Murder Is Easy

Putting a new spin on an old story is nothing new, and occasionally produces real gems, so ignore the people who were always going to hate anything that places brown faces in roles they grew up seeing white ones on TV. Despite the racism of the past, there were a good number of notably successful black and Asian people in Britain and the US (going back a couple of hundred years) - they just weren't in the films and TV shows the people complaining watched as children, and they weren't taught about in schools.

All that said, there are many more legitimate reasons to swerve this adaptation. It just lacked any real sense of jeopardy or tension. The pacing was off. Many of the characters came across as caricatures. There were too many ideas and unfinished / unexplored red herrings and other dramatic devices. All in all, it just felt like it was executed by people who don't love or understand the genre. Worth dozing on the sofa to one Sunday afternoon, but not much more than that, I'm afraid.

My husband and I are impressed with David Jonsson, whom we are watching for the first time. His character is classy, like old school acting we haven't seen in a while.

I am no more a fan of revising classic works than the next Marple fan. I've seen "4:50 to Paddington," with Joan Hickson, more times than I can count. When it was remade some years later, there were some tweaks to the story, but I enjoyed that version too, especially with Highclere as the filming location. As far as other retellings after Joan Hickson's time, I felt some were good and some not.

They never did "Murder is Easy," with Joan Hickson. In my opinion, Benedict Cumberbatch made the version he was in, as he assisted Miss Marple ("not a Miss Pinkerton" - no offense to the wonderful Penelope Wilton) because, frankly, the subject was particularly distasteful.

I am reviewing this before I see the second part of this new "Murder is Easy" because I already know my opinion of what makes watching this version worth at least one viewing: the lovely filming locations, Penelope Wilton, Douglas Henshall, Mark Bonnar, Matthew Baynton, and the old-style charm of David Jonsson, which is why I'm being generous with my rating.

I doubt the BBC cares what fans of British mysteries think of their revisions. There have been some pretty awful re-re-re-retellings of classic titles this past decade, to be sure. The best we can do is not watch what isn't good - but then we can't always know it isn't good until we watch. And maybe that's why the BBC keeps the bad revisions coming? No, they'll do what they want anyway.

Agatha Christie has a chequered history with Tv and Film adaptations, from early Poirot characterisations that made him French, yes French. Margaret Rutherford was a fun but hardly faithful to the source Miss Marple. The recent ITV adaptations of Marple have played fast a loose with the narratives and even changed murderers at points. So, it's true to say that adapting Christie can be fraught with difficulty when it appears 'easy'.

This adaptation was a mess on many levels. From a sub Wes Anderson approach to texture and editing rhythm, strange close ups, wobbly camera work and a script that clanked along pouring exposition on top of the imposition of a post-colonial narrative - it just didn't mesh.

The ideas were bold, and in many ways could have been brilliant, just so many choices at once going away from the source material began to stress the story so much that it became vague and confused, an original piece about colonial attitudes in the 20th Century or a straight down the line thriller would have been much more effective and a much stronger choice from the BBC.

The problem with BBC commissions at the moment is their lack of vision to make original drama, they appear to want to be commercial whilst trying to service what is current and hotly debated. This leaves the BBC feeling confused and only concerned with issues that trend in London and liberal media outlets.

ITV have delivered Christie stronger, better and more radically than the BBC over the last two decades. So perhaps it would be nice to see this 'tradition' of a bbc Christie at Christmas knocked on the head, until they begin to understand how to produce drama that doesn't betray the source.

This was just a real dud.

My wife and I were really looking forward to this, it should have been right up our street as we live this sorry of things, but it was very disappointing. Just felt very tedious, disjointed and a bit of a chore to watch. Good cast and basis of a good story but it really, really dragged.

Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.

Whilst travelling to London on a train, Luke William encounters pensioner Lavinia Pinkerton, who explains that a killer is at large in her village of Wychwood, only the locals believe the deaths are all accidents, if nobody thinks it's murder, murder is Easy.

After the likes of And then there were none, ABC Murders and Witness for The Prosecution, Christie at Christmas is back.

Well publicised, I'd been looking forward to it, I don't think it's a brilliant adaptation, but it's a good one, it's a great story, one of my favourite Agatha Christie page turners, definitely one of these more bloodthirsty texts, there are plenty of murders.

The main talking point seems to be the casting of David Jonsson, several people seemed to be upset by the change, for me, he was the best thing about this production, he's excellent throughout.

Sinead Matthews, Tom Riley, Douglas Henshall, lots of talent to enjoy.

Very nicely produced, it looks great, those scenes of London looked amazing, some wonderful costumes.

Dear BBC, can we please have more next Christmas?

7/10.