La historia del neozelandés Rod Edwin Hall, quien el 10 de Mayo de 1996 empezó su ascenso del Everest junto con Scott Fischer.La historia del neozelandés Rod Edwin Hall, quien el 10 de Mayo de 1996 empezó su ascenso del Everest junto con Scott Fischer.La historia del neozelandés Rod Edwin Hall, quien el 10 de Mayo de 1996 empezó su ascenso del Everest junto con Scott Fischer.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 9 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is the true story of two different expeditions in 1996 who attempt to scale Everest but encounter massive storms on the descent down the mountain. Everest is a stunning looking film that you come away from , feeling totally exhausted. Because it is so realistic you do feel you are with the climbers at times. Sure , it's a stock disaster movie but because of the nature of the true story behind it , you feel more connected. The special affects are amazing and the performances from Jason Clarke and Keira Knightley are great too. I watched this in 3D but ended up taking the glasses off because it was so annoyingly dark so i recommend watching it in 2D instead. It's a staggering statistic that 1 in 4 people who attempt to get get to the summit of Everest , dies. Why do people do it? that question is asked in this film but apart from the stock answer of " Because it's there" it is never really answered . Perhaps there isn't one?
Got the chance to see Everest early in IMAX 3D. I'll start off by saying this, if you get the chance, definitely see this movie in IMAX. It adds to the experience and you feel like your on the mountain. That aside, let's dive into one of my most anticipated films of the year.
Everest is chalk full of star power. Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, the list goes on. Everyone is believable in this hostile environment, going from optimistic and adventurous to mortified and forced to fight for their lives. Each character is given a back story, some more drawn out and centered than others, and you get attached to most but not all of them. When the emotional blows hit, they hit hard for some, but not as much for others.
The visuals are, as you might have guessed, stunning. The shots they get of climbers and the way the camera gives you an an idea of how dangerous this is are breath taking. The cinematography is definitely award worthy. IMAX only added to it, putting you in this environment and taking you along for the ride.
This film really did it for me because I have always been fascinated by Everest and the journey it is to make it up to the top and back. If there is a Netflix documentary about Everest, I've watched it. I even watched the one about the story told in this movie. What this film does so well is it immerses you into the environment as well as gives you characters to care about. It's all tied in well together.
At times, the pace is a bit slower than expected and the tones shifts from serious to light hearted are a bit messy. But that stuff doesn't bother you in the moment, your just wrapped up in the intensity of the story.
Overall, Everest gave me exactly what I wanted. It was intense, emotionally powerful, and the visuals were beautiful. It's not perfectly structured, but it sure is engaging. As someone who has studied the mountain, this offers a brutal look into how much time and energy is out into a trip to Everest, and how quickly things can go wrong. Definitely worth a trip to the theatre.
Everest is chalk full of star power. Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, the list goes on. Everyone is believable in this hostile environment, going from optimistic and adventurous to mortified and forced to fight for their lives. Each character is given a back story, some more drawn out and centered than others, and you get attached to most but not all of them. When the emotional blows hit, they hit hard for some, but not as much for others.
The visuals are, as you might have guessed, stunning. The shots they get of climbers and the way the camera gives you an an idea of how dangerous this is are breath taking. The cinematography is definitely award worthy. IMAX only added to it, putting you in this environment and taking you along for the ride.
This film really did it for me because I have always been fascinated by Everest and the journey it is to make it up to the top and back. If there is a Netflix documentary about Everest, I've watched it. I even watched the one about the story told in this movie. What this film does so well is it immerses you into the environment as well as gives you characters to care about. It's all tied in well together.
At times, the pace is a bit slower than expected and the tones shifts from serious to light hearted are a bit messy. But that stuff doesn't bother you in the moment, your just wrapped up in the intensity of the story.
Overall, Everest gave me exactly what I wanted. It was intense, emotionally powerful, and the visuals were beautiful. It's not perfectly structured, but it sure is engaging. As someone who has studied the mountain, this offers a brutal look into how much time and energy is out into a trip to Everest, and how quickly things can go wrong. Definitely worth a trip to the theatre.
