[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Dos Dias, Una Noche

Título original: Deux jours, une nuit
  • 2014
  • B
  • 1h 35min
CALIFICACIÓN DE IMDb
7.3/10
52 k
TU CALIFICACIÓN
Marion Cotillard in Dos Dias, Una Noche (2014)
A woman has only one weekend to convince her colleagues to give up their bonuses so that she can keep her job.
Reproducir trailer1:28
4 videos
97 fotos
DramaDrama laboralTragedia

Lieja, Bélgica. Sandra es una operaria de fábrica que descubre que sus compañeros de trabajo han aceptado una prima de 1000 euros a cambio de que la despidan. Solo tiene un fin de semana par... Leer todoLieja, Bélgica. Sandra es una operaria de fábrica que descubre que sus compañeros de trabajo han aceptado una prima de 1000 euros a cambio de que la despidan. Solo tiene un fin de semana para convencer a sus colegas de que renuncien a sus primas para que así pueda conservar su em... Leer todoLieja, Bélgica. Sandra es una operaria de fábrica que descubre que sus compañeros de trabajo han aceptado una prima de 1000 euros a cambio de que la despidan. Solo tiene un fin de semana para convencer a sus colegas de que renuncien a sus primas para que así pueda conservar su empleo.

  • Dirección
    • Jean-Pierre Dardenne
    • Luc Dardenne
  • Guionistas
    • Jean-Pierre Dardenne
    • Luc Dardenne
  • Elenco
    • Marion Cotillard
    • Fabrizio Rongione
    • Catherine Salée
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    52 k
    TU CALIFICACIÓN
    • Dirección
      • Jean-Pierre Dardenne
      • Luc Dardenne
    • Guionistas
      • Jean-Pierre Dardenne
      • Luc Dardenne
    • Elenco
      • Marion Cotillard
      • Fabrizio Rongione
      • Catherine Salée
    • 149Opiniones de los usuarios
    • 400Opiniones de los críticos
    • 89Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 41 premios ganados y 85 nominaciones en total

    Videos4

    International Trailer
    Trailer 1:28
    International Trailer
    Festival Trailer
    Trailer 1:22
    Festival Trailer
    Festival Trailer
    Trailer 1:22
    Festival Trailer
    Two Days, One Night
    Clip 1:43
    Two Days, One Night
    Two Days, One Night
    Clip 1:41
    Two Days, One Night

    Fotos97

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 91
    Ver el cartel

    Elenco principal48

    Editar
    Marion Cotillard
    Marion Cotillard
    • Sandra
    Fabrizio Rongione
    Fabrizio Rongione
    • Manu
    Catherine Salée
    Catherine Salée
    • Juliette
    Baptiste Sornin
    • M. Dumont
    Pili Groyne
    • Estelle
    Simon Caudry
    • Maxime
    Lara Persain
    • Femme de Willy
    Alain Eloy
    Alain Eloy
    • Willy
    Myriem Akheddiou
    Myriem Akheddiou
    • Mireille
    Fabienne Sciascia
    • Nadine
    Anette Niro
    • Nanna
    Rania Mellouli
    • Fille Timur
    Christelle Delbrouck
    • Barwoman
    Timur Magomedgadzhiev
    Timur Magomedgadzhiev
    • Timur
    Hassaba Halibi
    • Femme de Hicham
    • (as Hassiba Halabi)
    Soufiane Jilal
    • Caissier maghrébin
    Hicham Slaoui
    • Hicham
    Philippe Jeusette
    • Yvon
    • Dirección
      • Jean-Pierre Dardenne
      • Luc Dardenne
    • Guionistas
      • Jean-Pierre Dardenne
      • Luc Dardenne
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios149

    7.351.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    10aequus314

    A complex and thought provoking film with master class acting

    I've never been a fan of Darwinian theory: why interfere when mother nature will straighten out the weak? Not especially after watching this simple, yet powerful film.

    The Dardennes do not make make morality tales. Even though their characters navigate practical dilemmas that challenge their moral stance. This moral stance in turn, corresponds with realities in which these characters exist — it is a ramification of larger economic forces that govern the poor and working-class.

    It is with that in mind, that the Dardenne's narrative strategy reflects neorealist tradition and normative ethics. The main point has always been for us, the audience, to observe the conditions in these characters' daily lives, how they conduct themselves or negotiate problems and resolve dilemmas. In a Dardenne film, we're allowed to engage unobtrusively, without passing judgements on what they choose and how they arrive at those choices eventually.

    Two Days, One Night is set against the backdrop of an industrial town in Liège, Belgium. Sandra Bya (Marion Cotillard) is a working-class wife and mother who earns her living in a solar panel factory. After a nervous breakdown, she is forced to take a break from work. The duration of her absence isn't known to viewers, but sufficient for supervisor Mr. Dumont to notice it was possible to cover Sandra's work if all 16 workers pulled an extra 3-hours per shift.

