Teacup

Teacup on Peacock is yet another example of today's TV trend-taking what could be an engaging story and stretching it over eight episodes so slowly that you can practically watch the plot evaporate. The first six episodes are a masterclass in how to take ordinary, daily activities-making tea, staring into space, exchanging sighs-and somehow expect them to build suspense. It's the TV equivalent of watching paint dry, but with occasional brooding glances to remind you something "big" might happen.

And finally, when it all comes to a head in the last two episodes, you realize it's just more of the same, only louder and faster. The series wraps up by leaving just enough plot threads hanging-like an overworked screenwriter forgot to delete their sticky notes-to suggest a possible season two. Because why answer questions now when you can dangle the carrot of resolution just out of reach forever?

In the end, Teacup proves that modern screenwriting has become the art of saying nothing at great length. It's binge-watching at its worst: a narrative that's as lukewarm as the title and filled with enough empty space to make you question your life choices.

If you're coming off the adrenaline and intrigue of From or the captivating mysteries of Lost, Teacup Series will likely feel like a major letdown. While both of those shows are built around high-stakes tension, deep character development, and intricate plot twists, Teacup Series feels like a pale imitation.

The show starts with a promising premise-mysterious happenings, and an area that seems stuck in an inexplicable loop-but quickly devolves into repetitive scenes with little payoff. Unlike From or Lost, which gradually build suspense through well-constructed story arcs, Teacup Series seems to be treading water, offering more questions than answers without the satisfying sense of discovery. It almost feels like the show is stalling, relying on cheap cliffhangers that lead to nowhere.

The show has its moments, but continued stupid decisions by the characters and no decent explanation to what the purpose of the visitors are is maddening. Characters continually separate and put themselves in position to be taken over. Main character can't hit a target from 20 yds with scoped rifle. Teenage kids put in charge of the safety of the young kid carrying "harbinger", yet separate and become vulnerable. Just some dumb decisions to put themselves in dire situations. Lazy writing. Would love to see a well-written show where people make good decisions and still seem to be in a seemingly unwinnable situation.

The show has a nice plot, a lot of mystery at the beginning however,

Charachters lack intelligence, they take stupid choices, make stupid decisions and the most important they never ask questions among everything weired happening around them.

They try to keep you in shadow with vague answers and vague scenarios, ending the shot at the most important moment when someone is about to explain something

Finding the origin of the problem, then deciding to ignore it and head home instead of dealing with it is one of the problems in this show

It started slow, Im not sure if I ll even reccomend it to anyone since the first 30 minutes are dull scenarios.

I watch for Yvonne Strahovski. There's something about her - a magnetism, a quiet force - that makes you think she should be headlining films, not locked into roles on TV. Still, she owns every scene as Mrs. Waterford in "The Handmaid's Tale," the kind of role that gets under your skin and stays there. Then there's "Teacup." It wants to be eerie, unsettling, even grotesque. Instead, it drags, provoking yawns where there should be tension, eye-rolls in place of chills. Like the moment they buy the kid's story, then start throwing around the title "Assassin" like it's a game. Sure, the show is reaching for a place alongside the heavyweights of dystopian drama, but it misses the mark - plot, dialogue, even the characters - just shy of hitting the right notes.