Anselm - Das Rauschen der Zeit

A cupid documentary where natural beauty intermixes and is interlaced with extravagant creations, "poetic" rendering and 2.5-3D paintings combined with a horrible flow and below-average frozen entertainment.

The art is interesting, the creations and "paintings" so so and even artists would ineluctably have a hard time appreciating it.

Budget is wasted on this.

• Screenplay/storyline/plots: 2.5
• Production value/impact: 5
• Development: 6.5
• Realism: 5
• Entertainment: 2
• Acting: 4
• Filming/photography/cinematography: 7.5
• VFX: 7
• Music/score/sound: 5.5
• Depth: 5
• Logic: 2.5
• Flow: 1
• Documentary/drama: 5
• Ending: 2.

This is a hit and miss documentary that attempts to take inside the work and being of Anselm Kiefer. I really have been ignorant of this man. I have an interest in art, but some of the more contemporary evade me. The products this man makes are huge and impressive. They are also dark and rough. The scenes where he uses a flame thrower to burn parts of his monster works is really captivating. Also, the beginning scenes where the same wedding dress is reproduced over and over with the heads missing, replaced by a plethora of weird objects. We do get into the man himself as he speaks of his connections to Germany during the war and the violence and anger which is inherent. We see the complexity of a man who was never sure during each decade what he saw himself to be. I have to admit to being a bit bored at times because the piece is fragmented. I know narration is the easy way, but it could have used a bit more here to bind things.

This movie offers a poetic interpretation of Anslem Kieffer's illustrious career, steering away from the rigid confines of a hardcore informative documentary. For those already acquainted with Kieffer's artistic journey, this film may not unravel new layers of information, but it promises a captivating and immersive experience that goes beyond the boundaries of conventional biographical narratives. As we delve into the intricacies of this unique cinematic venture, we find that it transcends the traditional documentary format, inviting viewers to engage with Kieffer's world on a profoundly emotional and artistic level.

Anslem Kieffer, a renowned artist known for his thought-provoking and evocative works, becomes the central focus of this film. Rather than adopting a fact-driven approach to recounting his life, the filmmakers opt for a more creative and subjective lens, weaving together a tapestry of visual and auditory elements that mirror the essence of Kieffer's artistry. Through this poetic rendering, the film seeks to capture the spirit and emotions that fuel Kieffer's creative process, providing viewers with a visceral connection to the artist and his oeuvre.

Imagine having the vision - and the means - to build your own little world, one that reflects your philosophical, artistic and personal sensibilities. If you're German multi-media artist Anselm Kiefer, it's not only entirely possible, but also an undertaking that feels as though it's been compelled into existence, as seen in this poetic new documentary from filmmaker Wim Wenders. This inventive, intimate look into the life, work and beliefs of this artistic icon examines how his upbringing and major influences shaped the person Kiefer ultimately became, one of the most prolific, diverse and challenging creatives of the 20th Century. Through interviews with the artist, archive and contemporary footage of his work, and interpretive reenactments of Kiefer as an eminently curious youth and as a bold innovator as a young adult, viewers witness how he emerged as a force to be reckoned with in the art world in the nature, content and messages of his creations. The film explores his mythological, metaphysical and philosophical insights, along with his relentless passion for artistically depicting Germany's role in World War II, an effort that many of his fellow countrymen found off-putting but that he insisted must not be forgotten or ignored, despite widespread public opinion to the contrary. Then there's the establishment of his Gesamtkunstwerk - or "universal artwork" - at his 35-hectare compound community in Barjac, France, an attempt at manifesting a work of art incorporating as many different types of creations as possible, truly a world unto itself. All of this is accomplished through a narrative that's more thematically driven than one providing a rote laundry list of accomplishments. Because of this, viewers unfamiliar with Kiefer's work, history and influences may find the film somewhat difficult to follow at times, but that's more than compensated for by Wenders' stunning cinematography, especially its brilliant employment of 3-D technology, a practice virtually unheard of in documentary work. Given the unconventional nature of "Anselm," the picture clearly won't appeal to everyone, including those enamored with documentaries. However, for those seeking something different, inspiring and beautiful to look at, this one is made for you.

Win Wenders is a German filmmaker with a prolific career of decades of daring features as well as acclaimed documentaries. Wender has been nominated 3 times for the Best Documentary Features Oscar: Buena Vista Social Club (1999), Pina (2011) and Salt of the Earth (2014). They are progressively better and the last one of the three should have won. It is one of the best docs I have ever seen. This new doc is not as good as the last, but worth a serious watch. It could have been nominated for its thematic exploration and better than Buena Vista Social Club in my eye. Maybe it got overlooked because it is not as perfect as Perfect Days (2023), his feature film of the same year which got Best Foreign

Instead of doing focused biographies of musicians, a dancer and a photographer, Wender examines with Anselm a visual and fine art (plastic art) icon who grew from drawings, paintings, photos to sculptures and massive productions. Anselm Keifer moved from and eventually bought bigger and bigger workshops to accomodate ambitious projects with over 40 assistants.

The art shines, especially in the controversial photography series with the Nazi salute to put a mirror in front of the German amnesia The movie shines with its well planned cinematography and the storytelling, including the writing that hits it stride in the last 20 minutes. The beginning is bogged down by Paul Celan's lackluster poetry and perhaps a lack of focus and fluid momentum.

If Celan's work was certainly a strong influence for Keifer, it did not translate well in the movie. I would have preferred another construct or toget more personal,including exploring family like in The Salt of the Earth. Keifer has 5 children and 2 ex-wives who are never mentioned for instance, yet it may be for lack of permission of people or because of the strong contrast between young, older and present day Anselm that might have been affected by other actors and taking away from the artistic pursuit focus.. in the end,it comes with a solid dose of solitude.

The Unbearable Lightness of Being as Milan Knndera influences Keifer better than Celan. The inevitability of death looms with the unending creation and curiosity, Besides a few less suitable cues, this movies shines in the end with a strong vision, message, execution, contemplation, creativity and details.

Symbolism is strong. Brilliant connectors are many. Think also that Wenders and Keifer are born in the same year (1945) and same country. They both started their world-renown art in the early 1970s and are as dedicated to it over fifty years later. Parallel worlds like the 3 Anselms.