"I want to see Everest". Could you be a bit more specific? Assuming that you're not talking about making a trip to Nepal, there are still many ways to interpret your request besides seeing the 2015 docudrama. The world's tallest mountain is the center of the story in a 1998 documentary, a 2007 TV mini-series, a 2014-2015 TV series and another film project still in development. All of these treatments are simply titled, "Everest". More to the point, 2015's "Everest" (PG-13, 2:01) re-tells the specific story from the '98 doc and a 1997 TV movie ("Into Thin Air: Death on Everest"), but tells it more vividly than ever before.
The '97, '98 and 2015 films all take us along for doomed expeditions up the tallest peak in the Himalayas in May 1996, as told in at least five books by survivors, most famously in journalist Jon Krakauer's 1997 best-seller "Into Thin Air", which is the primary basis for the screenplay of 2015's "Everest". As the film tells us early on, by the late 1980s, climbing Everest had transitioned from the domain of adventurers like George Mallory and Edmund Hillary with minimal equipment to a tourist destination for thrill-seekers with little climbing experience, but enough money to buy state-of-the-art equipment, stay in established base camps, and hire local Sherpas as guides and, in some cases, to carry the climber's gear and cook meals. But as the films about the 1996 climbs (and subsequent major avalanches) have shown, no amount of money, gear, help or even experience can insulate anyone from the dangers inherent in this climb. "The last word," as one character in the 2015 film says, "always belongs to the mountain." "Everest" follows two of the expeditions which suffered tragic losses on the mountain on May 10-11, 1996. Rival expedition leaders Rob Hall (Jason Clarke), of the company Adventure Consultants, and Scott Fischer (Jake Gyllenhaal), of Mountain Madness, decide to work together due to the large number of people trying to reach the peak on May 10th. The main focus of the story is Hall's team, which includes people with a wide range of personal backgrounds. Hall is an experienced New Zealand mountaineer who has already climbed to the top of Everest four times, including once with his wife, Jan (Keira Knightley), who has stayed in New Zealand this time due to her pregnancy. Doug Hansen (John Hawkes) is a mailman who attempted Everest once before and wants to reach the summit as a way of inspiring schoolchildren back home in Washington state. Yasuko Namba is a 47-year-old Japanese woman who has already climbed the other six of the famed Seven Summits and wants to become the oldest woman to reach the top of Everest. Beck Weathers (Josh Brolin) is an adventurous Texan who is also pursuing the goal of the Seven Summits, but has lied to his wife, Peach (Robin Wright), about his current trip to Everest. Jon Krakauer is a writer for "Outside" magazine, but has never been on a climb above 8000m. Several of the people portrayed in this film died on Everest and others barely escaped with their lives.
"Everest" is much more than a high-altitude adventure movie or disaster flick. Besides learning about the personal backgrounds of the characters, we follow them on their entire adventure, from beginning to end, learning a good bit about mountain climbing along the way. One of the first things we learn is that, to these people, summit is a verb. Hall lays out the dangers of summiting Everest in his briefing to his team before they even set foot on the mountain. "Human beings are not designed to function at the cruising altitude of a 747. Your bodies will be literally dying," he says. This group understands all that, but they've put their trust in the honest, personable and level-headed Hall. And they've paid him a lot of money ($65,000 each) to get them to the top of Everest – and safely back down. At base camp, Hall and his friend and colleague, Helen Wilton (Emily Watson), and their fellow Adventure Consultants employees, teach, coach and take care of their customers, including Hall taking them on some practice climbs. In spite of the danger and discomfort that everyone experiences even going only partially up the mountain, they're all looking forward to the real thing. They know they'll be cold, exhausted and scared, while having trouble breathing and facing the unpredictability of the mountain, but they didn't come this far to quit. Their experiences turn out much worse than anything any of them could have imagined.
