Shardlake

Shardlake offers up an intriguing plot with an excellent cast, it can at times lack a captivating spark to reach the next level. However, provides enough interest to keep you engaged to the end. I feel this is more an intro into the characters and expect more layers to unfold should more series be green lit. Certainly provides the opportunity for different stories to be told.

Sean Bean lacked much character development and was massively underutilised. Whilst Arthur Hughes was very impressive and kept me interested throughout.

Overall certainly worth a watch and with time I expect the show to improve with more series.

I'd forgotten the plot of the original Dissolution novel on which this is based hence the whodunnit element was enough to keep me watching the whole series. I see some reviewers are critical of casting choices which I can't truly see any issue with - it's a dramatisation, faithfulness to the period in terms of exact settings, clothing, architecture etc don't need to be adhered to, as after all, in the time of its setting the language spoken itself would've been impossible to recreate faithfully to modern viewers understanding! I'm interested to see if further adaptations will continue as I do love the genre of medieval murder mysteries and TV lacks these! But the main characters were well developed and cast, and I'm amused at the irony of Sean Bean playing Cromwell who, we all know, irl did not meet a happy and peaceful ending, much like many of the characters Sean plays...

As a huge fan of the Shardlake books I was excited to see this production. It did not disappoint for acting and entertainment but I did feel it was abbreviated and could have been a couple of episodes longer. I also felt that the addition of a rather unlikely number of black characters did take away a very important element of how the black apothecary monk stood out as different; that said it didn't really effect the plot too much. The thing that did annoy me was the replacing of the character Mark Poer Shardlake's manservant, with Jack Barak, a character who makes his first appearance in the follow up novel "Dark Fire" I assume this is done to allow a continuing partnership in the next Shardlake series but this meant adjusting the ending of this series. So unnecessary! We are not children, we can cope with the introduction of new characters.

I thought it impossible for TV to capture the essence of C. J. Sansom's Shardlake book series. I am happily surprised by the spirit and quality of the TV series so far. The casting, especially Arthur Hughes and Anthony Boyle (the man is currently in 3 series I am watching!) is near perfect based on the books. Episode 4 is a bit muddled when it comes to tieing up all the loose ends (Norfolk and his man) but still consider the series off to a good start. And for those who have criticized the "the historical accuracy" of people of color in Tudor England, I refer you both to the novels and to the British Library. Africans had important roles in Tudor times, including in religious communities. It wasn't until later they were relegated to lower status due to the slave trade.

There is more to putting a drama like this together than sinister music, sinister looks and a bit of running about.

The shame about SHARDLAKE is that the budget is there and the actor are there, the script however isn't.

The adaptation takes a strong book by C J SANSOM and makes it a meandering mess of a thing, a basic detective procedural laced with long exposition sections in the refectory, replete with lingering glances, meaningful stares and moody music.

The music is a sub Hans Zimmer smush of broody brace and tense strings that doesn't really drive the action, just paints it in different variants of beige.

It's a diverting watch but could have been so much better in the hands of writers and directors who trusted the material.