Un operativo de inteligencia de alta tecnología, mejorado con un microchip de supercomputadora en su cerebro, ayuda a una agencia de ciberseguridad de élite del gobierno en misiones especial... Leer todoUn operativo de inteligencia de alta tecnología, mejorado con un microchip de supercomputadora en su cerebro, ayuda a una agencia de ciberseguridad de élite del gobierno en misiones especiales.Un operativo de inteligencia de alta tecnología, mejorado con un microchip de supercomputadora en su cerebro, ayuda a una agencia de ciberseguridad de élite del gobierno en misiones especiales.
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Josh Holloway stars as Gabriel, an ex-Delta Force war veteran who has had a top-secret, super- chip surgically implanted in his brain. While he possesses no physical enhancements, mentally he becomes a walking router that can mentally pull and process data from other computers (exactly how isn't made clear). Obviously, the show's title "Intelligence" isn't meant to mean "superior intelligence," rather it means an enhanced ability to acquire and apply information.
Called a hero, yet deemed reckless and sometimes insubordinate by his boss, he is assigned a capable and attractive female partner to work as his bodyguard--since he's one of a kind the U.S. Cyber Command doesn't want anything happening to him because Gabriel has some pretty amazing abilities. He can look at people, do a facial recognition scan, and then retrieve all available data about that person by accessing computer databases. Video data appears like a holographic projection that he can walk through (what he calls cyber-rendering). Exactly how that works isn't fully explained either, but the concept and presentation are presented well. The good side of that is that the show doesn't wear you down with technical detail, while presenting an innovative presentation of using it.
Abiding by the time-tested formula for action partners--Gabriel and his new partner have their share of bantering, budding sexual tension, and bonding through crisis management. However, even though that aspect of the plot may seem predictable, the acting is solid, and the characters interesting and believable.
This is an action show, so there is a fair amount of fighting and shooting, however its not over- the-top, and isn't too graphic. The Pilot presents the characters, provides an initial storyline, and although slightly confusing at first, eventually explains the capabilities that we see Gabriel using.
All in all, I thought it was a pretty good show worth watching again. The overall theme is original, but the biggest challenge for the writers will be to keep the show from becoming a stereotype of action shows. Given the great cast and judging by the Pilot, I think something good is being delivered to television audiences that will keep people watching.
Called a hero, yet deemed reckless and sometimes insubordinate by his boss, he is assigned a capable and attractive female partner to work as his bodyguard--since he's one of a kind the U.S. Cyber Command doesn't want anything happening to him because Gabriel has some pretty amazing abilities. He can look at people, do a facial recognition scan, and then retrieve all available data about that person by accessing computer databases. Video data appears like a holographic projection that he can walk through (what he calls cyber-rendering). Exactly how that works isn't fully explained either, but the concept and presentation are presented well. The good side of that is that the show doesn't wear you down with technical detail, while presenting an innovative presentation of using it.
Abiding by the time-tested formula for action partners--Gabriel and his new partner have their share of bantering, budding sexual tension, and bonding through crisis management. However, even though that aspect of the plot may seem predictable, the acting is solid, and the characters interesting and believable.
This is an action show, so there is a fair amount of fighting and shooting, however its not over- the-top, and isn't too graphic. The Pilot presents the characters, provides an initial storyline, and although slightly confusing at first, eventually explains the capabilities that we see Gabriel using.
All in all, I thought it was a pretty good show worth watching again. The overall theme is original, but the biggest challenge for the writers will be to keep the show from becoming a stereotype of action shows. Given the great cast and judging by the Pilot, I think something good is being delivered to television audiences that will keep people watching.
I'm a big fan in general of spy dramas (counting "Nikita", "Covert Affairs", "Alias", and "Chuck" among my favourite TV shows), so maybe I was biased towards this show from the outset, but I found it to be a very enjoyable and solid spy show. It had somewhat of a slow start for me and I hope to see more from Meghan Ory's character, who I have a feeling has a lot more to give on this show, but I think I'll be with this series for the long haul, as it has a charismatic leading man in Josh Holloway, an attractive and gifted female lead in Ory, and a good supporting role for Marg Helgenberger.
I look forward to what this show has to offer in future episodes.
I look forward to what this show has to offer in future episodes.
After reading a very un-intelligent review on here, I'll just say this: The title "intelligence" wasn't about the guy's intelligence, it was about spying and collecting "intelligence" on "bad guys".
It wasn't supposed to be about a super-smart person, it was supposed to be about a person who had access to more data than anyone else, without the need of a computer.
That said, I loved the show. Seems like most of the ones I like get canceled these days...
I would like to know why it was canceled. Was it ratings? If so, was it mid-season ratings...when they only play re-runs? Pretty stupid reason to cancel a show, but it's happened before...
It wasn't supposed to be about a super-smart person, it was supposed to be about a person who had access to more data than anyone else, without the need of a computer.
That said, I loved the show. Seems like most of the ones I like get canceled these days...
I would like to know why it was canceled. Was it ratings? If so, was it mid-season ratings...when they only play re-runs? Pretty stupid reason to cancel a show, but it's happened before...
Steve Austin meets Sherlock Holmes in a secret agent character (portrayed by Josh Holloway) and his adventures which capture the excitement of the very best of episodic television during its years before the medium became dominated by 'reality show' piffle.
This is a bold attempt at bringing back the kind of series which used to be a consistent ratings winner. This show, with stereotypical casting and solid (but unoriginal) writing touches all the bases adequately showing promise without reaching its full potential in its debut. It will get better via the ground laid by its premiere episode. The first episode is a field-goal. Touchdowns will follow.
