Una tímida adolescente se entera de que procede de una legendaria familia real de legendarios krakens marinos y de que su destino se encuentra en las profundidades de las aguas, que es más g... Leer todoUna tímida adolescente se entera de que procede de una legendaria familia real de legendarios krakens marinos y de que su destino se encuentra en las profundidades de las aguas, que es más grande de lo que jamás podría haber imaginado.Una tímida adolescente se entera de que procede de una legendaria familia real de legendarios krakens marinos y de que su destino se encuentra en las profundidades de las aguas, que es más grande de lo que jamás podría haber imaginado.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
Jane Fonda
- Grandmamah
- (voz)
Liza Koshy
- Margot
- (voz)
Ramona Young
- Bliss
- (voz)
Eduardo Franco
- Trevin
- (voz)
Nicole Byer
- Janice
- (voz)
Echo Kellum
- Doug
- (voz)
Brianna Paige Arsement
- Home Buyer
- (voz)
- (as Brianna Arsement)
Juju Green
- Gym Teacher
- (voz)
- …
Preston Blaine Arsement
- Tourist
- (voz)
- (as Preston Arsement)
Opiniones destacadas
The film's story/plot was lower tier for a Dreamworks Animation movie, but overall the film was decent. The film was at best comparable to Spies in Disguise (2019), Abominable (2019), or Ron's Gone Wrong (2021) (comparable to these films in the following categories:).
The film's animation was fairly good, on par with other animations of the last few years. Some "out of this world" character designs make the film more stand out a bit, but does not add to character memorability. The soundtrack is upbeat and chipper, with some more modern music. The score has some epic and heavy "hits/boojs" that rumble the theater, so it's got an immersive aspect to it.
Characters were less relatable than characters of other other films, but still goofy and fun-loving. This is mostly due to the 2-dimensionality of the secondary characters, but generally audiences, especially children, will not care/notice and will laugh at their antics.
The film's writing is reminiscent of Turning Red (2022), with a lot of parallels in the storyline such as: family lineage (females of the family turning into krakens), controlling the transformation by remaining calm, hiding the truth from the main character till they learn for themselves etc., with some slight variation. Basically what you've seen in the trailer.
I really look forward to the moral values and deeper meaning behind the films I watch, however I felt the film lacked in this area. The moral of the film is really to "love yourself" and to not hide it from others, but also trusting that "mothers know best." While I like the morals, it's not like Paw Patrol (2021) or Coco (2017), where the moral is both memorable and powerful (being emotion driven).
Overall the film is a typical movie-going experience, with some action, entertaining visuals and story, and upbeat soundtrack. Audiences will tend to laugh and enjoy the animation/color of the film more than they'll watch for the story/emotional value. Worth a family trip to the movies, but more-so a one-and-done film viewing experience. 6.5/10.
The film's animation was fairly good, on par with other animations of the last few years. Some "out of this world" character designs make the film more stand out a bit, but does not add to character memorability. The soundtrack is upbeat and chipper, with some more modern music. The score has some epic and heavy "hits/boojs" that rumble the theater, so it's got an immersive aspect to it.
Characters were less relatable than characters of other other films, but still goofy and fun-loving. This is mostly due to the 2-dimensionality of the secondary characters, but generally audiences, especially children, will not care/notice and will laugh at their antics.
The film's writing is reminiscent of Turning Red (2022), with a lot of parallels in the storyline such as: family lineage (females of the family turning into krakens), controlling the transformation by remaining calm, hiding the truth from the main character till they learn for themselves etc., with some slight variation. Basically what you've seen in the trailer.
I really look forward to the moral values and deeper meaning behind the films I watch, however I felt the film lacked in this area. The moral of the film is really to "love yourself" and to not hide it from others, but also trusting that "mothers know best." While I like the morals, it's not like Paw Patrol (2021) or Coco (2017), where the moral is both memorable and powerful (being emotion driven).
Overall the film is a typical movie-going experience, with some action, entertaining visuals and story, and upbeat soundtrack. Audiences will tend to laugh and enjoy the animation/color of the film more than they'll watch for the story/emotional value. Worth a family trip to the movies, but more-so a one-and-done film viewing experience. 6.5/10.