    Soon, the factory's management proposes €1,000 bonus to each staff if they agree to make Sandra redundant. By the time Sandra returns to work and knows what happened, majority of her co-workers had opted for the bonus. Factory foreman Jean-Marc influenced their votes by saying if Sandra wasn't laid off, maybe they (her co- workers) would be. Regardless, her fate has been sealed via democratic means.

    Concerned friend and colleague Juliette appeals to Mr. Dumont and negotiates a secret snap ballot. Everyone will vote first thing Monday morning — will they choose the €1,000 bonus or Sandra? Because the factory's management surely could not afford both.

    Two Days, One Night refers to the weekend: rest days where hard workers retreat in comfort to the sanctuary of their homes and private lives. When Sandra is forced to intrude people's lives on a precious weekend, visit each and every one of her 16 co-workers in a bid to change their minds before Monday (I use the word "forced" because clearly, Sandra was embarrassed and reluctant to do it), at one point she laments in self-disgust saying "I can't stand it. Every time I feel like a beggar, a thief coming to take their money. They look at me ready to hit me. I feel like hitting them too." But kitchen worker and husband Manu urges with maturity and understanding, "You have to fight for your job." Both knew Sandra cannot quite walk away and abandon work at the small factory. The family of four has just recently moved out of public housing. Sandra needs the minimum wage job to keep their heads above the water, to keep from going back to welfare assistance.

    Much of the film has Manu drive Sandra around the small town of Liège, as the 48-hours clock goes ticking down with growing intensity. The first dilemma is presented as she goes knocking door- to-door, trying to convince fellow employees to give up a salary bonus that they too, badly need. Times are hard and money is tight, her interactions with each co-worker and their subsequent response to her plea is compelling to watch. Lesser film-makers will settle with a cookie cutter protagonist in need of sympathy, but this isn't the case with Luc and Jean-Pierre Dardenne.

    There is a real sense here that the space and reality of this film has the relevance of modern social-political commentary. "Will you vote for me?" — the same question when asked repeatedly, becomes illuminated by varying personal realities. Thus allowing the audience to consider the same situation with changing arguments and evolving perspectives. Every step of the way, the audience absorbs a broad spectrum of humanity as reactions toward Sandra ricochet between doubt and certainty: selfish and cruel, unapologetic and indifferent, defensive and guilt-ridden, conflicted and hesitant, kind and compassionate. At one point, it had me wondering if Sandra, for the sake of some colleagues so dangerously close to the margins of poverty, probably shouldn't be appealing at all — after all, their knapsacks are so much tinier and more fragile than the sling bag draped across her hunched, bony shoulders.

    All the above reflects just one, out of several more thought experiments found in the plot design. One particular sub-plot examines Sandra's level of resilience as a recovering depressive, and culminates in an episode involving a box of Xanax. Here, Marion Cotillard turns in her role with master class technique — she applies subdued, matter-of-fact emotional tone with the kind of authenticity and resignation made possible only by an exhausted, dehumanized, defeated soul. Less is accurately more.

    When I saw L'Infant at the Alliance Française de Singapour back in 2005; I was a young adult in her early twenties with the intellectual capital and moral patience of a fish. Coming out of my first experience with the Dardennes, my opinion towards main character Bruno, was straight forward and quite simply, disapproving — what kind of person sells his own newborn child for a meagre sum of money? I left the small theatre with obvious answers and a snap conclusion, partially dissatisfied and disappointed with the film's ridiculous premise.

    Nearly a decade has passed and now having watched Two Days, One Night; I find myself weighing all variables in the complex social totality embodied by one simple observation: "Some people are so rich they don't know what it means to live with so little." I no longer believe in moral absolutes with the reckless naiveté of a youth. What an honest, complex and thought provoking film. How wide-ranging and realistic.

    cinemainterruptus.wordpress.com
    9frankiewang73

    The reason that movies are still called an art.

    You absolutely will be disappointed if you are looking for a "robot fighting robot" movie or anything superficial, or beautiful woman. (Well no one can say Cottilard is not beautiful, but she deliberately gives up her beauty to fit the character.)

    This movie shows us what real emotions is. It reveals life in such a vivid and convincing way that you'll think about your own life, although you may be a lot better off than the characters.

    After all this movie is a feast of fine acting, a reason that movies are still called art, and a spirit lifting experience that is going to linger on for a long time after you finish it.
    9donreplies

    Amazing film

    A film is not about it's ending alone, especially not this one. The film is extra ordinarily realistic and simple. Marion Cotillard's acting just blew me away. If it was any other actress, I doubt that it would be interesting to stare at the same person for the entire length of the film. Loved every moment of it.

    Use of natural light, long takes, lose head camera are all supposed to give you a boring film if you are used to the Hollywood style. But, just having a great script and Marion is enough to make any film special. Thanks for making this film. Short and sweet, That's this film. A story I could totally relate to. She made me cry.
    9masonmorgan-92917

    A fantastically human film

    I heard nothing about Two Days, One night before I decided to check it out on Netflix, and I must say that this is one of the best foreign films I have seen in a while. Actually it's just one of the best films I've seen in a while.