Where it may grow tiresome is in the contrived relationship between hero Gabriel and his female partner which appears to be heading in the formulaic direction of so many other shows i.e. sexual tension interspersed with moments of grudging professional admiration and wisecracking camaraderie. Shows feature it because audiences still like it even though a lot of us have seen it so often.
High-minded viewers won't see the human insight of 'Game of Thrones', exploration of class consciousness in 'Downton Abbey' or sophisticated examination of power dynamics of 'the Borgias'. What they will get is a fun show they can watch with their kids.
This is a bold attempt at bringing back the kind of series which used to be a consistent ratings winner. This show, with stereotypical casting and solid (but unoriginal) writing touches all the bases adequately showing promise without reaching its full potential in its debut. It will get better via the ground laid by its premiere episode. The first episode is a field-goal. Touchdowns will follow.
Where it may grow tiresome is in the contrived relationship between hero Gabriel and his female partner which appears to be heading in the formulaic direction of so many other shows i.e. sexual tension interspersed with moments of grudging professional admiration and wisecracking camaraderie. Shows feature it because audiences still like it even though a lot of us have seen it so often.
High-minded viewers won't see the human insight of 'Game of Thrones', exploration of class consciousness in 'Downton Abbey' or sophisticated examination of power dynamics of 'the Borgias'. What they will get is a fun show they can watch with their kids.
I really liked the Intelligence pilot but, on the other hand, I also like Nikita, Alias, Covert Affairs, Person of Interest, Numb3rs, Burn Notice, Agents of S.H.I.E.L.D., Arrow, Tomorrow People, The Blacklist, Orphan Black, Torchwood, The Unit, Almost Human, Homeland, 24... basically, all shows about espionage or spies, either as part of the higher level government security agencies (often secret ones) or free agent spies, trying to combat sinister terrorist organizations, corrupt governments and evil multinational corporations, with individuals who frequently have enhanced abilities (knowledge, fighting skills or super powers).
So, this show is right up my alley. But the question isn't if Intelligence is good, it's is it good enough in 2014 to not be canceled? Will the plots and characters be distinctive enough to distinguish this show from many other series that have the same episodic structure and design? And this question just considers spy-oriented shows, this series also has similarities to cop shows like Elementary or even procedural crime series that are basically 60 minute mysteries with, often, a long- arc story tying the season together.
After just seeing the pilot, I like the characters (or, at least, the actors) well enough but for this show to succeed, it will really rely on the talent of the writers and production crew. Espionage shows already demand a great suspension of disbelief because they reside in a world of secrets and lies that are hidden from ordinary citizens. Viewers won't compare Intelligence to life but to other espionage series and whether the world it creates is consistent to the one we have come to know in similar shows.
Right now, besides a likable cast of actors, Intelligence is trying to distinguish itself through the premise that a computer chip implanted in his brain enables the Gabriel Vaughn character to somehow download every fact that exists anywhere online, even behind firewalls and, seemingly on hard drives as well. It's accepting this premise that seems to be the main dividing line in user reviews of whether people like or dislike this show. While visually, it's stunning to watch Gabriel "cyber-render" a scenario, this show will succeed or fail on whether this goes beyond science fiction into fantasy territory. Will viewers buy this?
The other factor is scheduling and Monday nights at 10 pm is a tough time slot with audience-pleaser Castle and the very promising The Blacklist as opposition. It's hard to see the mid-season Intelligence ranking anywhere other than #3 and it would be wise for CBS to move the series to a less competitive night like Wednesdays or, even Friday nights where it will be more likely to develop an audience. I see this program as one that people DVR and may (or may not) ever watch later. While other shows survive being second choice viewing, it's not a good place for a new series to start from.
Personally, I hope the series last more than 10 or 14 episodes and lasts to a second season, hopefully on a different night of the week.
So, this show is right up my alley. But the question isn't if Intelligence is good, it's is it good enough in 2014 to not be canceled? Will the plots and characters be distinctive enough to distinguish this show from many other series that have the same episodic structure and design? And this question just considers spy-oriented shows, this series also has similarities to cop shows like Elementary or even procedural crime series that are basically 60 minute mysteries with, often, a long- arc story tying the season together.
After just seeing the pilot, I like the characters (or, at least, the actors) well enough but for this show to succeed, it will really rely on the talent of the writers and production crew. Espionage shows already demand a great suspension of disbelief because they reside in a world of secrets and lies that are hidden from ordinary citizens. Viewers won't compare Intelligence to life but to other espionage series and whether the world it creates is consistent to the one we have come to know in similar shows.
Right now, besides a likable cast of actors, Intelligence is trying to distinguish itself through the premise that a computer chip implanted in his brain enables the Gabriel Vaughn character to somehow download every fact that exists anywhere online, even behind firewalls and, seemingly on hard drives as well. It's accepting this premise that seems to be the main dividing line in user reviews of whether people like or dislike this show. While visually, it's stunning to watch Gabriel "cyber-render" a scenario, this show will succeed or fail on whether this goes beyond science fiction into fantasy territory. Will viewers buy this?
The other factor is scheduling and Monday nights at 10 pm is a tough time slot with audience-pleaser Castle and the very promising The Blacklist as opposition. It's hard to see the mid-season Intelligence ranking anywhere other than #3 and it would be wise for CBS to move the series to a less competitive night like Wednesdays or, even Friday nights where it will be more likely to develop an audience. I see this program as one that people DVR and may (or may not) ever watch later. While other shows survive being second choice viewing, it's not a good place for a new series to start from.
Personally, I hope the series last more than 10 or 14 episodes and lasts to a second season, hopefully on a different night of the week.
¿Sabías que…?
- TriviaBased off the book, "Phoenix Island" by John Dixon
- ConexionesFeatured in WatchMojo: Top 10 Animals That Are Now Extinct Because of Humans (2017)
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