Bhimaa

Film is not bad. It is hopeless. Sequences and scenes look cliche and copied from one movie or another. At a crucial time when Tollywood is moving towards new age with directors like Vidyadhar Kagita making a spectacle named Gaami, we have a director imported from outside to make an outdated and cringeworthy fare.

As audience, I support Gaami for the new concept, direction and story despite its flaws, and more over for its Tollywood's OWN director. Gopi sir should acknowledge and support our homegrown talent.

Mr. Harsha, please head back to your own yard to make thrash like 'Bhimaa'. We will support our Gopi sir when he makes his next movie with our Tollywood director. Supporting local talent and new age cinema always!!

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.

To start with, i really don't understand what going on with Telugu Film Industry. I don't like violent Fights / Mass Songs. Why the need of elevation when Hero gets introduced for the first time. Please learn from Malayalam movies. These are very natural; there is lot of nativity. Kudos to the Directors who make such kind of good movies. We also have, but some movies are real spoilers.

Whenever Fights / Songs comes up, we are ending up in forwarding making the movie reduced to almost 45 minutes to 1 Hour. Most of us really don't like. Common man started appreciating the Malayalam movies, unfortunately these movies even though they are dubbed in Telugu, they don't make much good revenue in Theaters but these are blockbusters in OTT.

The film starts off extremely cringe and a couple of scenes later, objectification of women takes place. The Lead actress in this movie is objectified to the most severe extent. This movie degrades police officials as well as Women in the educational field. Every scene where the actress walks away, the cameras' focus on her (back and down from there I hope you understood) the women is objectified to such an extent that it feels wrong to watch this movie. The Lead police actor makes disgusting faces and remarks while looking at the female lead. The film is full of overaction and cringeworthy dialogues. My heart goes out to whoever liked this film may God give you good sense because clearly he didn't when you watched this film. Please ban and boycott this as it disregards the entire police force and shows them as a bunch of people who are nothing but dons and this film also portrays them as mentioned who always fall behind woman based on their looks. This movie is a disappointment and should be removed and banned from the face of earth.

Outdated and waste of time and money. Get the director out of TFI and let him continue his cringe worthy, mindless movies in KFI.

When there are many talented directors inTFI, Gopi sir chose the worst of worst.

Scenes are copied from so many movies and predictable. Front benchers were moving out post interval. This story wouldve been a blockbuster in 1995-2000 era, but world and cinema has moved on. Mr. Harsha, please watch GAAMI to know what is new age cinema.

Every sequence just revels in the concept of 'mass elevation' and few dialogues are double meaning showing the mindset of the person who wrote those dialogues.