Abigail

This is an entertaining horror movie with comedic elements sprinkled throughout it and everyone in the cast does a pretty good job with the parts they're given but Dan Stevens kills it, he steals the show in every scene he's in, killer lines and he's so damn funny you can't help but laugh. The movie is nothing you haven't seen before but even with that in mind it still manages to surprise you and be unpredictable at times with different twists and turns in the story.

Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.

I saw Abigail this weekend. I was especially excited for this film since Ready or Not is one of my favorite films, and this is from the same directing team of Radio Silence and had a similar look. Although I really enjoyed it, there is absolutely no taking Ready or Not's crown.

First of all, I cannot begin to tell you how exponentially better this film would be if the trailers hadn't given away its main conceit. Given how the movie was advertised, I assumed it would be revealed in the film right away. However the movie treats it like a mystery, and isn't revealed until almost an hour in. I can't imagine how entertaining it would have been to be legitimately surprised (if somehow you haven't seen the trailer, DON'T). Secondly it's a super small cast, so every personality matters. Based on the reviews I've seen, I'm obviously in the minority, but I absolutely couldn't stand Dan Stevens in this film. I've seen and read so many reviews talking about how entertaining he was in this and Godzilla X Kong, and I found him terribly obnoxious in both. I don't get the appeal, but I'm missing something.

Thankfully there were stand outs like Angus Cloud (RIP), Kevin Durand as the not so bright Canadian Muscle and especially Alisha Weir who is an Absolute ROCK STAR as Abigail. She is already so, so good, especially as a young actress.

This film is tremendously bloody, so not for the faint of heart. Unrelated to the film, but there was a 9 year old girl at the screening with her parents holding a stuffed animal while watching it, which was definitely an eye-opener.

A mixed group of criminals kidnap Abigail, a young ballerina, and daughter of a powerful business mogul. The gang think they're coming into millions, but Abigail has a shocking surprise waiting for them.

One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.

A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.

Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.

You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.

A cheeky And then there were none reference too.

7/10.

Everything in this movie is mediocre except the cinematography and the production design. I was looking forward to this due to me really liking Radio Silence's 'Ready or Not'. I was hoping for a fun horror comedy akin to that, but 'Abigail' ended up being as frustrating and obnoxious as their 2 'Scream' movies. It was however, better than 'Scream 5', but that's not saying much.

The acting all round is pretty bad. Dan Stevens is hamming it up, Melissa Barrera is a blank slate, but the worst performance by a mile is from Kathryne Newtown. Newtown has been bad in everything I've seen her in ('Detective Pikachu', the 'Death Note' remake), but here she's impressively awful, she can't even scream convincingly. The little girl is good for a child actress, but her dialogue is embarrassing lazy and stilted. She's the exact same kind of "toying with her victims" villain we've seen a million times before, now just in child form.

There are TWO 3-minute exposition scenes in this movie where a character just stops the film dead in its tracks, and explains everyone's backstory. It wouldn't be as unbearable if these characters weren't stock and unlikeable, but not one of them has an interesting backstory, so wasting this time trying to "flesh them out" ends up being a complete, cliched waste. Theres even a gag where the big "muscle" character screams like a little girl, as if we haven't seen that joke a million times before...

There were no engaging twists or revelations, and the characters were impossibly stupid. Unlike 'Ready or Not', where the lead character makes smart decisions, and the villains only make idiotic decisions because that's core to their character, the group in 'Abigail' are "professionals" who only make moronic decisions to further the contrived plot.

One aspect that surprised me was how many loud and amateur jump-scares there were. None of them were effective, and the editing is akin to something you'd expect from a horror short on YouTube. The sound design is particularly egregious and insistent, and all but one of the needle drops are total cringe. There's no moments of tension or thrill. I doubt even a 12 year old would find any of this scary.

It even uses the same exploding-bodies trick from 'Ready or Not', but in a much dumber and unsatisfying way. It even ends in the same way, with one character saying pretty much the exact same thing as Samara Weaving in 'Ready or Not'. It's just them playing the hits from their one good movie. There's not an original bone in this movie, despite it clearly insisting that it's some fresh, slick new take on vampires.

I've seen a lot of stuff these two directors have done, including their sections in 'Southbound' and 'V/H/S', and it's clear that Gillet and Bettinelli-Olpin only have one good movie in them, and that's mostly due to the fact that the premise in 'Ready or Not' is really hard to screw up. I don't ask for much, I've seen tonnes of tiny budget, straight-to-streaming comedy horrors that are far more inventive, funny and transgressive than this forgettable chore.

If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.

The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.

The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.

This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.

Liked it. Had the potential to be a real classic.