"Everest" is a fascinating and gripping adventure. Like other movies about mountain climbing, this one fails to give a satisfactory reason for why these people risk their lives for little more than a great view and bragging rights, but it's clear that there are a variety of justifications within the group. The script depicts this climb as an extremely risky venture, but allows us to marvel at the courage, determination and, in some cases, self-sacrifice of these people. The character development (thanks to a great script and a terrific cast) is outstanding and the cinematography is as impressive as you'd expect (especially in IMAX 3-D). The suffering of the climbers (even when things are going according to plan), the thrilling moments (when circumstances throw the plan into chaos), the heartbreak and the small victories along the way all make us feel like we're right there on that mountain. The hardships and the tragedies of this expedition are sometimes shot and edited oddly, but are never exploitive. Icelandic director Baltasar Kormákur brings us an engaging, eye-opening and beautiful film that most are likely to appreciate. "A-"
The '97, '98 and 2015 films all take us along for doomed expeditions up the tallest peak in the Himalayas in May 1996, as told in at least five books by survivors, most famously in journalist Jon Krakauer's 1997 best-seller "Into Thin Air", which is the primary basis for the screenplay of 2015's "Everest". As the film tells us early on, by the late 1980s, climbing Everest had transitioned from the domain of adventurers like George Mallory and Edmund Hillary with minimal equipment to a tourist destination for thrill-seekers with little climbing experience, but enough money to buy state-of-the-art equipment, stay in established base camps, and hire local Sherpas as guides and, in some cases, to carry the climber's gear and cook meals. But as the films about the 1996 climbs (and subsequent major avalanches) have shown, no amount of money, gear, help or even experience can insulate anyone from the dangers inherent in this climb. "The last word," as one character in the 2015 film says, "always belongs to the mountain." "Everest" follows two of the expeditions which suffered tragic losses on the mountain on May 10-11, 1996. Rival expedition leaders Rob Hall (Jason Clarke), of the company Adventure Consultants, and Scott Fischer (Jake Gyllenhaal), of Mountain Madness, decide to work together due to the large number of people trying to reach the peak on May 10th. The main focus of the story is Hall's team, which includes people with a wide range of personal backgrounds. Hall is an experienced New Zealand mountaineer who has already climbed to the top of Everest four times, including once with his wife, Jan (Keira Knightley), who has stayed in New Zealand this time due to her pregnancy. Doug Hansen (John Hawkes) is a mailman who attempted Everest once before and wants to reach the summit as a way of inspiring schoolchildren back home in Washington state. Yasuko Namba is a 47-year-old Japanese woman who has already climbed the other six of the famed Seven Summits and wants to become the oldest woman to reach the top of Everest. Beck Weathers (Josh Brolin) is an adventurous Texan who is also pursuing the goal of the Seven Summits, but has lied to his wife, Peach (Robin Wright), about his current trip to Everest. Jon Krakauer is a writer for "Outside" magazine, but has never been on a climb above 8000m. Several of the people portrayed in this film died on Everest and others barely escaped with their lives.
"Everest" is much more than a high-altitude adventure movie or disaster flick. Besides learning about the personal backgrounds of the characters, we follow them on their entire adventure, from beginning to end, learning a good bit about mountain climbing along the way. One of the first things we learn is that, to these people, summit is a verb. Hall lays out the dangers of summiting Everest in his briefing to his team before they even set foot on the mountain. "Human beings are not designed to function at the cruising altitude of a 747. Your bodies will be literally dying," he says. This group understands all that, but they've put their trust in the honest, personable and level-headed Hall. And they've paid him a lot of money ($65,000 each) to get them to the top of Everest – and safely back down. At base camp, Hall and his friend and colleague, Helen Wilton (Emily Watson), and their fellow Adventure Consultants employees, teach, coach and take care of their customers, including Hall taking them on some practice climbs. In spite of the danger and discomfort that everyone experiences even going only partially up the mountain, they're all looking forward to the real thing. They know they'll be cold, exhausted and scared, while having trouble breathing and facing the unpredictability of the mountain, but they didn't come this far to quit. Their experiences turn out much worse than anything any of them could have imagined.
