Bhimaa

To start with, i really don't understand what going on with Telugu Film Industry. I don't like violent Fights / Mass Songs. Why the need of elevation when Hero gets introduced for the first time. Please learn from Malayalam movies. These are very natural; there is lot of nativity. Kudos to the Directors who make such kind of good movies. We also have, but some movies are real spoilers.

Whenever Fights / Songs comes up, we are ending up in forwarding making the movie reduced to almost 45 minutes to 1 Hour. Most of us really don't like. Common man started appreciating the Malayalam movies, unfortunately these movies even though they are dubbed in Telugu, they don't make much good revenue in Theaters but these are blockbusters in OTT.

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.

Highlighting as a cop, and a priest, Gopichand experiments it with Bhimaa. Bhimaa is a duty minded cop saving village from Bhavani and his goons. And in the jeopardy of misdirection, the story makes no sense with the elevation of priest role. This is itself a copy of Adhurs and Ramudu, Bheemudu with a loss of story.

The direction is so amateurish as the story takes stupidity in highlighting many forced characters and songs in the making of this ridiculous movie.

I wonder what the direction even wanted to make from this outdated story?? The cop role was good, but the rest is nonsense. So disappointing.

Film is not bad. It is hopeless. Sequences and scenes look cliche and copied from one movie or another. At a crucial time when Tollywood is moving towards new age with directors like Vidyadhar Kagita making a spectacle named Gaami, we have a director imported from outside to make an outdated and cringeworthy fare.

As audience, I support Gaami for the new concept, direction and story despite its flaws, and more over for its Tollywood's OWN director. Gopi sir should acknowledge and support our homegrown talent.

Mr. Harsha, please head back to your own yard to make thrash like 'Bhimaa'. We will support our Gopi sir when he makes his next movie with our Tollywood director. Supporting local talent and new age cinema always!!