    Two Days, One night tells us a story of a woman's desperate attempts to persuade her co-workers into making a very important decision that determines her future. The story focuses on human nature and our ability to give something up for someone we barely know. It feels incredibly intimate and human throughout and there were times where the emotions were so raw that I kept forgetting that I'm just watching a film. It felt so real and I really wanted to see this character succeed, mainly because her character was so well acted. The plot is very simple but there is a wavering sense of unpredictability and even tension as we watch this desperation-fueled journey unfold. The main plot line sets off many little strings of other interactions that I would never have saw coming, making this a unique and highly enjoyable first viewing.

    The acting all around was fantastic. Our main character, played by Marion Cotillard, was emotionally broken and this actress did an amazing job showing it. She covered so much range in her performance that I simply could not keep my eyes off her, for more than just the obvious reason. She was excellently formed as we constantly see her entire demeanor and mannerism change after every character interaction. She reacted realistically in a way that made me feel very immersed within the film's story and narrative. I greatly wanted to see this character succeed at her goal, and if she had not been as well acted, I definitely would not have cared as much. Another great thing about Two Days, One Night, besides the excellent acting, is that we can all relate to it's personal and socially accurate storytelling.

    Our character is seen asking many individuals to make quite a large sacrifice. The great thing is that we all know what this feels like. So we can place ourselves in the shoes of either character and feel incredibly attached to the story. This constant feeling of immersion and realism felt absolutely perfect and there was not one second where I felt like the film dragged or included an unnecessary scene. I enjoyed every second of it and I really didn't want it to end. But when that time did come, it felt extremely satisfying and understandable. There was no complex enigmatic riddle to solve or deep metaphor with infinite possible meanings to interpret. The ending was just as meaningful without any of these things.

    I thoroughly enjoyed Two Days, One Night. It tells an interesting story that could very well happen to anyone. It was involving, emotionally raw, and just fantastically human.
    JohnDeSando

    A strong, vulnerable, Oscar-worthy fighter.

    "A woman is like a tea bag – you never know how strong she is until she gets in hot water." - Eleanor Roosevelt

    How many of us would fight as hard as Sandra (Marion Cotillard) to keep her job? I suppose we would try to keep it, but she has to convince a majority out of 16 fellow workers to vote her employment rather than their 1000 Euros bonuses. She journeys in this intense film like some mythical mariner to each island person to convince that they should vote for her.

    Not only does Sandra experience a heavy dose of humiliation by virtually begging to be kept as an employee, she also has to deal with her insecurity and the accompanying dependence on drugs to help her through this challenge and her recent depression. The film's limitation is the repetition for each co-worker she visits, as if they just repeat the script for each visit. Even when one segment turns violent, it's as if writer/directors Jean-Pierre and Luc Dardenne injected action in an otherwise flat line of activity. Overall, the Dardennes further their thematic interest in socialistic causes.

    What elevates this drama into Oscar consideration is Cotillard, dressed not like a movie star (see La Vie en Rose and Midnight in Paris) but a working girl, little makeup accompanied by sleeveless tees and serviceable jeans. Make no mistake; she still is one of the world's most attractive actresses, my current fav. However, here she is believable as a vulnerable mother grasping for her job that the family desperately needs to survive.

    Yes, although she has a contributing husband, Manu (Fabrizio Rongione), he is unusually supportive, almost to a fault. Yet, dramatically, he's positioned well to keep her in the forefront. She's not Sally Field's Norma Rae, who fights for a union in her textile mill, because Sandra's cause is personal in the 21st century, where Norma's in the '70's is about collectivism. Both women, however, have an intelligence and wit to get them through. As far as I'm concerned, that's part of what feminism is about.

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Marion Cotillard accepted to star in the film before reading the script.
    • Citas

      Sandra: I wish that was me.

      Manu: Who?

      Sandra: That bird singing...

    • Conexiones
      Featured in The View: Guest Co-Hosts Tony Gonzalez, Tracey Wigfield & Margaret Cho/Marion Cotillard (2015)
    • Bandas sonoras
      Gloria
      Written by Van Morrison

      Performed by Them

      © 1964 Carlin Music Group

      avec l'aimable autorisation de EMHA

      avec l'aimable autorisation de Exile Productions, Limited

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes

    • How long is Two Days, One Night?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de febrero de 2015 (México)
    • Países de origen
      • Bélgica
      • Francia
      • Italia
    • Sitios oficiales
      • Curzon Home Cinema (United Kingdom)
      • Diaphana Films (France)
    • Idiomas
      • Francés
      • Árabe
      • Inglés
    • También se conoce como
      • Two Days, One Night
    • Locaciones de filmación
      • Seraing, Liège, Wallonia, Bélgica
    • Productoras
      • Les Films du Fleuve
      • Archipel 35
      • BIM Distribuzione
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • EUR 7,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 1,436,243
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 30,700
      • 28 dic 2014
    • Total a nivel mundial
      • USD 9,016,922
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 35 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Marion Cotillard in Dos Dias, Una Noche (2014)
    Principales brechas de datos
    By what name was Dos Dias, Una Noche (2014) officially released in India in English?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.