"Everest" is a fascinating and gripping adventure. Like other movies about mountain climbing, this one fails to give a satisfactory reason for why these people risk their lives for little more than a great view and bragging rights, but it's clear that there are a variety of justifications within the group. The script depicts this climb as an extremely risky venture, but allows us to marvel at the courage, determination and, in some cases, self-sacrifice of these people. The character development (thanks to a great script and a terrific cast) is outstanding and the cinematography is as impressive as you'd expect (especially in IMAX 3-D). The suffering of the climbers (even when things are going according to plan), the thrilling moments (when circumstances throw the plan into chaos), the heartbreak and the small victories along the way all make us feel like we're right there on that mountain. The hardships and the tragedies of this expedition are sometimes shot and edited oddly, but are never exploitive. Icelandic director Baltasar Kormákur brings us an engaging, eye-opening and beautiful film that most are likely to appreciate. "A-"
"Everest" is a true-life story about a very bad year for those trying to ascend Mount Everest. While folks dying there is NOT unusual (heck, the mountain is apparently littered with dead bodies of those who have failed), this was a particularly bad year and the film does a good job of recreating the hellish climb and conditions the folks went through in order to check this dangerous feat off their bucket lists.
While I thought everyone in the film was foolish, the filmmakers did a great job of making you feel as if you are there....no small feat. So, technically speaking the film is brilliant and making it must have been an awful experience in many ways. As for the story, it's also compelling even if I thought the people were foolish....and this actually surprised me. My only fault with the film is that it would have been nice if the characters had been more fleshed out and multidimensional. Still, it's well worth seeing...and must have been incredible to see on the big screen as it's quite a spectacle.
While I thought everyone in the film was foolish, the filmmakers did a great job of making you feel as if you are there....no small feat. So, technically speaking the film is brilliant and making it must have been an awful experience in many ways. As for the story, it's also compelling even if I thought the people were foolish....and this actually surprised me. My only fault with the film is that it would have been nice if the characters had been more fleshed out and multidimensional. Still, it's well worth seeing...and must have been incredible to see on the big screen as it's quite a spectacle.
I am very surprised reading bad reviews about Everest. What did you expect it to be then? I sincerely did enjoy watching Everest. Also because it's based on a true story, what makes it even better to feel the despair they had at the end. It amazes me people would pay so much money to live an experience like that, where your life is at risk all the time. Okay it's a great achievement once you've done it, but I'd rather spend that money on a lazy sunny vacation trip. The fact is the top of the Everest is a graveyard with bodies of people that tried this expedition. The movie shows perfectly how hard it must be to climb the Everest. The lack of oxygen, the altitude, the sudden change of weather, it's all too much for a normal human body. The movie itself is beautifully shot, with good actors, a lot of tragedy. I didn't get bored for one second watching this movie. It keeps you on edge the whole time, because you can feel the courage and determination it takes to climb that mountain. Good movie if you ask me. Would watch it again in the future.
¿Sabías que…?
- TriviaWhen Rob Hall (Jason Clarke)'s team is asked why they are climbing Mount Everest, everyone answers "because it's there," a motto of mountain-climbers worldwide. In a 1924 interview, George Mallory, an English mountaineer who took part in the first three British expeditions to Mount Everest, responded with the same answer when asked why he would risk his life to become the first person to summit Everest. Mallory disappeared during a summit attempt in June 1924. His body was found in May 1999, just under 700 meters from the top.
- ErroresWhen the helicopter picks up Beck, the pilot is not wearing an oxygen mask. As he flew up from Kathmandu, Col. Madan KC was not acclimatized at all and had to be on oxygen continuously to survive at the 20,000 ft altitude at Camp I. Without it he would have passed out in minutes.
- Citas
Anatoli Boukreev: We don't need competition between people. There is competition between every person and this mountain. The last word always belongs to the mountain.
- ConexionesFeatured in Celebrated: Jake Gyllenhaal (2015)
- Bandas sonorasHypersomnia
Written and produced by Christopher Benstead (as Chris Benstead)
Selecciones populares
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- How long is Everest?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Thảm Họa Đỉnh Everest
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 55,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 43,482,270
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,222,035
- 20 sep 2015
- Total a nivel mundial
- USD 203,427,584
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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