I think this movie is not considerably unfavorable. I think the animation looks great but everyone says the animation looks horrible and I don't blame them for having their opinion about it. But it's just another fish movie. That DreamWorks created which is Shark tale and Sinbad which those movies were horrible. I think they could have done a little bit better with the movie but I'm not really disappointed nor that I feel good about this film. It's similar to The Little mermaid remake but the mermaids are evil. I kind of wish that the movie did good but no it just seems to be alright but not good.
It's almost like DreamWorks threw Turning Red and Luca into a blender and out popped this film. Not saying that's a bad thing, as those are both enjoyable films, but Ruby Gilman is left lacking originality with a pretty generic story and lessons. It's mostly harmless entertainment designed for young girls, which is nice since there aren't a whole lot of movies for that age group specifically focused on their experiences.
There are bright colors and visuals galore, accompanied by some decent laughs. I enjoyed the dad character the most. Plenty of fun pop bops are scattered throughout which add to the enjoyment as well. This won't compete for best animated film of the year, but it's far from the worst either.
There are bright colors and visuals galore, accompanied by some decent laughs. I enjoyed the dad character the most. Plenty of fun pop bops are scattered throughout which add to the enjoyment as well. This won't compete for best animated film of the year, but it's far from the worst either.
Dreamworks has created the b*stard child of Pixar's Luca and Turning Red. And it falls somewhere in the middle of those two film's quality.
It mercifully has far less annoying characters than Turning Red, and handles its near-identical adolescent themes of family loyalty, self-actualisation, and trust with far more tact and nuance than that film did.
But it borrows the other half of its concept and plot from Luca, and it lacks the genuine heart and soul that was the one saving grace of that film.
There's a lot to like about the implausibly gonzo concept and over the top elements and characters. But the generic, conveyor-belt-produced story is hard to look past, as there really is not a single aspect of what I just saw that has any staying power. I'll forget this quickly.
It mercifully has far less annoying characters than Turning Red, and handles its near-identical adolescent themes of family loyalty, self-actualisation, and trust with far more tact and nuance than that film did.
But it borrows the other half of its concept and plot from Luca, and it lacks the genuine heart and soul that was the one saving grace of that film.
There's a lot to like about the implausibly gonzo concept and over the top elements and characters. But the generic, conveyor-belt-produced story is hard to look past, as there really is not a single aspect of what I just saw that has any staying power. I'll forget this quickly.
The impression of watching this movie is that DreamWorks tried to make their own version of Turning Red, which ended up being something boring and generic.
The plot is generic and highly predictable. The first trailer basically sums up the entire movie and if you've watched it before, you'll know how each event will play out.
The jokes are bland and not funny. I tried to force myself to laugh at at least one of them and I couldn't. Basically I kept looking at the clock counting how much time was left for the movie to end because of how uninteresting it is. I may not be the target audience, but the kids I know would struggle to stay awake watching it.
Basically I'm only giving it a 5 for the animation itself, which is good, but I wanted DreamWorks to keep the stylized 2D like in 'The Bad Guys' and 'Puss in Boots: The Last Wish'.
The plot is generic and highly predictable. The first trailer basically sums up the entire movie and if you've watched it before, you'll know how each event will play out.
The jokes are bland and not funny. I tried to force myself to laugh at at least one of them and I couldn't. Basically I kept looking at the clock counting how much time was left for the movie to end because of how uninteresting it is. I may not be the target audience, but the kids I know would struggle to stay awake watching it.
Basically I'm only giving it a 5 for the animation itself, which is good, but I wanted DreamWorks to keep the stylized 2D like in 'The Bad Guys' and 'Puss in Boots: The Last Wish'.
¿Sabías que…?
- TriviaAt 31 years old, Faryn Pearl became the youngest woman ever to direct a feature animated film.
- Citas
Chelsea Van Der Zee: I'm a FLIPPING MERMAID!
- Créditos curiososThe Dreamworks Animation logo dissolves into a swarm of jellyfish underwater, opening the film.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Ariel's Crazy Sister (2023)
- Bandas sonorasGrowing Up
Written by Lucia de la Garza (as Linda De La Garza), Mila de la Garza, Bela Salazar (as Isabel Salazar), Eloise Wong
Performed by The Linda Lindas
Courtesy of Epitaph Records
By arrangement with Sugaroo!
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- How long is Ruby Gillman: Teenage Kraken?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Ruby Gillman: Teenage Kraken
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,753,600
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,500,990
- 2 jul 2023
- Total a nivel mundial
- USD 45,657,745
- Tiempo de ejecución1 hora 31 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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