Sean Saves the World
- Serie de TV
- 2013–2014
- 30min
CALIFICACIÓN DE IMDb
6.3/10
2.2 k
TU CALIFICACIÓN
Se centra en Sean, que debe averiguar cómo criar a su hija de 14 años, que acaba de mudarse, mientras se enfrenta a un temperamental nuevo jefe en el trabajo.Se centra en Sean, que debe averiguar cómo criar a su hija de 14 años, que acaba de mudarse, mientras se enfrenta a un temperamental nuevo jefe en el trabajo.Se centra en Sean, que debe averiguar cómo criar a su hija de 14 años, que acaba de mudarse, mientras se enfrenta a un temperamental nuevo jefe en el trabajo.
- Premios
- 1 nominación en total
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Opiniones destacadas
I really wanted to like this because I think Sean Hayes is a really talented comic actor but this show is terribly forced. It wants to be funny but isn't. I found more natural acting on a Disney channel tween show.
Scrap the whole thing Sean, bring back Jack and his mother (from one episode) played by Veronica Cartwright in a "Will & Grace" spin-off.
It is great to see Linda Lavin but "kiss by grits" she isn't strong enough to help this.
I saw that James Burrows directed - at least - the first episode but his creative genius isn't evident.
Make the pain stop...
Oh wait, I did by not watching after the second episode.
Scrap the whole thing Sean, bring back Jack and his mother (from one episode) played by Veronica Cartwright in a "Will & Grace" spin-off.
It is great to see Linda Lavin but "kiss by grits" she isn't strong enough to help this.
I saw that James Burrows directed - at least - the first episode but his creative genius isn't evident.
Make the pain stop...
Oh wait, I did by not watching after the second episode.
Sean Hayes is a very talented man and he works very hard in this. He has to because it's largely like a terrible parody of U.S. 90s sitcoms. If only it were a parody.
Most of the characters are TV clichés or racial tokens (one "Asian", one black guy). The plot for each episode is jammed in our faces as if otherwise we'd be too stupid to understand it: "My daughter needs her first bra!". Hilarity ensues, except it doesn't, it's truly truly painful.
Cue laugh track, then cue it again and again. The less I smile and the more laughter I hear the more depressing the whole thing becomes.
The supporting cast is a mixed bunch which range from a wooden spoon with a face drawn on it wearing a kitchen mop for hair (Megan Hilty) through to performances of genuinely twisted comedic genius from Tom Lennon.
That was really my point about a good show within a terrible one. Every scene with Tom Lennon in it seems to come from a different place than the rest of the show, a much improved place where the show is actually funny.
I sat stony-faced through the pilot yet laughed out loud at some of the Tom Lennon scenes. Whether I can continue to grit my teeth waiting for those moments is debatable.
It feels like being in a wheelchair having lost the use of your legs, with NBC looking down at you and saying in a very loud, slow, voice... "Are you alright down there? Can I get you anything? Do you want to go to the toilet? Do you want to hear a funny joke?".
I may be sitting down, but I'm not deaf and I'm not an idiot, please stop treating me as such.
If they could build on the Hayes-Lennon core a bit more (they're great together) focus less on the been there, done that ha ha ha feel of the rest of it, perhaps try to give some dimension to the characters of the other actors then this could really be something.
Most of the characters are TV clichés or racial tokens (one "Asian", one black guy). The plot for each episode is jammed in our faces as if otherwise we'd be too stupid to understand it: "My daughter needs her first bra!". Hilarity ensues, except it doesn't, it's truly truly painful.
Cue laugh track, then cue it again and again. The less I smile and the more laughter I hear the more depressing the whole thing becomes.
The supporting cast is a mixed bunch which range from a wooden spoon with a face drawn on it wearing a kitchen mop for hair (Megan Hilty) through to performances of genuinely twisted comedic genius from Tom Lennon.
That was really my point about a good show within a terrible one. Every scene with Tom Lennon in it seems to come from a different place than the rest of the show, a much improved place where the show is actually funny.
I sat stony-faced through the pilot yet laughed out loud at some of the Tom Lennon scenes. Whether I can continue to grit my teeth waiting for those moments is debatable.
It feels like being in a wheelchair having lost the use of your legs, with NBC looking down at you and saying in a very loud, slow, voice... "Are you alright down there? Can I get you anything? Do you want to go to the toilet? Do you want to hear a funny joke?".
I may be sitting down, but I'm not deaf and I'm not an idiot, please stop treating me as such.
If they could build on the Hayes-Lennon core a bit more (they're great together) focus less on the been there, done that ha ha ha feel of the rest of it, perhaps try to give some dimension to the characters of the other actors then this could really be something.
Sean Saves the World sometimes gets it right. Sean Hayes occasionally delivers the great one-liner in his portrayal of Sean, a single father left in charge of his daughter Ellie (Samantha Isler) when his ex-wife moved to New York. His character is not as off the wall as it was in Will and Grace. He's not as overly dramatic and excitable as he once was. Still has the same flare, just not as loud. I agree with another reviewer that the highlight of the show is Thomas Lennon who plays Sean's new boss, Max. Since seeing Lennon in Seventeen Again and tiny parts like Doug in I Love You, Man I've been amazed at his comedic ability. He's like Jane Lynch, a great character actor that can make any part his own, even if the script is a tad weak. With him on board I see potential in this show.
This is NOT a "Will and Grace" reunion, but a mismatched ensemble of clichés led by a regurgitation of Sean Hayes' "Jack" character who plays a father but...surprise(?) happens to be gay. The adult-themed "humor" and writing often crosses the line of good taste and makes the producers and cast look like perverts for subjecting underage actors to it. Karen...er...excuse me, Linda Lavin's timing is slow and off (even the editing can't seem to fix this). Sean has seriously soured his own legacy and type-cast himself into oblivion. While too painful to watch, the show is unfortunately a wind-sock for the stagnation of ideas and writing we are currently experiencing, as well as the career desperation of the actors participating on the show.
I am sincerely surprised to see such a low rating .. So many comedy programs that try to steal a giggle are just silly and brain numbing..THIS is one very funny show and a 8 out of 10 on my rate chart... I am ONLY sorry that it is just a 30 minutes episode of laughing!! ( which is where it lost its 2 points) ..Great characters and actors.. Great one-liners... Great comedic timing... Hopefully through word of mouth, folks will hear about it and catch on to this new show... I would hate to see it axed.... As far as entertainment goes, this one works... in spades...!! The reason I don't comment on here, is that I can never think of 10 lines to write....Perhaps that is why I should keep my day job..???
¿Sabías que…?
- TriviaLindsay Sloane was originally cast as Liz, but after shooting the pilot was replaced by Megan Hilty.
- ConexionesReferenced in Chelsea Lately: Episode #7.92 (2013)
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