the things that gives this strange movie it's own identity. Somehow it feels like there is some sort of symbolic parallel with the weird drone UFO that you see very early in the film. At first when you see it, you think "they can't really expect us to accept how cheap looking this thing is, can they?", but it turns out it was a conscious decision and served a purpose. I have to wonder if the production team purposefully did the same thing when they cast the American actors - I wouldn't doubt it, but I can't determine why they would metaphorically.

Bacurau is not exactly a super enjoyable film to watch, but it's a very intriguing experience with a unique tone of it's own. It's rather grim overall - almost completely humorless, but there's accomplishment in that. There is plentiful violence, as it is one of the main themes of the film. I enjoyed the music throughout the film, as disjointed as it felt - the John Carpenter song felt totally out of place, but as a big fan of it, I enjoyed it anyhow. The Geraldo Vandre song is the one that stands out the most - sounds like a Spanish King Crimson - it's great! Udo Kier was also a nice addition to an otherwise unknown cast - total legend - always equally creepy and enjoyable.

I wouldn't recommend this to the average person, but if someone asked me about it and they were curious, I would definitely tell them it's good. I'd be curious to see what this director would choose to do with a higher budget. Time for me to read up on them a bit...